Age, Biography and Wiki
Catherine Manoukian was born on 2 June, 1981, is a Canadian violinist (born 1981). Discover Catherine Manoukian's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 42 years old?
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| Age |
42 years old |
| Zodiac Sign |
Gemini |
| Born |
2 June 1981 |
| Birthday |
2 June |
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We recommend you to check the complete list of Famous People born on 2 June.
She is a member of famous with the age 42 years old group.
Catherine Manoukian Height, Weight & Measurements
At 42 years old, Catherine Manoukian height not available right now. We will update Catherine Manoukian's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
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Not Available |
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Not Available |
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Not Available |
Catherine Manoukian Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Catherine Manoukian worth at the age of 42 years old? Catherine Manoukian’s income source is mostly from being a successful . She is from . We have estimated Catherine Manoukian's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
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Catherine Manoukian Social Network
Timeline
Manoukian plays on an ex-Eugène Ysaÿe, 1861 Jean Baptiste Vuillaume violin.
She uses bows by Eugene Sartory c.1910.
Catherine Manoukian (born June 2, 1981) is an Armenian-Canadian violinist.
Catherine Manoukian was born in Toronto.
Her parents were professional violinists and met at the Royal Conservatory of Brussels, where her father studied with Carlo Van Neste and her mother studied with Arthur Grumiaux.
Catherine Manoukian's professional career started when she won grand prize at the Canadian Music Competition at the age of twelve.
The same year, she made her orchestral debut with the Vancouver Symphony Orchestra playing Paganini's Violin Concerto No. 1. Since then, she has played with many major North American and international orchestras, like; the CBC Radio Orchestra, the Calgary Philharmonic Orchestra, the Boston Pops Orchestra, the Istanbul State Symphony Orchestra, the Tokyo Philharmonic Orchestra, the Tokyo Symphony Orchestra, the Osaka Century Orchestra, and the Armenian Philharmonic Orchestra, and has worked with such conductors as Mario Bernardi, Jukka-Pekka Saraste, Keith Lockhart, Roy Goodman, Peter Oundjian, Tomomi Nishimoto, Seikyo Kim, Eduard Topchjan, and Jonas Alber.
She has played on the major stages of such cities as New York, Washington D.C., Boston, Los Angeles, Toronto, Paris, Tokyo, and Osaka, and has appeared as a chamber musician at the Aspen, Caramoor, and Newport International Festivals.
She has often played novel and unusual repertoire, and recorded a CD of transcriptions for violin of Chopin's music as a teenager.
Many of the transcriptions, among them the Cello Sonata, were commissioned by her.
Manoukian's education history is unusual for a musician.
She did not go to a music school, but trained privately as a violinist with Dorothy DeLay in New York as well as with her parents in Toronto.
She also received independent lessons in core musical subjects like harmony and chamber music.
This gave her the time to also pursue a non-musical education.
She has an Honours Bachelor of Arts degree from the University of Toronto (with high distinction) and has done graduate-level work in philosophy (focusing on areas like epistemology and the philosophy of mind).
She is now on sabbatical from the PhD programme in philosophy at the University of Toronto.
Manoukian attributes her interest in philosophy to a desire since childhood to understand what musicians do, from a wider perspective than just playing allows.
This has recently grown into a project to apply her philosophical thinking to theories about teaching and developing professional artists.
She credits Dorothy DeLay for instilling this interest in her.
