Age, Biography and Wiki

Don Leicht was born on 12 October, 1946 in United States, is an American painter. Discover Don Leicht's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 75 years old?

Popular As Don Leicht
Occupation N/A
Age 75 years old
Zodiac Sign Libra
Born 12 October 1946
Birthday 12 October
Birthplace N/A
Date of death 2021
Died Place N/A
Nationality United States

We recommend you to check the complete list of Famous People born on 12 October. He is a member of famous painter with the age 75 years old group.

Don Leicht Height, Weight & Measurements

At 75 years old, Don Leicht height not available right now. We will update Don Leicht's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Don Leicht Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Don Leicht worth at the age of 75 years old? Don Leicht’s income source is mostly from being a successful painter. He is from United States. We have estimated Don Leicht's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income painter

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Timeline

1946

Don Leicht (October 12, 1946 – January 22, 2021) was a visual artist who worked as a painter and sculptor in the Bronx, New York City for over forty years.

1970

Leicht had one person exhibitions in New York, Sweden and (Germany) and was an early figure in the New York City downtown scene in the 1970s, and in the subsequent Street Art and Graffiti movements.

Fashion Moda is most often associated with graffiti art and its acceptance into the art world through such figures as John Fekner, Jean-Michel Basquiat, Jenny Holzer, and Keith Haring.

1976

Leicht began collaborating with Queens artist John Fekner at P.S. 1 where they shared a studio in 1976.

1978

In 1978, Leicht painted outdoors in Fekner's Detective Show in Gorman Park in Queens which included the words street museum on the invitational card.

1980

In August 1980, John Fekner and Don Leicht worked together on an outdoor project located at the site of the People's Convention held at Charlotte Street in the South Bronx.

Held on August 8–10, the People's Convention was an alternative and direct response to the National Convention of the Democratic Party being held at Madison Square Garden in New York City.

Fekner's stenciled messages included Decay, Broken Promises, Falsas Promesas, Last Hope, Broken Treaties and Save Our School were succinct and dramatic in size; Leicht's Birdfeeders were small-scaled and intimate painted sculptures for the children of the neighborhood.

Their work transversely complemented each other with two different and distinct approaches that identified and drew attention to the existing conditions of the immediate Black and Latino communities, as well the concerns of Native American Indians.

Presidential candidate Ronald Reagan stood amidst the abandoned buildings on August 5, 1980 promising to rebuild the area, as did his predecessor President Jimmy Carter in October 1977.

The area has seen improvements through the rebuilding initiatives of Mayor Ed Koch, Ed Logue's SBDO Charlotte Street Gardens, and the ongoing efforts of MBD Community Housing Corporation, SoBro and other newer partnerships and financial institutions.

1981

In 1981, Leicht participated in Fashion Moda's annual South Bronx exhibition, and the following year in From The Monkey To The Monitor an installation by Fekner, Leicht and Fred Baca which included a live performance by Phoebe Legere.

1982

In 1982, they began a series of work and installations using steel, cut metal, aluminum and automotive paints based on Nishikado's Space Invaders arcade game with the statement: ''Your Space Has Been Invaded-Our Children are Fighting a Terrible War.

1983

O’Brien, Glenn, Artforum magazine, 1983

Review of From the Monkey to the Monitor, Fashion Moda, South, Bronx

The Wooster Collective said, "For us, John Fekner's pioneering stencil work is as important to the history of the urban art movement as the work of artists like Haring, Basquiat. It was artists like Fekner, Leicht, Hambleton and others who truly held down the scene back in the early 80's."

In 1983, art writer Glenn O'Brien in a review in Artforum magazine states, "Leicht's piece consists of a sequence of creatures that exist only on a video screen- Pac Man, Donkey Kong, and other Atari-type stable mates. Leicht has cut the forms of these leisure demons from heavy aluminum plate and enameled them with their normal, unnatural colors. But each creature has also been abraded, scratches in the enamel showing the metal underneath. One geometric thing – an abstracted dog? an "Imperial Walker"? – has been scratched with a message like a toilet-stall graffito or the "Pray" scratched on the metal of New York City phone booths.

2006

Whole families are being sent to Battlescreen. Their Beauty's Only Street Deep was installed at the Wooster Collective's 11 Spring Street'' street art 2006 exhibition in NYC.