Age, Biography and Wiki

Georges Pichard was born on 17 January, 1920 in Paris, France, is a French comics artist. Discover Georges Pichard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 83 years old?

Popular As N/A
Occupation N/A
Age 83 years old
Zodiac Sign Capricorn
Born 17 January 1920
Birthday 17 January
Birthplace Paris, France
Date of death 6 June, 2003
Died Place Paris, France
Nationality France

We recommend you to check the complete list of Famous People born on 17 January. He is a member of famous artist with the age 83 years old group.

Georges Pichard Height, Weight & Measurements

At 83 years old, Georges Pichard height not available right now. We will update Georges Pichard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Georges Pichard Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Georges Pichard worth at the age of 83 years old? Georges Pichard’s income source is mostly from being a successful artist. He is from France. We have estimated Georges Pichard's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1920

Georges Pichard (17 January 1920 – 6 June 2003) was a French comics artist, known for numerous magazine covers, serial publications and albums, stereotypically featuring partially exposed voluptuous women.

1956

A native of Paris, he was educated at the École des Arts Appliques, and after World War II worked as illustrator in advertising before publishing his first cartoon strip in La Semaine de Suzette in 1956, featuring a "girl next-door" character named Miss Mimi.

1960

In the early 1960s he met Jacques Lob, with whom he collaborated on the superhero parodies Ténébrax and Submerman.

Ténébrax was first published in the short-lived Franco-Belgian comics magazine Chouchou, and continued its serial run in Italian magazine Linus.

1966

Having collaborated with Danie Dubos on the more daring Lolly-strip which was serialised in Le Rire in 1966, Pichard and Lob began work within the erotic genre of comics as Blanche Épiphanie started serial publication in V Magazine in 1968.

There was significant public reaction as this character acted outside the moral boundaries of the times, and at one point emulated Jane Fonda by going to Vietnam.

This period saw Pichard develop his style of shaping his female heroines into tall, well-endowed women with excessive eyeliner make-up to create a gothic appearance.

1967

In 1967, Submerman was serialised in Pilote magazine, but after a few years Pichard left the family friendly comics genre entirely.

1970

Pichard continued to push the moral boundaries when he collaborated with Georges Wolinski to create a yet more controversial series featuring an eponymous character, Paulette, which began serial publication in Charlie Mensuel in 1970.

This development became a target of right-wing politicians of that period, Jean Royer and Michel Debré.

1974

Less scrutinized for its erotic emphasis are the collaborations Pichard did with science-fiction author Jean-Pierre Andrevon, La Reserve and Édouard from 1974 and Ceux–là from 1977, published in Charlie Mensuel.

Toward the end of his life, Pichard adapted classic erotic stories such as Les Exploits d'un jeune Don Juan by Guillaume Apollinaire, The Kama-Sutra by Vatsyayana, Trois filles de leur mère by Pierre Louÿs, La Religieuse by Denis Diderot and Germinal by Émile Zola.

1975

Continuing in this genre, Pichard reunited with Danie Dubos to produce Caroline Choléra which was serialised in L'Écho des savanes in 1975.

1977

Upon the publication in 1977 of Marie-Gabrielle de Saint-Eutrope, a work almost entirely devoted to sexualized sadism, the explicit nature of Pichard's work led to a ban from bookshops and kiosks.