Age, Biography and Wiki

Frederick Rousseau was born on 8 April, 1958 in Paris, France, is a Frederick Rousseau is New Age instrumentalist New Age instrumentalist. Discover Frederick Rousseau's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 65 years old?

Popular As N/A
Occupation Instrumentalist
Age 65 years old
Zodiac Sign Aries
Born 8 April 1958
Birthday 8 April
Birthplace Paris, France
Nationality France

We recommend you to check the complete list of Famous People born on 8 April. He is a member of famous with the age 65 years old group.

Frederick Rousseau Height, Weight & Measurements

At 65 years old, Frederick Rousseau height not available right now. We will update Frederick Rousseau's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Frederick Rousseau Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Frederick Rousseau worth at the age of 65 years old? Frederick Rousseau’s income source is mostly from being a successful . He is from France. We have estimated Frederick Rousseau's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
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Source of Income

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Timeline

1958

Frederick Rousseau (born 1958 in Paris) is a New Age instrumentalist.

His musical research is based on electronic sounds that he mixes with ethnic instruments, classical orchestras, and vocals.

After a classical training in piano, Rousseau tried multiple instruments (including bass guitar, drums, electric guitar, and percussions) and finally chose the keyboards.

1978

After completing his studies in electronics, he was hired by the Defense Nationale in 1978 to work on the final tests of the neutronic head, the detonator for the French atomic bomb.

After two years of this work, he quit.

1980

In 1980, he met Francis Mandin, a young electronic music fan, who convinced him to become a partner in Music Land, a music store in Paris and a laboratory for future electronic instruments.

1981

In 1981, after working on the finalization of the first polyphonic sequencer (MDB Polysequencer), he met Jean Michel Jarre, who was looking for a musical programmer capable of manipulating this instrument for his China tour that would be seen by 60,000 people.

Rousseau was able to reproduce on stage all the sequences that Jarre had taken months to record without having to use playback tapes.

This experience marked a turn in his career.

Returning to Paris, he continued to participate in the recording of the live album Concerts en Chine.

Later that year, Rousseau met Greek musician Vangelis, who was recording The Friends of Mr Cairo at Studio Davout in Paris, and became friends with Jean-Philippe Rykiel.

The following year, Rousseau was called back to London by Vangelis for the recording of the music score of Ridley Scott's Blade Runner.

He was responsible for programming all keyboards except the Yamaha CS-80.

This was the start of a complementary work relationship that was to last over twenty years.

1984

Returning to Paris in 1984, he collaborated on Jean-Michel Jarre's Zoolook album, programming the Fairlight CMI sequences and playing other keyboards.

The result was not immediately liked by Dreyfus Records.

1987

In 1987, not wanting to be involved in Jarre's Revolutions album, Rousseau created French recording Studio Mega, in association with Thierry Rogen.

During the next four years, he recorded with many leading French artists of the time, including Mylène Farmer, Jean-Louis Murat, Louis Bertignac, Indochine, and Kassav.

1990

In 1990, Jean Michel Jarre used Rousseau again to rewrite all the intros and sequences of the music for La Défense Concert.

On stage, Rousseau's job was to synchronize the sequences and to reproduce live all the special effects characteristic of Jarre's music.

This concert made it into the Guinness World Records as having the largest concert audience (2,500,000 people).

The year after, Vangelis moved to Paris and recorded the album The City at Studio Mega, which took more than six months.

Rousseau then followed the Greek composer to Holland for Eureka, the European community project initiated by François Mitterrand on the theme of Industry and Transport.

This concert took place on the Rotterdam docks and was transmitted by satellite to many European countries.

1992

In 1992, Vangelis convinced Rousseau to leave Studio Mega in order to create Astron Studio in Neuilly.

They consecutively recorded the music scores of La Peste by Luis Puenzo, Bitter Moon by Roman Polanski, and 1492: Conquest of Paradise by Ridley Scott.

1993

After Vangelis moved back to Greece, Rousseau traveled back and forth to Athens for the production of the shows Antigone (1993), La Nuit des Poètes (1994), and Tribute to El Greco (1995).

Vangelis' project Mythodea initiated in 1993, was finally completed in 2001.

Rousseau coordinated the electro-orchestral show starring Jessye Norman and Kathleen Battle and performed by the London Metropolitan Orchestra, directed by Blake Neely.

1994

Rousseau released another solo album, MÖ, in 1994, which was inspired by Asian music and would open the way to ethno-lounge music.

1995

He continued on his solo career, releasing Spirit in the Woods (1995), dedicated to trees, then Abyss (1996), a concept that Rousseau refers to as "non music," an experience realised with neurologists specialised in musicotherapy.

1997

In 1997, he released Woods, an electro-wood fusion with voices from forest people and tribal rhythms.

In 1997, Rousseau rejoined Vangelis in Athens for the opening ceremony of the world championship of athletics.

1999

Meanwhile, Rousseau composed the soundtracks for 40 ethnozoological documentary films and released in 1999 the collection of five albums Terres de Légendes.

2001

This music was chosen by NASA for the 2001 mission "Mars Odyssey."

2002

In 2002, Rousseau released Travels a musical Travelog, and in 2003, Recall an exclusive release by Nature et Découvertes.

2004

2004 was marked by Oliver Stone's Alexander in which Vangelis composed the soundtrack and Rousseau participated as editor.

This project lasted over a year.

2005

In 2005, Rousseau signed with Milan-Universal and came out with a new album, Tears.

2008

Since 2008, Frederick has worked as Head of Industrial Relations for IRCAM, the French music institute.