Age, Biography and Wiki
Fareeda Mehta was born on 1 July, 1959, is an Indian film director. Discover Fareeda Mehta's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 64 years old?
| Popular As |
N/A |
| Occupation |
Film Director, Screenwriter |
| Age |
64 years old |
| Zodiac Sign |
Cancer |
| Born |
1 July 1959 |
| Birthday |
1 July |
| Birthplace |
N/A |
| Nationality |
|
We recommend you to check the complete list of Famous People born on 1 July.
She is a member of famous Film director with the age 64 years old group.
Fareeda Mehta Height, Weight & Measurements
At 64 years old, Fareeda Mehta height not available right now. We will update Fareeda Mehta's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Fareeda Mehta Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Fareeda Mehta worth at the age of 64 years old? Fareeda Mehta’s income source is mostly from being a successful Film director. She is from . We have estimated Fareeda Mehta's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Film director |
Fareeda Mehta Social Network
Timeline
Fareeda Mehta (born July 1959) is an Indian film director who makes short films, documentaries and feature films.
Also she collaborates closely with the Press Trust of India and organizations such as UNICEF, NCERT, NORAD and NFDC.
Mehta studied social sciences at Tata Institute of Social Sciences (TISS) in Bombay and later film directing at the Film and Television Institute of India (FTII), Pune.
After graduating at the FTII, Pune as a film director, Mehta made her first short film Hawa Ka Rang in 1989, which was awarded the first prize at the Turin Film Festival.
Centred on a Muslim prostitute coming from Muzzafarpur to Mumbai, Kali Salwaar was an almost abstract odyssey into migration, marginalization, and displacement.
Her film is based on a story by Saadat Hasan Manto, the leftist Urdu short story writer of the nineteenth century.
Almost the entire film was shot in her neighbourhood in Mumbai, focusing on a lively bazaar.
Although the main themes are displacement and the sense of loss in an anonymous metropolis, the setting breathes a striking intimacy.
Sultana, the main character, together with her husband and pimp Khudabaksh, soon find out that life in Mumbai is often beyond their control.
With nothing left to make ends meet, Khudabaksh is attracted to fakir mysticism, leaving behind his wife, alone with the desperate wish to find a black garment to wear during Moharram, the Islamic month of mourning.
According to Fareeda, Kali Salwaar does not have a message per se, but deals with exchange of energies.
In a silent way it creates contemplative spaces in which the audience can pause and let imagination, emotions, and memory roam free.
Kali Salwaar has been shown in many international film festivals, including the Indian Panorama in the International Film Festival of India, Goteborg Film Festival, Rotterdam International Film Festival (2003) and Durban International Film Festival (2003).
It was nominated for 'Best Film' at the Bogota film festival.
In her own words: "Perhaps cinema is the best form to show the unfolding of Destiny. Destiny, not as predetermined fate, but as it is getting made – as an unfolding of time and events within time. It gets made as people meet and exchange – a few words, or a look, or money. Seemingly inconsequential encounters change you forever and each time. In Kali Salwaar, I try to come close to this pulse of random movement and imperceptible ‘happening’".
