Dina Carroll

Geraldine "Dina" Carroll (born 21 August 1968) is an English singer.

She started singing aged five, and despite the lack of formal vocal coaching, she won a local talent competition in 1981, at the age of thirteen, with her rendition of Barbra Streisand's "Woman in Love".

After leaving school, she worked in various jobs, including a one-day stint as a chambermaid in a Cambridge hotel in 1985.

At the age of sixteen, she was signed to Morgan Khan's London-based record label StreetSounds, primarily a compilations company known for its electro music albums.

Carroll moved to West London and recorded two singles for the company's StreetWave dance music singles label called "Set It Off" and "One Nation".

Released in 1985, both records were credited to a non-existent group called Masquerade, with "One Nation" being a track based around a number of Parliament-Funkadelic songs such as "One Nation Under a Groove" and "Tear the Roof off the Sucker (Give Up the Funk)".

After six unproductive months, she left StreetSounds/StreetWave, with Khan going on to use the Masquerade name again for the number 64 hit "(Solution to) The Problem" and a megamix called the "Streetsounds Real Thing Mix".

In 1989, Carroll secured a recording contract with Jive Records/Zomba and released a number of singles in 1989 and 1990.

Of particular note was her cover of Dionne Warwick's classic "Walk On By", co-produced by The Pasadenas who also provided vocal arrangement and backing vocals.

Although "Walk On By" did not make it to the UK top 40 (peaking at number 95), it was a minor hit in continental Europe.

Other solo releases during that era included "People All Around the World" and "Me Sienta Sola (We Are One)", the latter being an underground club hit in the New York scene.

She had a string of hits during the 1990s, including the UK top ten singles, "It's Too Late" (1991), "Don't Be a Stranger" (1993), "The Perfect Year", (1993), and "Escaping" (1996).

In 1990, Carroll provided the vocals to Brothers in Rhythm's single "Peace and Harmony" and Simon Harris' "Don't Stop the Music" (guesting with Monte Luv on this Music of Life single), but unlike the former's "Such a Good Feeling" and the latter's "Bass (How Low Can You Go)", both tracks failed to reach the top 40.

After a short time at Jive Records, Carroll was spotted by Denis Ingoldsby, one half of First Avenue Management, a small and newly founded management group.

First Avenue were already managing a dance production duo called Quartz, made up of Ronnie Herel and Dave Rawlings, and so Carroll was brought in to provide vocals for the duo on their cover of Carole King's "It's Too Late".

This cover topped the dance charts and reached No. 8 in the UK Singles Chart in early 1991, so a follow-up collaboration was also recorded.

This follow-up single was called "Naked Love (Just Say You Want Me)" and reached number 39 in the UK Singles Chart, becoming the last hit single for Quartz.

After these two singles with Quartz, First Avenue decided to relaunch Carroll as a solo artist, and was signed to A&M Records by managing director Howard Berman.

Carroll's first solo single (produced and co-written by Nigel Lowis) "Ain't No Man" was released in June 1992, reaching number 16 in the chart.

To capitalise on the momentum of "Ain't No Man", Carroll and Lowis worked on future singles together, one of which being the top 20 hit "So Close", which was released in December 1992; coincidentally the title of her debut album.

Carroll was approached by Robert Clivillés and David Cole of C&C Music Factory who invited her to New York to become the first British artist to work with them.

Carroll interrupted the writing and recording of her album to record "Special Kind of Love", which also reached number 16 in the UK Singles Chart.

Carroll released two studio albums, So Close (1993) and Only Human (1996), both of which reached number two on the UK Albums Chart and were certified platinum.

In January 1993, the album So Close was released in March 1993 and entered the top 10 of the UK Albums Chart.

The album continued to generate a string of hits, such as "This Time" (No. 23) and "Express" (No. 12).

One of the tracks on the album, "Don't Be a Stranger", a cover version of a song originally recorded by Chyna, was the sixth single from the album, but a new version was recorded for the single release, with the London Session Orchestra providing strings for a new backing track.

This completely transformed the song, and when it was released, it became Carroll's biggest chart hit, reaching No. 3 and spending many weeks inside the top 10.

Carroll announced her first British tour for November and December 1993 with the then unknown Eternal as supporting guests.

To round off a highly successful 1993, Carroll recorded her version of "The Perfect Year" from Andrew Lloyd Webber's "Sunset Boulevard" and released it in December 1993.

This was another top 5 hit, peaking at No. 5, and Carroll was to become the only British female to have two singles simultaneously in the top 10 that decade, with "Don't Be a Stranger" still holding high when "The Perfect Year" entered the charts.

She won Best British Female Solo Artist at the 1994 Brit Awards.

Carroll was born in Newmarket, England to a Scottish mother and an American father.

Carroll was named Best Female Artist at the BRIT Awards in February 1994.

She then took a break from her recording and touring obligations, stating that she felt "burned out".

Although no new records were released, the album So Close extended its unbroken residency in the top 10 for the main part in 1994, eventually selling over 1.5 million copies in the United Kingdom, making it the fourth biggest-selling album of the year in the United Kingdom, and until Dido's No Angel, the biggest selling debut album by a female artist in the history of the UK charts.

The album was also short-listed for the Mercury Music Prize.

Towards the end of the year, Carroll announced another national tour in December, selling out over 15 dates.

Rumours of new songs from Carroll started to surface in the summer of 1995, but instead of releasing them, she found herself in the midst of contractual problems.

Howard Berman, who had originally signed her to A&M, had moved to Mercury Records but there were problems in convincing them to move Carroll with him.

Eventually, Mercury agreed but it was not until May 1996 that the release of a new single was confirmed.