Age, Biography and Wiki
Christopher Ward was born on 18 March, 1980 in London, United Kingdom, is a British conductor (born 1980). Discover Christopher Ward's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 43 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
43 years old |
| Zodiac Sign |
Pisces |
| Born |
18 March 1980 |
| Birthday |
18 March |
| Birthplace |
London, United Kingdom |
| Nationality |
United Kingdom
|
We recommend you to check the complete list of Famous People born on 18 March.
He is a member of famous conductor with the age 43 years old group.
Christopher Ward Height, Weight & Measurements
At 43 years old, Christopher Ward height not available right now. We will update Christopher Ward's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Christopher Ward Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Christopher Ward worth at the age of 43 years old? Christopher Ward’s income source is mostly from being a successful conductor. He is from United Kingdom. We have estimated Christopher Ward's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
conductor |
Christopher Ward Social Network
Timeline
In 2003, Ward was awarded the position of Répétiteur Fellow at Scottish Opera and the RSAMD, Glasgow, working with Sir Richard Armstrong, Richard Farnes, and Timothy Dean.
In 2004, Ward spent a period working at the Internationales Opernstudio at Zürich Opera.
Christopher Ward moved to Germany in 2005 to work as Kapellmeister at Staatstheater Kassel.
Working as music staff on a range of repertoire, he led productions of Donizetti's L'Elisir d'Amore, Porpora's Il Gedeone, Loewe's My Fair Lady, Weill's Die Sieben Todsünden, Ullmann's Der Kaiser von Atlantis, Krenek's Das Geheime Königreich, the world premiere of Beaudoin's Himmelfahrt, Rotkäppchen, Lauf! (Müller-Wieland's Rotkäppchens Schlaflied, Schmitt's Im Korb, Kühnl's In Rotkäppchens Bett, Seither's Der helle Rand von Furcht und Erwachen), Gershwin's Blue Monday, Bernstein's Trouble in Tahiti, Martinu's Hlas Lesa and Streul's Spuk im Händelhaus, and conducted performances of Verdi's Simon Boccanegra, Mozart's Le Nozze di Figaro, Humperdinck's Hänsel und Gretel, Offenbach's Les Contes d'Hoffmann, Händel's Hercules, Lehár's Der Graf von Luxemburg, Suppé's Banditenstreiche and Porter's Anything Goes.
During this time, he has also conducted the Staatsorchester Kassel in a range of concerts as well as directing the theatre's annual youth orchestra project (TJO).
In 2006, Ward assisted Sir Simon Rattle and the Berlin Philharmonic in a production of Wagner's Das Rheingold at the Aix-en-Provence Music Festival.
He continued this association in Berlin and Salzburg (Easter Festival 2007).
He led new productions of Rossini's La Cenerentola, Haydn's La fedeltá premiata and Janacek's The Cunning Little Vixen, and world premieres of Eötvös' Die Tragödie des Teufels, Ronchetti's Narrenschiffe and Srnka's Make No Noise (opening the International Munich Summer Opera Festival with Ensemble Modern).
Moreover, he conducted concerts with the Bayerische Staatsorchester, the Opera Studios of Munich and La Scala Milan, Orchesterakademie and Jungen Münchner Philharmonie.
As guest conductor, he has directed performances at the Hamburgische Staatsoper (Mozart's "Le nozze di Figaro"), Deutsche Oper am Rhein (Verdi's "La Traviata"), Komische Oper, Berlin (Mozart's "Le nozze di Figaro"), Staatstheater Braunschweig (Verdi's "Rigoletto"), Salzburger Landestheater (Rossini's "Il Barbiere di Siviglia"), Musiktheater im Revier Gelsenkirchen (Saint-Saen's Samson et Dalila), Staatstheater Mainz (Verdi's Un ballo in maschera), GHT Theater, Görlitz (Verdi's La Traviata), Theater Augsburg (Puccini's La Bohème), Staatstheater Darmstadt (Puccini's Madama Butterfly) and Hochschule für Musik Saar (Gluck's Iphigénie en Tauride) as well as conducting concerts with the Staatsorchester Braunschweig, Cottbus Philharmonic, Neue Lausitz Philharmonic and Altenburg-Gera Philharmonic orchestras.
He recently directed the world premiere of Ľubica Čekovská's opera Dorian Gray as part of ISCM World New Music Days Festival 2013 at the Slovak National Theatre, Bratislava, performing it also at the Prague Spring International Music Festival 2015.
In 2014, Christopher Ward became 1st Kapellmeister at the Saarländisches Staatstheater.
Here he has already led new productions of Ravel's L'Enfant et les Sortilèges and Daphnis et Chloé, Rimsky-Korsakov's The Golden Cockerel, Haas' Bluthaus, Rameau's Platée, Dvořák's Rusalka, Verdi's Rigoletto and several new ballet productions (Grieg's/Sæverud's Peer Gynt, Inger Celis Eckmann, Kylián Celis Chaix).
He has also conducted a range of symphonic concerts as well as performances of Donizetti's Lucia da Lammermoor, Verdi's Macbeth and Un ballo in maschera, and Mozart's Don Giovanni.
In the 2016/17 season, he conducts new productions of Weber's Der Freischütz and Verdi's Simon Boccanegra, a ballet evening including Stravinsky's Pulcinella as well as revivals of Verdi's Falstaff and Rossini's Il Barbiere di Siviglia.
In August 2018 he became the music director of Theater Aachen.
Christopher Ward studied at Oxford University (Musicology) and the Guildhall School of Music and Drama, London (Conducting and Piano).
During this time, he worked with Oxford University Philharmonia and Chorus, Oxford Bach Choir, New Chamber Opera and The Arcadian Singers.
