Age, Biography and Wiki

David Weisman was born on 11 March, 1942 in Binghamton, New York, USA, is a producer,miscellaneous,director. Discover David Weisman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 77 years old?

Popular As N/A
Occupation producer,miscellaneous,director
Age 77 years old
Zodiac Sign Pisces
Born 11 March 1942
Birthday 11 March
Birthplace Binghamton, New York, USA
Date of death 9 October, 2019
Died Place Los Angeles, California, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 11 March. He is a member of famous Producer with the age 77 years old group.

David Weisman Height, Weight & Measurements

At 77 years old, David Weisman height not available right now. We will update David Weisman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

David Weisman Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is David Weisman worth at the age of 77 years old? David Weisman’s income source is mostly from being a successful Producer. He is from United States. We have estimated David Weisman's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Producer

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Timeline

1937

They were working on Madrid 1937 for Milena Canonero to direct, at the time of Puig's death in 1990.

1960

Born in upstate New York, after one viewing of La Dolce Vita (1960), David Weisman dropped out of Syracuse University's School of Fine Arts in the early 1960s to design film-posters in Rome -- where, by learning fluent Italian, he managed to meet Federico Fellini, create the poster for Otto e mezzo (8 1/2) and work for Pier Paolo Pasolini. The teenager's linguistic skill also enabled him to freely work as an artist in Québec, France, Holland, Israel, Germany, and Brazil.

1967

Back in New York, Weisman was discovered by Otto Preminger, who hired him to replace Saul Bass, to create the titles for Hurry Sundown (1967).

Having interned as Preminger's assistant on the Paramount movie, Weisman turned to experimental film-making with a splinter-group from Andy Warhol's Factory and, in 1967, he began the five-year-long production of underground cult classic Ciao Manhattan (1972), a chronicle-à-clef about and starring sixties-icon Edie Sedgwick (featuring Isabel Jewell, Roger Vadim, plus Factory luminaries Brigid Berlin, Viva and Paul America), which Weisman co-wrote and co-directed with Warhol alumnus, John Palmer.

1971

Weisman then worked as associate director on avant-garde film The Telephone Book (1971), and created an English-language film edited from a series of Japanese samurai-movies which was successfully released as Shogun Assassin (1980) by Roger Corman's New World Pictures.

1981

In 1981, after producing Bad Manners (1984) (a comedy with Martin Mull and Karen Black), Weisman's collaboration with Leonard Schrader began on The Killing of America (1981), a feature documentary created for Japanese theatrical release about the evolution of U. S. violence. Schrader's background in Latin American literature and Weisman's familiarity with Brazil prompted them to look for a film project they could make "below the equator".

1982

In 1982, when Ciao Manhattan (1972) was re-released (breaking box-office records at The Quad Cinema in New York upon publication of bestseller "Edie: An American Biography", by Jean Stein & George Plimpton), Weisman used the proceeds to acquire the "Kiss of the Spider Woman" screen rights from Manuel Puig, then develop the screenplay with Schrader and commence pre-production on the film with Burt Lancaster and Raul Julia in the lead roles.

1983

In October of 1983, with William Hurt replacing the ailing Lancaster, Weisman began Kiss of the Spider Woman (1985) in São Paulo Brazil with director Hector Babenco -- financed only by private investors on two continents who believed in the project.

1984

After Babenco's health crisis in mid-1984, Weisman completed the film's problematic editing with Schrader. Post-production took 14 arduous months, much of it (for lack of funds) done in Weisman's home.

1985

He was obliged to re-dub most of the film's dialogue, re-cut the negative and mix the soundtrack twice, before "Kiss of the Spider Woman" was accepted in Official Competition at the Cannes Film Festival in 1985, where William Hurt won the Best Actor award. Weisman subsequently collaborated with novelist Manuel Puig on two original screenplays (Seven Tropical Sins, Chica Boom).

After the international success of Kiss of the Spider Woman (1985) in 1986, Weisman was recipient of an Academy Award Nomination for Best Picture -- a first for an independent film made for little more than a million dollars.

1987

Weisman began producing the $40-million Ironweed (1987) for Taft-Barish but left the production in early 1987 over creative differences with director Babenco.

1988

Weisman then produced the indie film Spike of Bensonhurst (1988) with Sasha Mitchell and Ernest Borgnine, directed by ex-Warhol associate, Paul Morrissey.

1990

Continuing his Latin American-themed collaboration with Leonard Schrader, Weisman produced Schrader's directorial debut, Naked Tango (1990), a mythic love-story set in the bordellos of 1920s Buenos Aires, starring Vincent D'Onofrio, Mathilda May, Esai Morales and the late Fernando Rey.