Age, Biography and Wiki

Daniel Burman was born on 29 August, 1973 in Buenos Aires, Argentina, is an Argentine film director and producer. Discover Daniel Burman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 50 years old?

Popular As Daniel Burman
Occupation Film director, screenwriter and film producer
Age 50 years old
Zodiac Sign Virgo
Born 29 August 1973
Birthday 29 August
Birthplace Buenos Aires, Argentina
Nationality Argentina

We recommend you to check the complete list of Famous People born on 29 August. He is a member of famous Film director with the age 50 years old group.

Daniel Burman Height, Weight & Measurements

At 50 years old, Daniel Burman height not available right now. We will update Daniel Burman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Eloy Burman

Daniel Burman Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Daniel Burman worth at the age of 50 years old? Daniel Burman’s income source is mostly from being a successful Film director. He is from Argentina. We have estimated Daniel Burman's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Film director

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Timeline

1973

Daniel Burman (born 29 August 1973, in Buenos Aires) is an Argentine film director, screenplay writer, and producer.

1995

In 1995, he launched his own production company together with Diego Dubcovsky, BD Cine (Burman and Dubcovsky Cine).

Burman is also a founding member of the Academy of Argentine Cinema.

1998

According to film critic Joel Poblete, who writes for Mabuse, a cinema magazine, Daniel Burman is one of the members of the so-called "New Argentina Cinema", which began circa 1998.

In fact, film critic Anthony Kaufman, writing for indieWIRE, said Burman's A Chrysanthemum Burst in Cincoesquinas (1998) has been cited as the beginning of the "New Argentine Cinema" wave.

Burman is of Polish-Jewish descent, and he was born and raised in Buenos Aires.

He holds both Argentine and Polish citizenship, like his films' character, Ariel.

He studied law before changing to audiovisual media production.

2000

His loose trilogy of films, Esperando al Mesías (2000), El Abrazo Partido (2004), and Derecho de Familia (2006), were all written and directed by Burman and star Uruguayan actor Daniel Hendler.

They are largely autobiographical, dealing with the life of a young neurotic Jew in contemporary Buenos Aires.

He frequently collaborates with other Argentine Jews, notably writer and klezmer musician Marcelo Birmajer, and César Lerner.

His comedic touches often bring comparison to Woody Allen, a comparison Burman is quick to reject.

He said, "It's not a measurable comparison. But I'm very happy with it. I admire him more than anyone else in the world."

Burman's films have been featured in many film festivals around the world.

It is arguable that the loose trilogy of films — Esperando al Mesías (2000), El Abrazo Partido (2003), and Derecho de Familia (2006) — happen in the same "universe".

The three share common traits: They are written and directed by Burman and all star Daniel Hendler in the title role as a young Jew.

Additionally, several actors and actresses appear twice in the films.

Because Hendler's characters share similar traits (they are all named Ariel: Ariel Goldstein, Ariel Makaroff and Ariel Perelman respectively) and because some characters from one film seem to appear in another, the trilogy is usually considered as happening in the same universe

Several continuity changes show that the three Ariels are different people: In the first movie, Ariel's father is a restaurant owner, and his mother dies; in the second film, his father has been long gone, and his mother tends to a small shop; in the third movie, his father dies in the film, and his mother has been long dead.

However, a character named Estela from the first film appears in the second, and is both times played by Melina Petriella.

This at least connects the first two movies to the same universe.

Additionally, Juan José Flores Quispe appears in the second and third movie as "Ramón".

Although his character, unlike Estela, varies from film to film, this suggests that the second and third film also share the same universe and, thus, the trilogy itself is set in the same storyline, with the "Ariel persona" showing either different aspects of the same character or simply being a mere coincidence.

2003

El abrazo partido (2003) took the Grand Jury Prize at the Berlin International Film Festival, as well as best actor for Hendler.

2004

Burman was co-producer of the successful 2004 film, The Motorcycle Diaries, as well as Garage Olimpo (1999).

In an interview with Brian Brooks, who writes for indieWIRE.com, an online community of independent filmmakers and aficionados, Burman discussed his approach to filmmaking.

He said: "I don't have goals when I make a film, except to create as faithfully as possible the story I wanted to tell, and that the sensations that provoked me to tell the story are also caused when reading the script."

"I don't love film in itself; it's not like I was debating the merits of using different types of camera-work, like traveling shots. I love film because it's a story-telling tool," he said in an interview he did for TimesSquare.com.