Age, Biography and Wiki

Douglas Huebler was born on 27 October, 1924 in Ann Arbor, Michigan, is an American artist (1924 - 1997). Discover Douglas Huebler's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 72 years old?

Popular As N/A
Occupation N/A
Age 72 years old
Zodiac Sign Scorpio
Born 27 October 1924
Birthday 27 October
Birthplace Ann Arbor, Michigan
Date of death 12 July, 1997
Died Place Truro, Massachusetts
Nationality United States

We recommend you to check the complete list of Famous People born on 27 October. He is a member of famous artist with the age 72 years old group.

Douglas Huebler Height, Weight & Measurements

At 72 years old, Douglas Huebler height not available right now. We will update Douglas Huebler's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Douglas Huebler Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Douglas Huebler worth at the age of 72 years old? Douglas Huebler’s income source is mostly from being a successful artist. He is from United States. We have estimated Douglas Huebler's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1924

Douglas Huebler (October 27, 1924 – July 12, 1997) was an American conceptual artist.

Douglas Huebler grew up in rural Michigan during the Depression and served in the Marines in World War II.

After the war, funded by the GI Bill, Huebler earned his bachelor's and master's degrees at the University of Michigan, and later went on to study at the Académie Julian in Paris.

He worked for several years as a commercial art illustrator in New York as he established himself as an artist.

Initially a painter, Huebler moved on to produce geometric Formica sculptures in the early '60s, which aligned him with the Minimalist movement.

1953

Huebler's first one-person museum exhibition was at the Phillips Gallery, Detroit, in 1953.

1958

Art as Object 1958–1968, at the Museum of Contemporary Art, Los Angeles.

1960

In the late 1960s Huebler's work was published in 0 to 9 magazine, an avant-garde journal which experimented with language and meaning-making.

Huebler subsequently started producing works in numerous media often involving documentary photography, maps and text to explore social environments and the effect of passing time on objects.

1969

In 1969, he participated, with Joseph Kosuth, Robert Barry and Lawrence Weiner, in a landmark exhibition of conceptual art curated by Seth Siegelaub.

As part of the show, Huebler issued one of his most famous statements: "The world is full of objects, more or less interesting; I do not wish to add any more."

A representative example of Huebler's early work is Duration Piece #5, 1969, a series of ten black & white photographs with accompanying text; to document the piece, Huebler stood in Central Park and, each time he heard a bird call, he pointed his camera in the direction of the call and shot a photograph.

1971

In 1971, he began "Variable Piece #70 (In Process) Global," for which he proposed his intention "to photographically document the existence of everyone alive."

1972

Thereafter, he exhibited extensively in galleries and museums in the United States and Europe, as well as in international exhibitions such as documenta V (1972), and was included in many surveys of conceptual art.

1976

Huebler served as dean of the art school at California Institute of Arts from 1976 to 1988 where he influenced a generation of artists including Mike Kelley and Christopher Williams.

1980

In the 1980s and '90s, Huebler began incorporating painting into his conceptual art pieces, creating a persona he called "the Great Corrector," who took works by masters like Picasso, Matisse, Bruegel and Hieronymus Bosch and attempted to "make them better."

For his "Buried Treasure" series, incorporating text about the unscrupulous dealer, Huebler paints fake Monets, Van Goghs, Gauguins and a De Chirico.

Huebler's academic career spanned more than forty years; he taught art at Bradford College in Massachusetts, and at Harvard.

1989

In 1989, he retired to Cape Cod.

1994

The last retrospective of his work during his lifetime was presented at the Palais des Beaux-Arts in Brussels in 1994.

1997

He died in Truro, Massachusetts in 1997.

2002

There have been several posthumous one-person exhibitions, including at the Camden Arts Centre, London (2002) and the MAMCO, Geneva (2006).

2004

In 2004, Huebler's work was included in the exhibition, A Minimal Future?