Gegham Grigoryan

Gegham Grigorian (also written Grigoryan) (Գեղամ Գրիգորյան; Гегам Григорян; 29 January 1951 – 23 March 2016) was an Armenian operatic tenor.

Gegham Grigorian was born in Yerevan and graduated from Yerevan Komitas State Conservatory, the class of People's Artist of Armenia professor Sergei Danielyan.

In the 1970s he was already a famous singer in the then Soviet Union.

Grigorian made his first appearance on the big stage in 1971 at age 20, in 1972 he went to West Berlin to appear with solo concerts.

In 1975 he made his debut at the National Theater of Opera and Ballet of Armenia in the role of Edgardo (opera "Lucia di Lammermoor" by Donizetti).

This is followed by Saro (opera "Anush" by Tigranian), Tirith ("Arshak II" by Chukhajyan), Sayat Nova ("Sayat-Nova" by Arutiunian), Count Almaviva ("Il Barbiere di Siviglia" by Rossini), and Faust ("Faust" by Gounod).

In 1978 he took part in the competition of the School of Art in Milan at the theater La Scala and was one of the four lucky winners who were invited to qualify for this school.

During his traineeship in Italy, he participated in several concerts.

In "La Scala" Gegham Grigorian made his debut in the role of Pinkerton (Madama Butterfly by Puccini).

After that performance, he signed a contract with the theater "La Scala" for leading roles in the operas "Boris Godunov" and Tosca.

The performances were to be conducted by Claudio Abbado, then he was principal conductor of La Scala.

In 1980, Virgilijus Noreika, artistic director of Lithuanian National Opera and Ballet Theatre invites Grigorian to work In Vilnius.

There Grigorian worked with the famous conductor Jonas Alex.

He sang in the operas "Eugene Onegin", "Don Carlos", "Boris Godunov," "La Traviata," "Madama Butterfly," "Rigoletto" and many others.

Since 1989, at the invitation of Valery Gergiev he joined the Kirov Opera (soon to be the Mariinsky Theater) as the lead singer.

Here Grigorian was a great success.

In those years, the Mariinsky Theater just gained fame.

Gegham Grigorian made a great contribution in the formation and establishment of a company of soloists, under the chief conductor and artistic director Valery Gergiev.

Until now, in St.Petersburg and throughout Russia, opera fans remember the beautiful and dramatic voice and a magnificent performance of Gegham Grigorian.

In the years 1989-96 he was a member of the Committee of the artistic leadership at the Semaines Musicales de Tours Festival (France).

He fulfilled all of the most difficult parts for tenors ("Rigoletto" 208 performances, "Aida" 70 productions).

He has worked with all the great singers of the classic genre, who created the history of classical performance of 20th and 21st centuries: Nicolai Ghiaurov, Mirella Freni, Leontyne Price, Grace Bumbry, Gena Dimitrova, Maria Dragoni Luciano Pavarotti, Plácido Domingo, Leo Nucci and conductors Gergiev, Zubin Mehta, James Levine, Bruno Bartoletti, Yevgeny Svetlanov, Richter.

Opera directors: Graham Vick, Konchalovsky, Zeffirelli, Del Monaco, etc.

After 1990 the Soviet Union was on the verge of collapse, and Grigorian had the opportunity to travel to foreign countries.

"When he did eventually appear regularly in the West – under the patronage of the conductor Valery Gergiev – he thrilled audiences at Covent Garden, where his portrayal of Lensky in Tchaikovsky's Eugene Onegin was hailed as musical gold by critics, and at the Metropolitan Opera, New York, where he gave a moving account of Herman in The Queen of Spades."

The critic Rodney Milnes declared him to be "one of today's great tenors", adding that in "Grigorian's Lensky you hear a century of Russian tenor tradition, inimitably plangent, firm and expressive".

This stage of career of Grigorian began with debut at the Royal Concertgebouw in Amsterdam in 1990, he sang leading roles in Donizetti’s Lucrezia Borgia, La Boheme and Lecouvreur operas and three years later made his Royal Opera House (London) debut in Eugene Onegin as Lensky.

Since 1990, Grigorian was a regular guest at various festivals: Chorégies d'Orange (Orange, France), at the Summer Opera Season in the Baths of Caracalla (Teatro dell'Opera di Roma, Rome,Italy), Ravenna Festival (Ravenna, Italy), Savonlinna Opera Festival (Savonlinna, Finland), Maggio Musicale Fiorentino (Florence, Italy), Festival Puccini (Torre del Lago, Italy), Salzburg Festival (Austria), and many others.

In 1995 he was a last-minute substitute for Luciano Pavarotti in Verdi’s Un Ballo in Maschera at Covent Garden, the same year in which he appeared in New York.

Almost 20 years after disappearing from La Scala, Grigorian returned to the Italian opera house in 1998, singing in Mussorgsky’s Khovanshchina alongside Burchuladze under Gergiev, returning there in Verdi’s La Forza del Destino under Riccardo Muti in 1999.

In 2000 he returned to Armenia as artistic director of the Yerevan Opera Theatre, a post he held for seven years.

Grigoryan sang at all famous and big Opera Houses and concert halls.

Royal Opera House ("Mazepa", "Eugene Onegin"), Metropolitan Opera ("The Queen of Spades", "Aida", "War and Peace", "Un Ballo in Maschera", "Prince Igor", "Cavalleria Rusticana", "Tosca" ), La Scala ("Madama Butterfly", "La Forza del Destino", "Boris Godunov", "Khovanshchina," "Queen of Spades", "War and Peace"), Teatro Colón Buenos Aires ("Fedora", "Pagliacci", "Il tabarro", "Norma"), Teatro dell'Opera di Roma ("Norma", "Aida", "Un Ballo in Maschera", "La Boheme", etc.), Berlin Staatsoper ("Prince Igor", "Aida", "Il Trovatore", "Queen of Spades").

Grigoryan sang in New York, Washington, Tokyo, Paris, Vienna, Munich, Berlin, Amsterdam, Monte Carlo, Geneva, Florence, Japan, etc.

He returned to the Metropolitan Opera in 2002 as Count Bezukhov in Prokofiev’s War and Peace with Dmitri Hvorostovsky and Anna Netrebko, again under Gergiev.

After a concert performance of The Queen of Spades with the BBC Philharmonic in Manchester in 2004, The Daily Telegraph noted how Grigorian "invested every fibre of his being in the obsessed Hermann", while earlier The New York Times had declared that in the same role at the Met his "characteristic concentration produced frequent haunting moments".

"But politics interfered. The Mussorgsky opera was being staged by Yuri Lyubimov, the famous Moscow director-dissident already in conflict with the government (he was later stripped of his citizenship, in 1984). The production was in rehearsals when the Soviet Union Ministry of Culture asked Grigorian to cancel his participation. As the singer described it at the time - just after the first dress rehearsal - he initially refused. But when the authorities threatened him and his family he acquiesced and departed for Russia. Subsequently he was put on the so-called restricted artists list and not allowed to leave the Soviet Union for eight years" (25 March 2016| by Maya Pritsker, Musicalamerica.com)

As written by The Telegraph on 30 March 2016: "In November that year (1979), however, he turned up in Trieste, some 250 miles east of Milan, seeking political asylum. He was living in a refugee centre while his case was being considered, but within days had vanished, failing to turn up in Milan for his appearance in Mussorgsky’s Boris Godunov on December 7."

(The Telegraph, 30 MARCH 2016)

The Soviet Union had started to disintegrate and Grigorian was now free to travel again.