Age, Biography and Wiki

Ellen Fullman was born on 1957 in Memphis, Tennessee, is an American classical composer. Discover Ellen Fullman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 67 years old?

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Occupation composer, instrument builder, performer
Age 67 years old
Zodiac Sign N/A
Born
Birthday
Birthplace Memphis, Tennessee
Nationality United States

We recommend you to check the complete list of Famous People born on . She is a member of famous composer with the age 67 years old group.

Ellen Fullman Height, Weight & Measurements

At 67 years old, Ellen Fullman height not available right now. We will update Ellen Fullman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Ellen Fullman Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Ellen Fullman worth at the age of 67 years old? Ellen Fullman’s income source is mostly from being a successful composer. She is from United States. We have estimated Ellen Fullman's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income composer

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Timeline

1950

Her music has been represented in exhibits including: The American Century; Art and Culture, 1950–2000, Whitney Museum of American Art; Listening, Pompidou Center (2004); and Volume: Bed of Sound, P.S.1 (2000).

Peter Esmonde directed a documentary film on Fullman's work, 5 Variations on a Long String.

The film was premiered at SXSW.

1957

Ellen Fullman (born 1957) is an American composer, instrument builder, and performer.

She was born in Memphis, Tennessee, and is currently based in the San Francisco Bay Area.

She is known for her 70-foot (21-meter) Long String instrument, tuned in just intonation and played with rosin-coated fingers.

1980

Fullman studied sculpture at the Kansas City Art Institute before moving to New York in the early 1980s.

In Kansas City she created and performed in an amplified metal sound-producing skirt and wrote art songs which she recorded in New York for a small cassette label.

Fullman has performed in numerous festivals, art spaces, and museums, including: New Albion at Bard SummerScape, a Norway tour presented by NY Musik, Instal, Glasgow, Lincoln Center Out of Doors, Festival van Vlaanderen, Brussels, Künstlerhaus Stuttgart, Other Minds, San Francisco, Romanische Sommer Köln, Columbia University, Donaueschinger Musiktage, Walker Art Center, ISCM World Music Days, and New Music America 1980, 1984 and 1986.

1981

In 1981, she began developing the Long String Instrument at her studio in Brooklyn, consisting of dozens of metallic strings played with rosin-coated fingers and producing a chorus of organ-like partials.

This instrument has been compared to the experience of standing inside an enormous grand piano.

She has recorded extensively with this unusual instrument and has collaborated with such luminary figures as composer Pauline Oliveros, choreographer Deborah Hay, the Kronos Quartet, and Frances-Marie Uitti.

1985

In 1985, she was in residence at the Apollohuis in the Netherlands, where she recorded The Long String Instrument (LP) for Apollo Records.

The recording is from her 1985 residency at Het Apollohuis in Eindhoven, Holland.

2002

Fullman wrote an article on her work for MusikTexte (Cologne 2002), subsequently published in MusicWorks (Toronto 2003).

She has been interviewed for NPR's Morning Edition, the Wire and Signal to Noise.

2004

Using archival footage, Fullman edited Suspended Music, a documentary film on her collaboration with Pauline Oliveros's Deep Listening Band, which premiered at the Pacific Film Archive, UC Berkeley (2004).

2008

Releases include: Fluctuations, with trombonist Monique Buzzarté (Deep Listening Institute), selected as one of the top 50 recordings of 2008 by The Wire (London) and awarded an Aaron Copland Fund for Music Recording Program Grant; Ort, recorded with Berlin collaborator Konrad Sprenger (Choose Records), selected as one of the top 50 recordings of 2004 by The Wire; Suspended Music, in collaboration with Deep Listening Band (Periplum); Change of Direction (New Albion); and Body Music (XI).

Fullman's commissioned works include: Post Futurist Reverie, for the project: Music for 16 Futurist Noise Intoners (replicas of Luigi Russolos Intonarumori), curated by Luciano Chessa and presented by the San Francisco Museum of Modern Art, and a piece for Trimpin's Klavier Nonette, an installation of nine MIDI-controlled toy pianos.

Fullman has presented numerous lectures on her work including: the Songlines series, Center for Contemporary Music, Mills College; and Improv:21 a lecture series presented by Rova:Arts, San Francisco.

2009

Her recent performance with Austin New Music Co-op at the Seaholm Power Plant was given a Critic's Table Award for Best Chamber Performance, 2009-2010.

2011

Forthcoming performances and projects include: Issue Project Room, Propensity of Sound series, May 22, 2011; and a split LP release with Eleh on Important Records.

Ellen Fullman's album The Long Instrument has been reissued on vinyl by Superior Viaduct.

2015

Fullman has been the recipient of numerous awards, commissions and residencies including: a Foundation for Contemporary Arts Grants to Artists Award (2015); a McKnight Visiting Composer Residency from American Composers Forum (2010), Artist-In-Residence, Headlands Center for the Arts (2008); Center for Cultural Innovation Investing in Artists Grant (2008); Japan/U.S. Friendship Commission/NEA Fellowship for Japan (2007); DAAD Artists-in-Berlin Program residency (2000); Artist Trust/Washington State Arts Commission Fellowship (1999); and Meet the Composer, Reader's Digest Consortium Commission (1993).