Fred Neil

Fred Neil (March 16, 1936 – July 7, 2001) was an American folk singer-songwriter active in the 1960s and early 1970s.

In 1942, the Morlock family moved to St. Petersburg, Florida, where young Fred started singing when he was in first grade, coached by his mother, she claimed.

His parents had separated in 1945, divorcing in 1949, and his father returned to Cleveland.

Around 1947, when in sixth grade, he started playing guitar.

In the late 1950s, Neil was one of the singer-songwriters who worked out of New York City's Brill Building, a center for music industry offices and professional songwriters.

While composing at the Brill Building for other artists, Neil also recorded six mostly rockabilly-pop singles for different labels as a solo artist.

In 1955, at the end of two years of military service in the navy, Fred Morlock married Leilani Lee Michaels, a "Fran Malione Dancer" in San Francisco, a "photographers' model," and later a beauty-pageant queen and "Geary Girl."

They lived with Fred's mother in St. Petersburg, and separated a year later.

In August 1958, in New York, Neil married Elaine Berman after she became pregnant with their son, Kenny.

She had worked at Grey Advertising until her pregnancy compelled her to quit her job.

Faced with the costs of family life, she worked as a secretary at Southern Music Publishing, while Neil wrote songs and performed.

He wrote songs that were recorded by early rock and roll artists, such as Buddy Holly ("Come Back Baby" 1958, co-credited to Holly's producer, Norman Petty) and Roy Orbison ("Candy Man" 1961, co-written with Beverly Ross).

With his 12-string guitar and spectacularly deep baritone voice, Neil was considered the King of the MacDougal Street/Greenwich Village folksingers.

They separated in 1960.

A New Yorker, Martin had relocated to Florida in 1960, and soon settled in Coconut Grove, where Neil followed him after their initial musical meeting, and where he returned regularly for years after.

Blues and folk singer Lisa Kindred credits Neil with being her mentor in the early 1960s.

Interested in dolphins since the mid-1960s, when he began visiting the Miami Seaquarium, Neil, with Ric O'Barry, founded the Dolphin Research Project in 1970, an organization dedicated to stopping the capture, trafficking and exploitation of dolphins worldwide.

With Lou Gossett, starting in February 1961 he co-hosted an afternoon hootenanny at Cafe Wha? Bob Dylan recalled that when he arrived at the Village, he was advised to seek Neil there, and, when he did, Neil invited Dylan to join him on stage.

Photos from July 20, 1961, depict Neil, Karen Dalton, Mark Spoelstra, and an unidentified conga player, with Dylan on harmonica.

In addition to Dalton, early on Neil also performed alongside Dino Valenti.

Neil met Vince Martin in 1962, and they formed a singing partnership; his first LP, Tear Down The Walls (1964) was recorded with Martin.

(In 1965, she married Tony Orlando.) In 1963, Neil and Linda Watson started living together, in Miami, and in time they married, having a son, Christopher.

During 1965 and 1966 Neil was joined on many live sets by the Seventh Sons, a trio led by Buzzy Linhart on guitar and vibes.

Neil released Bleecker & MacDougal on Elektra Records in 1965, reissued in 1970 as A Little Bit of Rain.

His album Fred Neil, released in 1967, relaunched in 1969 as Everybody's Talkin', was recorded during his residencies in Greenwich Village and Coconut Grove, with one session taking place in Los Angeles.

After "Everybody's Talkin, Neil's best-known songs are "Other Side of This Life", covered by The Lovin' Spoonful on their debut album, Do You Believe in Magic and Jefferson Airplane on their live album Bless Its Pointed Little Head; and "The Dolphins", which was later recorded by several artists, including Linda Ronstadt, It's a Beautiful Day, The The, Billy Bragg, Beth Orton, and Tim Buckley. In particular, Jefferson Airplane considered Neil a major influence, and he was a frequent visitor to their Haight-Ashbury house at 2400 Fulton Street in San Francisco. Neil reminded Grace Slick of Winnie the Pooh, and her nickname for him was "Poohneil". The minor Airplane hit "The Ballad of You and Me and Pooneil" was written for Neil. Sebastian's song "Coconut Grove" from the album Hums of the Lovin' Spoonful was a tribute to Neil.

Their marriage ended in 1968.

He did not achieve commercial success as a performer and is mainly known through other people's recordings of his material – particularly "Everybody's Talkin ' ", which became a hit for Harry Nilsson after it was used in the film Midnight Cowboy in 1969.

Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of dolphins.

Fred Neil was born Frederick Ralph Morlock Jr., in Cleveland, Ohio, just two weeks after his parents, Frederick Ralph Morlock and Lura Camp Riggs, married.

Neil later said that he took his stage name from his maternal grandmother, Addie Neill, the family member of whom he was fondest.

While they lived in Ohio, his father installed sound systems for the Automatic Musical Instrument Distribution Company (AMI), which made player pianos and, later, jukeboxes, and then worked for the Triangle Music Company, distributor of Aireon jukeboxes.

When Neil moved to Woodstock, New York, in 1969, he met and married Judy Cruickshank, and they lived in a cabin in Saugerties, NY on the same road as Big Pink, home of Rick Danko and other members of The Band.

Judy and Fred Neil had two sons, Justin and Tyson Neil.

Michael Lang, one of the organizers of the 1969 Woodstock Festival and a habitué of Coconut Grove in the 1970s, tried unsuccessfully to release this as a live LP.

Increasingly involved in that pursuit, Neil progressively disappeared from the recording studio and live performance, with only occasional performances in the rest of the 1970s.

Neil left Woodstock in the mid-1970s and spent his remaining decades on the shores of southern Florida, involved in the Dolphin Project.

After a guest appearance with Stephen Stills at New York City's Madison Square Garden in 1971, Neil began a long retirement, performing in public mostly at gigs for the Dolphin Project in Coconut Grove.

He performed with John Sebastian on harmonica, Harvey Brooks on bass, and Peter Childs on guitar at the Montreux Jazz Festival in July 1975.

In an ensemble called the Rolling Coconut Revue, which included Sebastian, Brooks, Childs, and pianist Richard Bell, Neil played at the Save the Whales benefit concert in Tokyo, April 8–10, 1977.