Age, Biography and Wiki

Carolyn Sampson was born on 18 May, 1974, is an English soprano. Discover Carolyn Sampson's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 49 years old?

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Age 49 years old
Zodiac Sign Taurus
Born 18 May 1974
Birthday 18 May
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We recommend you to check the complete list of Famous People born on 18 May. She is a member of famous with the age 49 years old group.

Carolyn Sampson Height, Weight & Measurements

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Carolyn Sampson Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Carolyn Sampson worth at the age of 49 years old? Carolyn Sampson’s income source is mostly from being a successful . She is from . We have estimated Carolyn Sampson's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1974

Carolyn Margaret Sampson (born 18 May 1974) is an English soprano in opera and concert.

Specialising in historically informed performance, she has sung in Masaaki Suzuki's recording project of Bach cantatas and has appeared at the English National Opera.

Born in Bedford, she studied music at the Birmingham University.

During her studies, she performed as a member of the choir Ex Cathedra, winning an Arnold Goldsbrough Prize for Baroque music.

She made her operatic debut singing the part of Amore in Monteverdi's L'incoronazione di Poppea at the English National Opera.

2005

In 2005, Sampson was the first to record all twelve stanzas of Bach's aria Alles mit Gott und nichts ohn' ihn, BWV 1127, discovered in 2005.

She recorded it, conducted by Masaaki Suzuki, together with Bach's popular cantata for soprano and trumpet Jauchzet Gott in allen Landen, BWV 51.

2006

In 2006 she performed in Montpellier, both as Susanna in Mozart's Le nozze di Figaro and as Adina in Donizetti's L'elisir d'amore.

2007

Sampson sang the title role in the Boston Early Music Festival's production of Lully's Psyché in June 2007.

Jeremy Eichler of the Boston Globe wrote that she "gave a radiant and pure-voiced performance".

In 2007, she recorded with Suzuki Bach's Mass in B minor, with Rachel Nicholls, Robin Blaze, Gerd Türk and Peter Kooy.

A review noted: "The soloists are uniformly strong, and are major names in Bach performance. Carolyn Sampson leads the sopranos with a tone at once rich but still pure".

2008

The opera was subsequently recorded, and received a nomination for the Grammy Award for Best Opera Recording in December 2008.

Sampson has performed as a concert soloist in sacred oratorios such as Bach's St Matthew Passion with The English Concert conducted by Trevor Pinnock and Haydn's Schöpfung with the London Mozart Players.

2010

In January 2010, she appeared at the Gewandhaus in Bach's Christmas Oratorio, conducted by Riccardo Chailly.

She has also sung with the NDR Radiophilharmonie, the Rundfunk-Sinfonieorchester Berlin and the Freiburger Barockorchester.

Sampson was appointed Officer of the Order of the British Empire (OBE) in the 2024 New Year Honours for services to music.

In 2010, she was the soprano soloist in a recording of Bach's Weihnachts-Oratorium with the Dresdner Kammerchor and the Gewandhausorchester, conducted by Riccardo Chailly, with Wiebke Lehmkuhl (alto), Martin Lattke (tenor) as the Evangelist, Wolfram Lattke (tenor) and Konstantin Wolff (bass).

2015

Her recording A French Baroque Diva, music written for the soprano Marie Fel and recorded with Ex Cathedra conducted by Jeffrey Skidmore, won a Gramophone Award 2015 (Recital category).

The review noted "the longer we listen to Sampson's voice, the more she seems to inhabit the aura of Fel, clearly a skilled and charismatic yet deeply affecting performer".