Age, Biography and Wiki
Emily Barker was born on 2 December, 1980 in Bridgetown, Australia, is an A 21st-century australian women singer. Discover Emily Barker's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 43 years old?
Popular As |
N/A |
Occupation |
Musician, singer-songwriter, composer |
Age |
43 years old |
Zodiac Sign |
Sagittarius |
Born |
2 December 1980 |
Birthday |
2 December |
Birthplace |
Bridgetown, Australia |
Nationality |
Australia
|
We recommend you to check the complete list of Famous People born on 2 December.
He is a member of famous Musician with the age 43 years old group.
Emily Barker Height, Weight & Measurements
At 43 years old, Emily Barker height not available right now. We will update Emily Barker's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Emily Barker's Wife?
His wife is Dom Coyote (m. 2010–2012)
Family |
Parents |
Not Available |
Wife |
Dom Coyote (m. 2010–2012) |
Sibling |
Not Available |
Children |
Not Available |
Emily Barker Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Emily Barker worth at the age of 43 years old? Emily Barker’s income source is mostly from being a successful Musician. He is from Australia. We have estimated Emily Barker's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Musician |
Emily Barker Social Network
Timeline
Emily Barker (born 2 December 1980) is an Australian singer-songwriter, musician and composer.
Her music has featured as the theme to BBC dramas Wallander and The Shadow Line.
Emily travelled to the UK in 2002, and was first based in Cambridge where she collaborated with guitarist Rob Jackson.
They formed a band called the-low-country which released two albums, Welcome to the-low-country (2003) and The Dark Road (2004), tracks from which enjoyed plays on John Peel's BBC radio show.
In October 2005 Emily won Country Song of the Year and Regional Song of the Year awards at the annual West Australian Music Songwriting Awards.
Also in 2005, Emily started work on her debut solo album, Photos.Fires.Fables., released on Emily's own label Everyone Sang.
The release of this album saw the birth of The Red Clay Halo, an all-female trio of Anna Jenkins (violin, viola), Jo Silverston (cello, bass, banjo, saw), and Gill Sandell (accordion, piano, flute, guitar).
With multi-instrumental trio the Red Clay Halo, she recorded four albums: Photos.Fires.Fables. (2006), Despite the Snow (2008), Almanac (2011), Dear River (2013), before commencing a solo career with The Toerag Sessions (2015), Sweet Kind of Blue (2017), A Dark Murmuration of Words (2020), and Flight Path Rhymes (2021).
Other projects include Vena Portae (with Dom Coyote and Ruben Engzell), Applewood Road (with Amy Speace and Amber Rubarth), and Room 822 (2022) with Lukas Drinkwater.
Released in November 2008 on Everyone Sang, the album again garnered much praise.
In late 2008, the album's opening track "Nostalgia" was discovered by composer Martin Phipps who re-recorded it with Emily for use as the theme tune for the hit television series Wallander on BBC1 starring Northern Irish actor Kenneth Branagh.
The first series, which attracted over 6 million viewers per episode, won a slew of awards, including several BAFTAs and a Royal Television Society award for its theme tune.
In February 2011, Almanac was released, once again on Everyone Sang.
The release of this album was accompanied by sessions for Cerys Matthews on 6 Music and Radio 4's Loose Ends, while the single "Little Deaths" was record of the week on Nemone's show on 6 Music.
Emily and the band again went on the road in the UK, culminating in a complete performance of Almanac at St Giles-in-the-Fields church in London.
Almanac was jointly funded by spareroom.com, and a fan-funded campaign on Pledgemusic.com.
Early in 2012, Emily began a working relationship with producer Calum Malcolm, having been introduced to him by Gilad Tiefenbrun of Linn Products.
Emily and The Red Clay Halo went into Gorbals Sound studios in Glasgow and recorded four songs, including a new version of Emily's murder ballad duet, "Fields of June", which had first appeared on Photos.Fires.Fables.; on this version, the male vocal part was sung by Frank Turner and was released as a limited 7" white vinyl on Xtra Mile Recordings. The band then went back in to Gorbals Sound with Calum Malcolm in June 2012 to record their next album, Dear River. Shortly after completing the recordings, Emily, Anna, Gill and Jo were invited by Frank Turner to perform with him at the Olympics Opening Ceremony. In the autumn of 2012, Emily toured Europe alongside Chuck Ragan, Cory Branan, Rocky Votolato, and Jay Malinowski as part of The Revival Tour., and the day after the last date on that tour, on 21 November 2012, Emily Barker & The Red Clay Halo played a sold out headline show at London's Union Chapel.
Dear River was released on 8 July 2013, charting at 99 in the official UK album charts, 23 in the Independent Albums chart, and 7 in the Record Store Albums chart, spending 4 weeks in the top 20.
Reviews were very favourable in both mainstream and specialist press: Will Hodgkinson in The Times gave the album a four star lead review, saying it contained "heartfelt songwriting... bridging the gap between folk, country and Fleetwood Mac".
Emily Barker & The Red Clay Halo released a special limited edition 10" vinyl EP for Record Store Day on 19 April 2014. They celebrated the release by doing a tour of independent record stores, performing at seven stores over the holiday weekend Working once again with Martin Phipps, Emily composed music for The Keeping Room starring Sam Worthington and Brit Marling. She then went on to compose her first feature-length soundtrack for the UK movie Hector (2015) starring Peter Mullan, released in December 2015.
The band's first album released under the name Emily Barker & The Red Clay Halo, Despite The Snow, was recorded in live sessions in a 16th-century barn in Norfolk.
“''It was really a response to a lot of what was going on in 2019 with the collective awakening of the environmental crisis.
It’s something that I’d been aware of before, and I was brought up by parents who were very conscious of that anyway, but I think a lot of people really looked at the personal impact in a big way and started realising the scale of this emergency.
It’s so hard to compute but for me, writing songs helps me to make sense of things that I can’t process".''
Emily Barker commented that the album involves a "lots of processing the emotional response to the environmental crisis".
This album was inspired by a concern with the impact of climate change on the natural world.
Emily Barker explained: "Last year the climate crisis was very much at the forefront of all of our conversations and thoughts, wondering what we can do to adapt, and feeling helpless and guilty and angry and upset and all these things" Emily Barker commented: ""Environment and equality are very important to me, and it’s finding the right perspective to write that from and being respectful of the people in society who are suffering".
Emily Barker also covered a Billy Bragg song, 'Can't Be There Today', in 2020 as part of a campaign to save musical venues during the COVID-19 crisis.
Emily Barker released an alternative version of A Dark Murmuration of Words in 2021 – called Flight Path Rhymes.
She discussed the reworking of the album:
''Recording A Dark Murmuration of Words was a wonderful immersive experience that involved my live band and multiple conversations with producer Greg Freeman.
It was only as the album was coming together that I realised how all the songs intertwined...how, despite their different subjects, there was an underlying theme that tied them all together.''
''That realisation found an outlet not only in the album itself, but also in a poem I wrote soon after the recording sessions were over.
I've always been a fan of poetry, but until a couple of years ago, I'd never written any myself.