Age, Biography and Wiki

Ewa Aulin was born on 13 February, 1950 in Landskrona, Sweden, is a Swedish actress. Discover Ewa Aulin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 74 years old?

Popular As N/A
Occupation Actress
Age 74 years old
Zodiac Sign Aquarius
Born 13 February 1950
Birthday 13 February
Birthplace Landskrona, Sweden
Nationality Sweden

We recommend you to check the complete list of Famous People born on 13 February. She is a member of famous Actress with the age 74 years old group.

Ewa Aulin Height, Weight & Measurements

At 74 years old, Ewa Aulin height not available right now. We will update Ewa Aulin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Ewa Aulin's Husband?

Her husband is John Shadow (m. 1968–1972)

Family
Parents Not Available
Husband John Shadow (m. 1968–1972)
Sibling Not Available
Children Shawn Rolf John Shadow

Ewa Aulin Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Ewa Aulin worth at the age of 74 years old? Ewa Aulin’s income source is mostly from being a successful Actress. She is from Sweden. We have estimated Ewa Aulin's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actress

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Timeline

1950

Ewa Birgitta Aulin (born 13 February 1950) is a Swedish former actress who appeared in a number of Italian and some American films in the 1960s and 1970s.

She is remembered for playing the title character in the cult film Candy where she appeared with John Huston, Ringo Starr, Walter Matthau, James Coburn, Richard Burton and Marlon Brando.

She is known to horror film fans for starring in Death Smiles on a Murderer, Death Laid an Egg, and Ceremonia Sangrienta (aka Legend of Blood Castle).

1958

(One of her daughters, Olivia Paladino, later became the partner of Giuseppe Conte, 58th prime minister of Italy).

Aulin abandoned her acting career, enrolled at university, and became a school teacher.

1965

Ewa Aulin won the title of Miss Teen Sweden in 1965 at age 15.

In the same year Aulin had been approached by Gunnar Fischer to appear as the young girl in his short film Djävulens instrument (The Devil's Instrument).

1966

Subsequently, she represented Sweden in the first ever Miss Teen International pageant, which was held on 6 April 1966, in Hollywood, California.

Aulin won, thereby earning the title of Miss Teen International 1966.

1967

Aulin's success as Miss Teen International attracted attention not only in Sweden, where she appeared on the popular entertainment show Hylands hörna, but also in Italy, and in 1967, at age 16, she made her feature-film debut with a supporting role in the comedy Don Giovanni in Sicilia (Don Juan in Sicily), based on the novel by Vitaliano Brancati.

This film led to a movie career for Aulin that would last a little more than six years, starting with leading roles in two giallo films: the pop art-style Col cuore in gola (With Heart in Mouth, 1967) directed by Tinto Brass, and the avant-garde La morte ha fatto l'uovo (Death Laid an Egg, 1968) directed by Giulio Questi.

Aulin's co-star in both these films was Jean-Louis Trintignant.

In late 1967, Aulin was cast as the title character in her most famous film, the American-Italian-French co-production Candy, directed by Christian Marquand.

Aulin learned that she had the role only the day before filming began in early December 1967.

The story involves Aulin's character's search for the meaning of life, which leads to encounters with a variety of different men and always ends in a sexual situation.

The film did poorly in America and failed to make an international star out of Aulin.

It was more successful in Europe and has gained some popularity as a cult film in later years.

Aulin, in particular, received praise for her performance in the film, earning a Golden Globe nomination for Most Promising Newcomer.

As a consequence of her appearance in this role, Aulin was stereotyped as something of a 'blonde nymphet' by people in the film industry.

1968

They had married secretly in Mexico in early 1968.

The film itself barely was released anywhere in the world.

After this, Aulin only appeared in Italian films.

Many of her films were sex comedies set in the Middle Ages but she also managed to make more impact in drama and thriller films.

1970

The only other American film Aulin appeared in was Start the Revolution Without Me (1970), a comedy of errors set during the French Revolution.

Aulin played a supporting role as Christina of Belgium, and the film starred Gene Wilder and Donald Sutherland, but like Candy, the film did little business in America.

Later the same year, Aulin starred in the experimental film Microscopic Liquid Subway to Oblivion, which was written and directed by Aulin's husband, who used family money to set himself up as a film producer, using the Anglo-sounding stage name John Shadow.

1971

She played one of the leads in the giallo The Double (1971) directed by Romolo Guerrieri as well as leading roles in Quando l'amore è sensualità (When Love Is Lust, 1973) and Jorge Grau's Ceremonia Sangrienta/ The Legend of Blood Castle (1973).

1972

Aulin and John Shadow divorced in 1972.

1973

She played an undead avenging angel in Joe D'Amato's gothic horror film La morte ha sorriso all'assassino (Death Smiles on a Murderer, 1973) and also appeared in the thriller Una vita lunga un giorno (Long Lasting Days, 1973).

1974

In 1974, at age 24, Aulin married a wealthy Real Estate developer, Cesare Paladino, and by him had two daughters.

1996

Since her retirement, she has appeared only in one other film, Mi fai un favore (Stella's Favor, 1996), in a supporting role.