Age, Biography and Wiki

Catherine Richards was born on 1952 in Ottawa, Ontario, Canada, is a Catherine Richards is Canadian new media artist Canadian new media artist. Discover Catherine Richards's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 72 years old?

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Age 72 years old
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Born
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Birthplace Ottawa, Ontario, Canada
Nationality Canada

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Catherine Richards Height, Weight & Measurements

At 72 years old, Catherine Richards height not available right now. We will update Catherine Richards's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Catherine Richards Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Catherine Richards worth at the age of 72 years old? Catherine Richards’s income source is mostly from being a successful artist. She is from Canada. We have estimated Catherine Richards's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1952

Catherine Richards (born 1952) is a Canadian new media artist.

Richards is known for her work with early virtual reality technologies.

1986

Body in Ruins (1986) published in Body invaders: panic sex in America is a photo piece, composed of video stills and text, which explores the uncertainty of the body in virtual reality.

1991

She was the first artist to use VR technology in a work of art in Canada, which was incorporated in her 1991 artwork Spectral Bodies.

Richards is Professor of Media Arts at the University of Ottawa.

Catherine Richards' work explores the spectator and information technology relationship, which she sees as the "jam in the electro-magnetic sandwich."

She deals with both old and new types of technology, exploring the volatile sense of self as we shift our boundaries, a process in which new technologies play a starring role.

Spectral Bodies (1991) video artwork utilizes the juxtaposition of short narratives to reveal how the self can be lost if the body is lost.

2002

Richards is well known for collaborating with scientists and won the Artist in Residence for Research Fellowship (AIRes) at the National Research Council of Canada, 2002–2005, and is a 1993 recipient of the Petro Canada Media Arts prize from Canada Council for the Arts for Spectral Bodies.

Her work on virtuality and new media is considered groundbreaking in setting the aesthetic terrain, realm of artistic intervention and substantive issues.

Richards was the first and sole artist to be awarded University Research Chair at the University of Ottawa.

As a model for other universities, it is part of an on-going movement across North America to accept art as research within universities, a goal in which Richards has played a significant pioneering role.

2004

Richards has exhibited internationally at major venues including the 2004 Sydney Biennale.

Her work has been discussed in publications by major theorists in the field including Katherine Hayles and Frances Dyson, and has been included in key surveys such as Art & Science Now, edited by Stephen Wilson.

She was included in the 2004 Biennale of Sydney.

2005

Richards' work was featured in the 2005 group exhibition Resonances at the Zentrum für Kunst und Medientechnologie in Karlsruhe, Germany.