Age, Biography and Wiki

Fritz Oeser was born on 18 May, 1911, is a German musicologist. Discover Fritz Oeser's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?

Popular As N/A
Occupation N/A
Age 70 years old
Zodiac Sign Taurus
Born 18 May 1911
Birthday 18 May
Birthplace N/A
Date of death February 23, 1982, Kassel
Died Place N/A
Nationality

We recommend you to check the complete list of Famous People born on 18 May. He is a member of famous with the age 70 years old group.

Fritz Oeser Height, Weight & Measurements

At 70 years old, Fritz Oeser height not available right now. We will update Fritz Oeser's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Fritz Oeser Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Fritz Oeser worth at the age of 70 years old? Fritz Oeser’s income source is mostly from being a successful . He is from . We have estimated Fritz Oeser's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income

Fritz Oeser Social Network

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Timeline

1877

He also edited the 1877 version of Anton Bruckner's Third Symphony in D Minor (published 1950).

Fritz Oeser Website

1911

Fritz Oeser (May 18, 1911, Gera – February 23, 1982, Kassel) was a musicologist, most famous for preparing restored versions of Bizet's Carmen in 1964 and Offenbach's Les contes d'Hoffmann in 1976.

The former was heavily criticized for lack of editorial integrity by Winton Dean.