Age, Biography and Wiki

Danny Lane was born on 27 January, 1955 in Urbana, Illinois, United States, is an American artist (born 1955). Discover Danny Lane's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 69 years old?

Popular As N/A
Occupation N/A
Age 69 years old
Zodiac Sign Aquarius
Born 27 January 1955
Birthday 27 January
Birthplace Urbana, Illinois, United States
Nationality United States

We recommend you to check the complete list of Famous People born on 27 January. He is a member of famous artist with the age 69 years old group.

Danny Lane Height, Weight & Measurements

At 69 years old, Danny Lane height not available right now. We will update Danny Lane's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Danny Lane Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Danny Lane worth at the age of 69 years old? Danny Lane’s income source is mostly from being a successful artist. He is from United States. We have estimated Danny Lane's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income artist

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Timeline

1955

Danny Lane (born 27 January 1955) is an American artist, best known for his glass and steel sculpture.

Lane is also known for his work in art furniture and contemporary design.

He lives and works in London.

Lane was born in 1955 in Urbana, Illinois, in the United States.

During his childhood, his family moved many times, from Virginia to West Germany, New York City’s Greenwich Village and finally Baltimore.

Travelling through Europe exposed Lane to a wide range of art and architecture.

1975

Lane moved to the United Kingdom in 1975 to begin an apprenticeship with stained-glass artist Patrick Reyntiens at Burleighfield House in Buckinghamshire, and then Ruskin School, Oxford, before attending a foundation course in Fine Art at the Byam Shaw School of Art in London.

Reyntiens recommended Lane to the Central School of Art & Design, London, where he trained as a painter under artist Cecil Collins, whose personal philosophy and method of teaching influenced Lane's own creative development.

As well as teaching Lane how to be analytical about materials, Collins introduced him to concepts of mysticism and the spirituality of art.

1980

Lane came to attention in the 1980s through his art furniture.

Though now well known for his large-scale public artworks, Lane was first known in the 1980s for the construction of his design objects and art furniture.

These objects often have functional names, but frequently venture into abstraction.

Lane then began developing objects using industrial float glass, and by the mid-1980s he was experimenting with assemblage, uniting found materials in his furniture.

During this period in the early 1980s, Lane met designer Ron Arad.

During these early years, he developed a series of editioned works and by the end of the 1980s, Lane had exhibited work at solo shows in London, Paris and Milan.

Lane's first public commissions occurred in the late 1980s, including Stacked Glass Fountain (1986) in Miami, Florida and etched glass screens and a wall sculpture for the British Embassy in Helsinki in 1989, both of which contained elements that provided the basis for later work.

1981

In 1981, Lane established his first studio in London's East End, Hackney, where time spent in local workshops gave him a respect for traditional craftsmanship, and saw him begin to accumulate stacks of metal, glass and wood with which to experiment.

1984

Within a year of their meeting, he was offered his first solo exhibition at Arad's influential shop One Off in Shelton Street, London, where he showed several works including Romeo and Juliet table (1984).

In 1984 Lane exhibited abroad for the first time at the International Furniture Fair in Milan, making folding glass screens with sandblasted and acid etched drawings.

1985

Best known from this period, Lane's Etruscan Chair (1985) is featured in several museum collections.

The piece was constructed from inch-thick float glass, industrial nuts and bolts, forged stainless steel and aluminium.

1986

In 1986, Lane began to exhibit work at London's Themes & Variations gallery.

1987

Another work from this period is Angaraib (1987), which takes its name from the traditional Sudanese rope-bed, united with the concept of the North American Indian 'horse travois'.

The work is constructed from the branches of a storm damaged London plane tree, bound together with hemp rope, on top of which sits a raft of glass.

1989

By 1989, Lane's focus on larger-scale works required him to move to his current studio and gallery where he is still based today, a 10,000 square foot converted factory in Willesden, West London.

The studio employs a team of technicians and is equipped with glass furnaces, kilns, offices and an exhibition space.

From 1989 to 1990, Lane travelled to Tokyo and Osaka in Japan to produce new commissions.

1990

He moved into large-scale public sculpture in the 1990s, being responsible in 2006 for Borealis, believed to be the largest glass sculpture in the world.

Lane's work can be found in public spaces and collections worldwide, such as London Underground, Canary Wharf Plc, Victoria & Albert Museum, Microsoft, British Land Plc, Rolex UK, British Airports Authority, Swire Properties (Hong Kong) and General Motors (USA).

To construct his glass sculptures, Lane exploits the strength of glass under compression and its qualities of luminosity.

This approach expands on traditional methods of glass and metal smithing and has resulted in a varied body of work, from monumental structures made from industrial float glass and steel, to coloured glass sculpture, casts and design objects.

In the early 1990s, Lane's focus shifted to making large-scale glass and steel sculptures for public and corporate spaces.

1991

Further work followed during 1991-93 across China, Spain and London and Edinburgh in the United Kingdom, including Wave Wall (1993) for Dalian Glass Company, China, which saw Lane experimenting with curving glass walls that refract light.

1994

In 1994, Lane was commissioned by the Victoria & Albert Museum, London to create a glass balustrade for their new Glass Gallery.

The balustrade is made up of 140 pillars of cut glass, lining the stairs leading to a glass mezzanine floor

1996

In 1996, the steel and glass sculpture Man Catching A Star was commissioned for the Wembley Stadium approach in London.

2000

More public sculptures followed over subsequent years, including glass water sculptures in China and India, Pantheon for Henley Festival in 2000 and The Presence of Seven (2002) in Meadville, Pennsylvania.

It was constructed from 2000 narrow strips of glass, which are locked into place by their own weight.

2003

In 2003, Lane made Parting of the Waves for Canary Wharf Plc, East London.

The work is a 4m high, 10m long ribbon of glass running each side of the north entrance.