Age, Biography and Wiki
Gary Stephan was born on 1942 in Brooklyn, New York, is an American abstract painter (born 1942). Discover Gary Stephan's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 82 years old?
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| Age |
82 years old |
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1942 |
| Birthday |
1942 |
| Birthplace |
Brooklyn, New York |
| Nationality |
United States
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We recommend you to check the complete list of Famous People born on 1942.
He is a member of famous painter with the age 82 years old group.
Gary Stephan Height, Weight & Measurements
At 82 years old, Gary Stephan height not available right now. We will update Gary Stephan's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Gary Stephan Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Gary Stephan worth at the age of 82 years old? Gary Stephan’s income source is mostly from being a successful painter. He is from United States. We have estimated Gary Stephan's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
painter |
Gary Stephan Social Network
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Timeline
Gary Stephan (born 1942) is an American abstract painter born in Brooklyn who has exhibited his work throughout the United States and Europe.
He lives and works in New York City and Stone Ridge, NY and is on the faculty of the School of Visual Arts MFA program.
He is represented by Susan Inglett Gallery in New York City and Devening Projects + Editions in Chicago.
Stephan studied industrial design at Parsons School of Design and at Pratt Institute.
Exhibiting since the late 1960s, Stephan creates Postmodern art in the form of idiosyncraticly abstract paintings, drawings, prints, sculpture, photography and video art.
Stephan builds paintings, abstract in form but pictorial in nature, with a few simple visual tools and colors, which he then uses to undermine a coherent view.
Stephan surrounds his marks with shaped areas of negative space that destabilize figure/ground relationships.
A color that is used as ground might come to the surface as a positive form.
He also uses discontinuous areas of similar color that visually unite to create the impression of a singular shape.
Part of the power of Stephan’s paintings and drawings comes from their engagement with the architecture of their exhibition spaces in ways that mirror their formal structure.
Because of their color and facture, some of Stephan’s paintings may seem austere, but merely apprehending their complex formal structure does not settle their meanings.
Stephan creates ambiguities of form that summon feelings that are not easily resolved.
As an abstract painter, Stephan evades the obvious seductive charms that painting offers.
He is a rigorous formalist painter.
Part of the strength of Stephan’s work is the way is engages our imagination through metaphor-eliciting ambiguities.
All the feelings connected with these various interpretations coexist in the emotional resonance of his paintings.
His work has been exhibited at institutions including the Drawing Center, the Metropolitan Museum of Art, the Aldrich Museum of Contemporary Art, and the Whitney Museum.
Stephan has had solo shows in New York at Susan Inglett Gallery, Bykert Gallery, Mary Boone Gallery, Hirschl and Adler, and Marlborough Gallery; in Los Angeles at Margo Leavin Gallery and Daniel Weinberg Gallery.
In 1965, he moved to San Francisco and received his Master of Fine Arts degree from the San Francisco Art Institute in 1967.
After returning to New York, he was a studio assistant to Jasper Johns until he started showing with the David Whitney Gallery in 1970.
This and the Whitney Biennial Exhibitions of 1971 and 1973 were followed by sufficient shows and reviews to prompt Roberta Smith in the New York Times to refer to his work as “among the most closely watched developments of the early ’70s.”
He had a retrospective exhibition at the Kienzle Art Foundation in Berlin from 13 September 2017 to 13 January 2018.
