Age, Biography and Wiki
Félix de la Concha was born on 20 August, 1962 in León, Spain, is a Spanish-American painter. Discover Félix de la Concha's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 61 years old?
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Age |
61 years old |
Zodiac Sign |
Leo |
Born |
20 August 1962 |
Birthday |
20 August |
Birthplace |
León, Spain |
Nationality |
Spain
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We recommend you to check the complete list of Famous People born on 20 August.
He is a member of famous painter with the age 61 years old group.
Félix de la Concha Height, Weight & Measurements
At 61 years old, Félix de la Concha height not available right now. We will update Félix de la Concha's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Félix de la Concha Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Félix de la Concha worth at the age of 61 years old? Félix de la Concha’s income source is mostly from being a successful painter. He is from Spain. We have estimated Félix de la Concha's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
painter |
Félix de la Concha Social Network
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Timeline
Félix de la Concha (born 1962) is a painter.
Born in León, Spain, he resides in Pittsburgh and Madrid.
In 1985 he was selected to participate in the Primera Muestra de Arte Joven (Círculo de Bellas Artes de Madrid) where his work was awarded.
He has also done other series of paintings in different places such as Rome (the city where he went with a scholarship granted by the Spanish Academy and where he lived from 1989 until 1994), Santander, Seville and Cairo.
He has focused on a particular format of portraiture.
It can be seen in video the sitter talking, and the painting evolving from blank canvas to the very conclusion of the work.
As painted neither from photographs neither from previous sketches, and usually with a single session (alla prima), eventual errors are keen to him.
He introduces the term pictorial anacoluthon, going back to the Greek origin of the term anacoluthon (meaning inconclusive) and its rhetorical use: ''As with spoken language, there will be mistakes, both in the portrait’s symmetry, and in its sense of completeness.
However, what may be considered, at first, a formal mistake may also be a form of expression.'' However he accomplishes accurate detail.
Since then he has had several shows, mainly in Europe and the United States, including one person exhibitions in the Columbus Museum of Art (1998), Carnegie Museum of Art in Pittsburgh (1999), Hood Museum of Art (2009), the Frick Art & Historical Center (2004), Museo de Bellas Artes in Santander (1995), Museo del Chopo, México D.F. (1994), Centro Cultural La Recoleta in Buenos Aires (1993), and Rómulo Gallegos Center for Latin American Studies in Caracas (1993).
His work One A Day: 365 Views of the Cathedral of Learning, a series that he painted every day during one year while staying in Pittsburgh, is a permanent exhibit at the University of Pittsburgh's Alumni Hall.
The first of this series was exhibited at the Museo Contemporáneo de Madrid in 2008.
51 portraits were exhibited at the Hood Museum of Art, Dartmouth College, with the theme of Conflict and Reconciliation in 2009.
He has also immersed himself in communities, whether in New Hampshire and Vermont, Iowa or Pennsylvania, or in his native Spain.
He has portrayed and interviewed Holocaust survivors around the world.
More recently, he has become interested in portraits with music and synaesthesia, as his performance with the Toledo Symphony Orchestra.
On Fallingwater En Perspectiva he accepted the invitation to an extended residency with unprecedented access to the building and grounds.