Age, Biography and Wiki

Carel Visser was born on 3 May, 1928 in Mali, is a Dutch sculptor. Discover Carel Visser's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 87 years old?

Popular As N/A
Occupation N/A
Age 87 years old
Zodiac Sign Taurus
Born 3 May 1928
Birthday 3 May
Birthplace N/A
Date of death 2015
Died Place N/A
Nationality Mali

We recommend you to check the complete list of Famous People born on 3 May. He is a member of famous sculptor with the age 87 years old group.

Carel Visser Height, Weight & Measurements

At 87 years old, Carel Visser height not available right now. We will update Carel Visser's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Carel Visser Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Carel Visser worth at the age of 87 years old? Carel Visser’s income source is mostly from being a successful sculptor. He is from Mali. We have estimated Carel Visser's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income sculptor

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Timeline

1928

Carel Nicolaas Visser (3 May 1928 – 1 March 2015) was a Dutch sculptor.

He is considered an important representative of Dutch abstract-minimalist constructivism in sculpture.

Visser was born on 3 May 1928 in Papendrecht.

1948

From 1948 until 1949 Visser studied architecture at the Technical University in Delft and subsequently from 1949 until 1951 sculpture at the Royal Academy of Arts, The Hague.

1952

After study in England and France, he settled as an independent artist in 1952 in Amsterdam.

1954

In his early career Visser created originally styled iron bird sculptures and had his first solo exhibition in 1954 at Galerie Martinet in Amsterdam.

1957

In 1957, when his artistic style became more abstract, a new period began in which he made several trips: a study trip to Italy (Sardinia) on a scholarship from the Italian government in 1957; a stay as a visiting professor at Washington University in St. Louis in 1962; and a study trip to Mexico on a Dutch government scholarship in 1965.

1958

Visser was a lecturer at the Royal Academy in The Hague from 1958 to 1962.

1960

Around 1960, Visser was focussed on massive closed cube of iron and "slack" cube wire.

Visser, among other things, was inspired by nature (plants and animals) which also explains his use of natural materials such as wood, wool, sand, feathers, bones, rope and leather.

1966

From 1966 to 1998 he was Professor at the Ateliers '63 in Haarlem.

1968

In 1968 Visser's work was exhibited at Documenta 4 in Kassel, Germany and in the same year he represented the Netherlands in the Venice Biennial, where he was awarded the David E. Bright sculpture prize.

In the same year a documentary film about his work was made by Jonne Severijn.

1975

His works from the period 1975-1985 could be called environments, as opposed to the more sculptural work as the dying horse (about 1949).

1981

In 1981 Visser settled in Rijswijk (Gelderland).

1992

Visser was recipient of the 1992 Dr A. H. Heineken Prize for Art.

2004

In 2004 he received the Wilhelmina-ring for his lifetime achievements.

2015

Visser died on 1 March 2015 in Le Fousseret, France, at the age of 86.

Carel Visser is seen as one of the most important constructivist sculptors of the Netherlands.

His later work is characterized by the assembly of a variety of materials, such as tires, oil drums, car windows, leather, sheepskin, eggs and so on.

He made organized connections, a kind of assemblages, with this so-called great and sometimes small objets trouvés (found objects).

Some of his work has been compared to a musical composition in which repetition and variation play an important role.