Age, Biography and Wiki
Frederick Bianchi was born on 1954 in United States, is an American composer. Discover Frederick Bianchi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?
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United States
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He is a member of famous composer with the age 70 years old group.
Frederick Bianchi Height, Weight & Measurements
At 70 years old, Frederick Bianchi height not available right now. We will update Frederick Bianchi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Frederick Bianchi Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Frederick Bianchi worth at the age of 70 years old? Frederick Bianchi’s income source is mostly from being a successful composer. He is from United States. We have estimated Frederick Bianchi's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
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composer |
Frederick Bianchi Social Network
Timeline
Frederick Bianchi is an American-born composer and music technologist (born 1954).
Central to his work is the integration of acoustic instruments with electronic/computer-generated sound.
He has been the recipient of numerous awards, honors, and citations including the ASCAP Young Composers Award, the Russolo-Pratella International Electronic Music Competition in Italy, the Bourges International Computer Music competition in France, the Kennedy Center's Friedheim Award competition in orchestral composition, the National Orchestral Association's Orchestral Fellow Award in New York City, and the United States Institute for Theatre Technology 'Award for Innovation'.
In 1988, Bianchi began developing interactive computer music systems and Virtual Orchestra technology with research partner David B. Smith.
They were the first to introduce the term Virtual Orchestra into the musical lexicon in the early 1990s.
The Kentucky Opera’s use of the Virtual Orchestra in the 1995 production of Hansel and Gretel marks the first use of virtual orchestra technology by a major performing arts organization.
Controversy has surrounded Bianchi’s work and research which has prompted international debate regarding the future of music performance and technology.
In 1998, Bianchi co-founded RealTime Music Solutions in New York City.
Bianchi’s Virtual Orchestra work includes over 300,000 performances worldwide and collaborations with Lucent Technologies and Cirque du Soleil.
He has been on the faculty of the College-Conservatory of Music at the University of Cincinnati, Boston University, and is currently Professor of Music at the Worcester Polytechnic Institute in Massachusetts.
The Broadway musicians strike of 2003 resulted in the attempted banning of the technology and the blacklisting of the Bianchi & Smith partnership by the New York Musician’s Union.
In 2004, the British Musician’s Union threatened to strike over the use of Virtual Orchestra technology in the remount of Les Misérables at the Queen’s Theater in London’s West End.
The walkout was eventually thwarted when the Musician’s Union conceded that it could not prevent producer Sir Cameron Mackintosh from using the technology.