Age, Biography and Wiki

George K. Arthur (Arthur George Brest) was born on 27 January, 1899 in Littlehampton, Sussex, England, UK, is an actor,producer,soundtrack. Discover George K. Arthur's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 86 years old?

Popular As Arthur George Brest
Occupation actor,producer,soundtrack
Age 86 years old
Zodiac Sign Aquarius
Born 27 January 1899
Birthday 27 January
Birthplace Littlehampton, Sussex, England, UK
Date of death 30 May, 1985
Died Place New York City, New York, USA
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 27 January. He is a member of famous Actor with the age 86 years old group.

George K. Arthur Height, Weight & Measurements

At 86 years old, George K. Arthur height is 5' 6" (1.68 m) .

Physical Status
Height 5' 6" (1.68 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is George K. Arthur's Wife?

His wife is Milba Lloyd (? - ?), Elaine (? - ?)

Family
Parents Not Available
Wife Milba Lloyd (? - ?), Elaine (? - ?)
Sibling Not Available
Children Not Available

George K. Arthur Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is George K. Arthur worth at the age of 86 years old? George K. Arthur’s income source is mostly from being a successful Actor. He is from United Kingdom. We have estimated George K. Arthur's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actor

George K. Arthur Social Network

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Timeline

1921

The son of a travelling salesman and a department store merchandise demonstrator, Arthur was obliged to fend for himself from an early age, selling newspapers and working at starvation wages for a condiment manufacturer. Although underage, he escaped from this life by joining the Bugle Corps at the outset of World War One. His experience in army shows as a comedian and singer encouraged him to try for an acting career. Again a civilian, Arthur took advantage of a government program to enroll at a dramatic school run by the wife of prominent Shakespearian actor/producer Sir Frank Benson. Deciding to adopt a stage name, he simply reversed his first and middle names, adding a meaningless initial 'K' in order to distinguish himself from another George Arthur. He made his professional debut as a spear-carrier in a production at the Memorial Theatre at Stratford-on-Avon, and soon was playing minor parts in Benson's West End Shakespearian productions. Learning that American film director Harold M. Shaw was in London planning a cinematic adaptation of the novel "Kipps" by H. G. Wells, Arthur, with characteristic brashness and skillful self-promotion, managed to persuade Shaw that he was perfect for the title role - as indeed he was. Even before its release it was apparent to all that the film would be a hit, and Arthur found himself in demand as a film actor, and in a position to hobnob with visiting celebrities like Charles Chaplin, Mary Pickford and Douglas Fairbanks. The success of Kipps (1921) led to two films with visiting American star Mae Marsh and dreams of Hollywood. Leaving behind a newly-acquired wife (Milba Lloyd, later employed by Cecil B. DeMille in his art department), Arthur sailed to America and was received with profound indifference by American film makers. Arthur turned to Chaplin for help, and the latter found him a role in a John Gilbert film at Fox.

1922

According to the "Marriages Registered in July, August, and September, 1922" found in Ancestry.com, Milba Lloyd married Arthur G. Brest in the Marylebone Registration District in Middlesex, England.

1923

Arthur was then able to persuade director James Cruze to give him a prominent part in his all-star production of Hollywood (1923), today one of the most eagerly sought-after 'lost' films of the silent era. A five-year contract with producer Pat Powers in his pocket, Arthur was convinced that he was firmly established in Hollywood as a light comedian / juvenile, and brought the rest of his family over from England. Within a few months Powers's venture collapsed, and Arthur was reduced to operating a grocery store and remodelling houses to eke out a living. Having long nurtured plans of producing a film of his own, he managed to bluff his way into obtaining sufficient money to finance an ultra-low budget production.

1925

He turned to would-be director Josef von Sternberg to helm the film, and with a script by the latter and a largely non-professional cast, The Salvation Hunters (1925) was made. Arthur screened the film for Chaplin, who showed it to Pickford and Fairbanks, and it was decided that United Artists would distribute it. A critical success, Sternberg's career was launched, and Arthur obtained a contract with MGM. Arthur now enjoyed his best days as a film actor. Separated from his first wife, he romanced Renée Adorée and Jean Arthur, and was a frequent visitor to San Simeon. MGM paired Arthur with Karl Dane in a very successful series of light comedies, which ended when the advent of sound revealed Dane's thick accent.

1933

The team was able to keep going for a while in vaudeville and short films for RKO and Paramount, and Arthur tried his hand as a singer / composer and novelist, but by 1933 he was pretty much desperate for work. He was able to obtain bit parts at MGM, but focussed his attention on a new career as theatrical producer. He opened a short-lived Grand Guignol theatre in Hollywood, followed by a much more ambitious venture in partnership with E. E.

1935

Clive, but after a final film appearance in Vanessa, Her Love Story (1935), he wound up working as a film salesman in Michigan, and then as a theatrical reviewer on Station WQXR. He also published a not-very-successful magazine guide to New York theatre and night life. Following Pearl Harbor, Arthur, now a US citizen, joined the Air Force as a private. Shortly before being shipped overseas, he married again. He spent the war years organising shows for the troops. On his return Arthur tried to revive his magazine, with little success. Once again he reinvented himself, this time as a producer and distributor of short films for television.

1992

Biography in: "Who's Who in Comedy" by Ronald L. Smith. pg. 28-29 (article titled 'Arthur and Dane'). New York: Facts on File, 1992. ISBN 0816023387