Age, Biography and Wiki

Federico Maria Sardelli was born on 15 August, 1963 in Livorno, Italy, is an Italian composer. Discover Federico Maria Sardelli's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 60 years old?

Popular As N/A
Occupation N/A
Age 60 years old
Zodiac Sign Leo
Born 15 August 1963
Birthday 15 August
Birthplace Livorno, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 15 August. He is a member of famous composer with the age 60 years old group.

Federico Maria Sardelli Height, Weight & Measurements

At 60 years old, Federico Maria Sardelli height not available right now. We will update Federico Maria Sardelli's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Federico Maria Sardelli Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Federico Maria Sardelli worth at the age of 60 years old? Federico Maria Sardelli’s income source is mostly from being a successful composer. He is from Italy. We have estimated Federico Maria Sardelli's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income composer

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Timeline

1963

Federico Maria Sardelli (born 1963) is an Italian conductor, historicist, composer, musicologist, comic artist, and flautist.

1984

He founded the medieval ensemble Modo Antiquo in 1984.

1987

In 1987, Modo Antiquo also became a baroque orchestra, debuting with the performance of Jean-Baptiste Lully's Ballet des Saisons in front of an audience of about five thousand.

He is the main conductor of the Accademia Barocca di S. Cecilia (Rome) and guest conductor of the Orchestra Filarmonica di Torino, Maggio Musicale Fiorentino, Orquestra de la Comunitat Valenciana, Gewandhaus Leipzig, Staatskapelle Halle, Kammerakademie Potsdam, Moscow State Chamber Orchestra, etc.

He has recorded more than forty Albums as soloist and conductor, published by the labels Naïve, Deutsche Grammophon, Sony, Brilliant, Tactus.

A notable protagonist in the Vivaldi renaissance, he performed, recorded and edited a large number of Vivaldi compositions, often in world premiere (Arsilda, regina di Ponto, Orlando Furioso, Tito Manlio, Motezuma, L'Atenaide, etc.).

2007

He is a member of the Scientific Board of the Istituto Italiano Antonio Vivaldi, at the Fondazione Giorgio Cini in Venice, for which he has published several essays and monographs, among them "Vivaldi's Music for Flute and Recorder", Ashgate Publishing, 2007, in the translation of Michael Talbot.

In July 2007 Peter Ryom appointed him as his heir to continue his monumental work of cataloging the music of Antonio Vivaldi, and since then Federico Maria has been responsible for the Ryom-Verzeichnis (RV).

2009

He has been nominated twice for the Grammy Award (1997 and 2000) and on 28 November 2009 the Government of Tuscany awarded Sardelli with the Gonfalone d'Argento, the highest medal of honour of the Regione Toscana.

2014

In December 2014 he and Francisco Javier Lupiáñez Ruiz independently identified the earliest known work of Vivaldi, which he has catalogued as RV 820.

2015

In 2015 he published his first novel L'affare Vivaldi, (Sellerio), a historical investigation into the disappearance of Vivaldi's manuscripts.

In addition to his musical activities, Sardelli is also a painter, engraver and satirical writer.

He is married to the violist and musicologist Bettina Hoffmann.

Sardelli is a longtime collaborator on the satirical magazine Il Vernacoliere and contributes through his satire of Italian mainstream culture, religion and religious kitsch.

His nonsensical style resembles that of Monty Python and Luis Buñuel, but he has a recognizable style of his own rooted in Tuscan popular humor.

Sardelli, as a comic author, constructs elaborate parodies of Padre Pio or of Italian sagre (popular festivals that Italian farming communities once often organized); the so-called Proesie ("Proetries") that are ineffable nonsense works.

His Le Più Belle Cartoline Del Mondo ("Most Beautiful Postcards Of The World") are elaborate stories built around 60s and 70's kitsch postcards, often representing children or couples, written in an absurdly baroque and archaic style and lexicon.

A recurring character in these stories is that of the fictional dwarf Gargilli Gargiulo.

Characters and comic-strips by Sardelli include:

Clem Momigliano: an improbable detective whose character blatantly lampoons mainstream heroic characters of adventure comics.

Like Mandrake he has a man of African descent as a sidekick, Negro Balongo, who he unashamedly exploits like a slave.

Most of Clem's adventures begin with a classic opener mocking adventure comics and have an improbable mission issued by a mysterious "Chief", only to collapse miserably because of some trivial impediment such as the neighbour using Clem's rocket to anchor her laundry line.

Il Bibliotecario ("The Librarian"): a peculiar comic strip made always of two-frames variations on the same theme: in the first the librarian greets an unnamed elderly woman with a flowery and archaic sentence and the woman will ask for an impossibly difficult to find ancient book, such as the "Gabinetto Armonico" of Filippo Bonanni.

In the second frame the librarian will reply with totally unconnected and, more often than not, heavily offensive behaviour.

Merda ("Shit"): a mute strip where various characters are nonsensically obsessed by their relationship with excrement.

Circo ("Circus"): about the adventures of a circus whose animals indulge in embarrassing activities just when the show is to start.