Age, Biography and Wiki
Fred Barney Taylor was born on 25 August, 1948, is an American independent filmmaker (born 1948). Discover Fred Barney Taylor's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 75 years old?
Popular As |
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Occupation |
Filmmaker |
Age |
75 years old |
Zodiac Sign |
Virgo |
Born |
25 August 1948 |
Birthday |
25 August |
Birthplace |
N/A |
Nationality |
American
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We recommend you to check the complete list of Famous People born on 25 August.
He is a member of famous filmmaker with the age 75 years old group.
Fred Barney Taylor Height, Weight & Measurements
At 75 years old, Fred Barney Taylor height not available right now. We will update Fred Barney Taylor's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
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Not Available |
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Not Available |
Children |
Not Available |
Fred Barney Taylor Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Fred Barney Taylor worth at the age of 75 years old? Fred Barney Taylor’s income source is mostly from being a successful filmmaker. He is from American. We have estimated Fred Barney Taylor's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
filmmaker |
Fred Barney Taylor Social Network
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Timeline
Fred Barney Taylor (born August 25, 1948) is an American independent filmmaker.
Taylor's 1982 film, Los Hijos de Sandino (The Children of Sandino) was shot in 16mm.
In Show Us Life Chuck Kleinhans said: "The film presents the poetry of the revolution; that is the part of the total picture never captured in maps, charts and the official talking-head interviews with officials."
He founded and taught at the New York International Media Group, an instructional workshop devoted to small format videography and filmmaking, 1982–1986.
Currently, he is the Director of Maestro Media Productions in New York City.
It was an award winner at the Global Village Documentary Festival, New York City, 1983 and was an invited participant at festivals in Havana, Edinburgh, Milan, and Mexico City.
Taylor shot The Architecture of Rhythm (1989) on location in West Africa, the Caribbean, and Brazil.
It was selected for the Distant Lives series co-produced by PBS and the Learning Channel, and broadcast nationally.
Taylor was an annual visiting professor, Michigan State University from 1993 to 1999 where he created, designed and taught production courses in Great Britain and Mexico for the MSU Study Abroad program.{citation needed} He was a Senior Faculty Member at the School of Visual Arts in New York City from 1988 to 1999 where he was a senior production instructor and thesis advisor.
Between 1999 and 2001, Taylor directed Great Writers/Great Cities for the Travel Channel.
In four 60-minute films, the series showcased cities seen through the eyes of contemporary writers.
Taylor's film, Atlantis (2006), "a tantalizing treatment of the Brooklyn Bridge"[9] was shot in High-Definition for the HD Lab of Rainbow Media's VOOM Channel VOOM Channel broadcast in December, 2006 and was the Official Selection of the New York Video Festival, 2007 and screened at Pacific Film Archives, 2008.
He is best known for directing The Polymath or, The Life and Opinions of Samuel R. Delany, Gentleman in 2007 which premiered at the Tribeca Film Festival.
In 2007 he directed The Polymath or, The Life and Opinions of Samuel R. Delany, Gentleman. The film was received positive critical reception.
The New Yorker said: "Taylor's understated direction, featuring simple images that prod Delany's recollections gently along, makes the film a lively and thoughtful look at a deeply lived-in life."
Jump Cut said that "Taylor's film illustrates Delany's life through a series of what Roland Barthes called biographemes (preferences, inflections, details to which the author might be distilled)."
It was an official selection of the 2008 International Festival of Films on Art, London International LGFF, FRAMELINE, OUTFEST, REELING, and Seattle GLFF.
It was voted Best Documentary Feature, 2008 at the Philadelphia International Gay and Lesbian Film Festival and was an official selection of the 2008 International Festival of Films on Art, Montreal, London International LGFF, FRAMELINE (San Francisco GLFF), OUTFEST (Los Angeles GLFF), REELING (Chicago International GLFF), Seattle GLFF.