Dany Saval

Lithe and lovely French actress Dany Saval was born Danielle Nadine Suzanne Savalle amid very humble surroundings on January 5, 1942, in Paris. Her father, a factory laborer, had been a German POW just prior to her birth. Dany took to entertaining early and trained in dance as a young child. She grew into a beautiful young adult and subsequently found employment at the Moulin Rouge as a Can-Can girl.

Featured as the fiancée of Pierre Brice, this story of alienated youth has often been described as the Gallic answer to Rebel Without a Cause (1955).

A movie-struck Dany made her inauspicious, unbilled film debut in the film L'eau vive (1958) (The Girl and the River) directed by François Villiers. The film went on to earn a Golden Globe as "Best Foreign-Language Film.

" She made much more of an impression in her second dramatic film Les tricheurs (1958), written and directed by Marcel Carné.

The petite, fizzy blonde immediately moved into second lead femme roles with such films as the social drama Asphalte (1959) and the action thriller Atomic Agent (1959), before earning her first co-starring role in the François Villiers directed film La verte moisson (1959) with Dany, Jacques Perrin, Francis Lemonnier and Claude Brasseur as student resisters taking on the Nazis.

She continued to rise in French movie stature with the films La dragée haute (1960), Pierrot la tendresse (1960), Les portes claquent (1960) (her first top-billed role), Spotlight on a Murderer (1961), Le puits aux trois vérités (1961) (Three Faces of Sin), Les sept péchés capitaux (1961) and Tales of Paris (1962). By sheer happenstance, a Disney talent scout happened to glance at a French magazine cover gracing Dany's wide-set eyed beauty and had her screen-tested.

Dany did not return to American filming until the mid-1960's when she was cast as perky Jacqueline (of Air France), one of three gorgeous airline stewardesses (the others being the equally gorgeous Christiane Schmidtmer (Lufthansa) and Suzanna Leigh (British United) being unwittingly juggled around by capricious gigolo Tony Curtis in the frantic bedroom slapstick comedy Boeing-Boeing (1965), based on the 1960 French play. Starring with Curtis is Jerry Lewis as a visiting friend who takes advantage of the situation, and it features wonderfully wry Thelma Ritter as Tony's beleaguered housekeeper. The film, despite its potential, received mixed reviews and earned a middling box office.

Earning a limited contract, she was introduced to American film audiences in the modestly delightful Disney sci-fi comedy Moon Pilot (1962) starring handsome Tom Tryon as an astronaut who comes upon a beautiful space alien (Dany) first thought a Russian spy.

The film was a box-office disappointment, however, and Dany returned immediately to France, enhancing a variety of film genres including The Devil and the Ten Commandments (1962), Comment réussir en amour (1962), Du mouron pour les petits oiseaux (1963), Sweet Skin (1963), Web of Fear (1964), Cherchez l'idole (1964), Un drôle de caïd (1964), Jaloux comme un tigre (1964) and Moi et les hommes de 40 ans (1965).

Briefly married to non-professional Roger Chaland, Dany's second husband was the three-time Oscar-winning French composer and conductor Maurice Jarre, best known for his film collaboration with epic filmmaker David Lean in such film masterpieces as Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). The couple had one daughter, Stéfanie, and Dana semi-retired for a time to focus on being a wife and mother. The marriage, however, was very short-lived, and lasted but a couple of years.

Lithe and lovely French leading lady of the late 50s and 60s in both fluffy comedy and intrigue. Best known in America as one of a trio of lovely airline stewardesses being shuffled around by Tony Curtis and Jerry Lewis in the slapstick comedy Boeing-Boeing (1965).

In the 1970's Dany returned to acting, focusing on French TV but including a few films from time to time as in the slapstick "spagetti western" It Can Be Done Amigo (1972) with Bud Spencer and Jack Palance; the action comedy Animal (1977); the musical comedy La vie parisienne (1977); and the non-musical comedies Ciao, les mecs (1979), Inspecteur la Bavure (1980), Do You Want a Nobel Baby? (1980) and Signé Furax (1981).