Chen Wen-min

Chen, Wen-min / Chen, Fen in original(1920-2022, /陳粉) was the first female director in Taiwan, screenwriter, and producer.

In 1940, before she became a director, she and her husband set up KuoKuang Iron Factory and Daming Film Studio.

Also, she used some money to invest in iron factories, banks, Japanese cuisine, Noodles, theatres, and so on.

Moreover, her elder brother Chen, Long-de (陳隆德) was the most famous developer of the electroplating and gold plating industry.

She and her brother's business were both important industrial bloodlines in Sanchong's development.

After she gave birth to her seventh child in 1954, she founded the Daming Theatre, which is the fifth cinema in Sanchong District.

In the beginning, she was not just a director, she was also a screenwriter, film producer, and film editor.

It was said that when the cinema was building up, her husband got injured in a car accident, she was worried and went to the hospital to look after him.

While she was looking after her husband, she asked some managers to assist for the cinema.

However, when she went back to the cinema, she found that the managers had failed to do their jobs, and she needed money to pay debts and couldn't afford the theatre.

Apart from that, she was unable to pay the hospital bill.

In order to cover her debts, she created the movie Beggar Chao's Son-in-law (乞丐招女婿) in order to gain financial stability.

However, she could not earn enough benefits through the movie.

As a result, she was forced to close the cinema.

In 2022, she was reported to have passed away in Hawaii.

She established Daming Cinema in 1955 and filmed some movies, such as Xue Ren-Gui and Liu Jin-Hua, Boundless Bird, Suffering Love, and Second Degree in the following years.

Chen, Wen-min was born in Sanchong District in Taiwan.

When she was little, she asked her parents to let her study Japanese and arithmetic in the public school set up by the Japanese colonial government.

At the age of 15, she got to know some Chinese novels like Legend of the General Who Never Was, General Father General Son (薛丁山征西), and Romance of Southern Tang (南唐演義), leading to her passion for being a director.

Daming Cinema was established in 1955 when the first Taiwanese movie came out.

It became the fifth cinema in Sanchong District after Tiantai Cinema, Jinguo Cinema, Jindu Cinema, and Jianguo Cinema.

To maintain the budget, Chen not only served as the manager of the cinema, but also started to orchestrate the film showtimes herself.

Before the film selection, she read the detailed information carefully and did research on the synopsis of those films, which cultivated her ability in film selection from some aspects, such as characterization, plots, and inspiration of the movie, and discovered target audience’s preferences.

In the same period, she obtained the right of public transmission to the famous American movie, Gone with the wind, and made Daming Cinema gain more visibility and popularity in public.

Later in 1956, Chen and her husband Lin, Xin-quan(林辛全) established Taiwan Daming Film Production Unit (臺灣大明電影製片社) and produced their own film.

The first film was called Female Enemies (女性的仇人), whose script was written by her.

The main theme of the film was to explain why women should act more cautiously in society as compared to men.

In 1957, to cost down the personnel budget, Chen decided to direct, produce, edit, and dub her first film Boundless Bird (茫茫鳥).

The cast of Boundless Bird subsumed famous actors Bai Rong (白蓉), Hu Tou (戽斗), and Jin Feng (金楓).

Therefore, after Boundless Bird was released, she became the first Taiwanese film director.

In the same year, Chen, Wen-min filmed her subsequent movie, Suffering Love (苦戀) in a tear-jerker style.

On November 1, 1957, the first Taiwanese Film Festival was held at the International House of Taipei.

There were 33 films selected, including Female Enemies, Boundless Bird, and Suffering Love.

Female Enemies was released at four cinemas in 1958.

In order to promote this movie, she held a quiz with twelve golden watches as a prize, which made the day of showing of Female Enemies last for twenty-one days.

After the success of their debut, her husband invited Shau Luo-hui (邵羅輝), a famous director at that time, to direct the second film, Xue Ren-Gui and Liu Jin-Hua (薛仁貴與柳金花), written by Chen.

During the process of making the film, Chen, Wen-min and Shao, Lou-hui held different opinions to the plots of the film.

In the end, Shau decided to walk away from the crew with the details, which forced Chen to complete the film by herself.

After the next few months, she shot the sequel of Xue Ren-Gui and Liu Jin-Hua.

In 1959, due to the fact that the Film Industry in Taiwan had slumped, and Chen, Wen-min’s husband was seriously injured in a car accident, she gave out the operation of the Cinema for a while.