Age, Biography and Wiki
Enrico Crispolti was born on 18 April, 1933 in Rome, Kingdom of Italy, is an Italian art critic, curator and art historian. Discover Enrico Crispolti's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 85 years old?
| Popular As |
Enrico Crispolti |
| Occupation |
art critic |
| Age |
85 years old |
| Zodiac Sign |
Aries |
| Born |
18 April 1933 |
| Birthday |
18 April |
| Birthplace |
Rome, Kingdom of Italy |
| Date of death |
8 December, 2018 |
| Died Place |
Rome |
| Nationality |
Italy
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We recommend you to check the complete list of Famous People born on 18 April.
He is a member of famous historian with the age 85 years old group.
Enrico Crispolti Height, Weight & Measurements
At 85 years old, Enrico Crispolti height not available right now. We will update Enrico Crispolti's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Enrico Crispolti Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Enrico Crispolti worth at the age of 85 years old? Enrico Crispolti’s income source is mostly from being a successful historian. He is from Italy. We have estimated Enrico Crispolti's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
historian |
Enrico Crispolti Social Network
| Instagram |
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| Wikipedia |
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| Imdb |
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Timeline
Enrico Crispolti (18 April 1933 – 8 December 2018) was an Italian art critic, curator and art historian.
Other exhibitions he organized include Six Italian Painters from the 1940s to the Present Day (Municipal Gallery of Contemporary Art, Arezzo, 1967),The imaginary Organic, (Forte Belvedere, Florence, 1992), A! Que bien!, Resistes (Galleria Comunale d'Arte Contemporanea, Arezzo, 1994); Art and State (Museo Revoltella], Trieste and Palazzo delle Albere, Trento 1997) and Art in the early 20th Century in Maremma (Grosseto, 2006).
Crispolti's work focused mostly on Futurism.
Crispolti curated many contemporary art exhibitions and events, including four editions of Alternative Attuali in L'Aquila (1962, 1963, 1965, 1968), three editions of the Biennale of Metal and Ceramics in Gubbio (1973, 1974, 1975), the 5th and 6th Biennial of Sacred Art in San Gabriele (1992, 1994), the 9th International Sculpture Biennale of Carrara (1998), as well as sections of the Venice Biennale, including Ambiente come sociale (1976), The New Soviet Art: An Unofficial Perspective (1977), and Megastructural Imagination from Futurism to Today (1978), Boccaccio’s Decameron on 100 Etching Interpretations by Petru Rusu (1986).
He curated the first major retrospective of Giacomo Balla at the Civic Gallery of Modern Art in Turin in 1963, with Maria Drudi Gambillo, as well as major surveys like Futurism and Fashion (PAC, Milan, 1988); Italiens Moderne: Futurismus und Rationalismus (Fridericianum Museum, Kassel and IVAM, Valencia 1990), Futurism (Tokyo, Sapporo, Sendas, Otsu, 1992), Futuristickà rekonstrukce vesmíru (Prague 1994), Futurism and the South of Italy (Royal Palace, Naples, 1996), The Great Themes of Futurism 1909–1944 (Palazzo Ducale, Genoa and Fondazione Mazzotta, Milan, 1998), Le Futurisme (Fondation Hermitage, Lausanne, 1998); Futurism through Tuscany (Museo Fattori, Villa Mimbelli, Livorno, 2000); Futurism (Palazzo delle Esposizioni, Rome, 2001); and From Futurism to Abstraction (Museo del Corso, Rome, 2002).
He previously taught at the Accademia di Belle Arti in Rome (1966–1973) and at the Università degli Studi di Salerno (1973–1984).
He also curated several retrospectives of contemporary artists, including Mauro Reggiani (Galleria Civica d'Arte Moderna, Turin, 1973); Corrado Cagli (Palazzo degli Anziani, Ancona 1980; Castel dell'Ovo, Naples 1982; Magazzini del Sale, Siena 1984); Renato Guttuso (Reggio Emilia, St. Francis Church, Como; Archaeological Museum of Salerno, 1983); Pietro Cascella (Magazzini del Sale, Siena 1985; L'Aquila, alternative attuali, Fausto Cheng, Sergio Nannicola, Pietro Cascella, Giuseppe Fiducia, de Leonibus Forte Spagnolo, L'Aquila 1987; Ignazio Gadaleta (Municipal Gallery of Contemporary Art, Arezzo, 1990); Edgardo Mannucci (Palazzo Braschi, Rome 1991); Enrico Prampolini (Palazzo delle Esposizioni, Rome, 1992); Valeriano Trubbiani (Palazzo Ricci, Macerata, 1997); Francesco Somaini (Brera Academy, Milan, 1997); Lucio Fontana (Palazzo delle Esposizioni, Rome, 1998; Centenario, Milan, 1999; and Fundacion Proa, Buenos Aires, 1999); Guido Pajetta (Villa Reale, Monza,); and Mario Ceroli (Castello Svevo, Bari, 2003).
From 1984 to 2005, he was professor of history of contemporary art at the Università degli Studi di Siena, and director of the school of specialisation in art history.
He died in Rome on 8 December 2018.
