Age, Biography and Wiki
Bryan McCormack was born on 15 September, 1972 in Dublin, Ireland, is a Bryan McCormack is Contemporary artist. Discover Bryan McCormack's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 51 years old?
Popular As |
N/A |
Occupation |
N/A |
Age |
51 years old |
Zodiac Sign |
Virgo |
Born |
15 September 1972 |
Birthday |
15 September |
Birthplace |
Dublin, Ireland |
Nationality |
Ireland
|
We recommend you to check the complete list of Famous People born on 15 September.
He is a member of famous artist with the age 51 years old group.
Bryan McCormack Height, Weight & Measurements
At 51 years old, Bryan McCormack height not available right now. We will update Bryan McCormack's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Bryan McCormack Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Bryan McCormack worth at the age of 51 years old? Bryan McCormack’s income source is mostly from being a successful artist. He is from Ireland. We have estimated Bryan McCormack's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
artist |
Bryan McCormack Social Network
Timeline
The monumental public sculpture : When Joris Ivens meets Hraesvelgr (Which is both a reflection on ecological politics in developed society, as well as, a tribute to the film "Le Mistral" (1966) by the Dutch filmmaker Joris Ivens) was permanently installed at the Park St. Cloud in Paris.
The installation insitu : Preservation is Life The Sounds of my Life, (A work exploringboth the practices of "safesex" whilst also looking at the political ramifications of sexuality today) was installed over the six floors (escalators) of the Centre Pompidou in Paris.
The installation/performance : Chromo Zone Y (A performance installation questioning poverty and its consequences in how we live today. Produced by RainDogs Theatre Company) at the Theatre of Menilmontant, Paris.
The public installation homeless shelter : Van'Heart (An ephemeral installation day shelter for homeless people) accompanied the students of the College Marx Dormoy in Paris in creating a temporary refuge for the homeless.
In collaboration with the City Hall of Paris, a continuing research and work on creating and producing a highlyconnected new form of urban installation : UPP Urban ProjectParis.
Bryan McCormack (born in Dublin, 15 September 1972), is a Contemporary artist who specifically deals with social subject matters.
In the last fifteen years, Bryan Mc Cormack has had over 30 group and solo exhibitions.
Currently he lives and works in Paris, France.
After his initial studies, Bryan Mc Cormack left Ireland to travel.
Today, based in Paris, he creates and exhibits, primarily, installations in situ and sculptures that are social in their concept.
In 2003 and 2004, Mc Cormack exhibited at Castagneto Po Arti al Castello Foundation in Turin, Italy : Who Are The Heros (An Installation in situ, examining the devastating effects of military action) and : Unleashing The Design of Imponderable Immortality on the Misguided, Servile Burgeoise (An installation in situ, concerned with the economic divide between the different social classes).
In 2005, Bryan Mc Cormack exhibited at the Empire Gallery in London, an installation in-situ, titled : Intimate Whisperings While the Words Break Down (A work that investigated mental illness in today's society).
The same year he also exhibited at the Galerie Colbert in Paris the installation insitu : The Diaries of John Doe (3), (Which looked at the causes of loneliness and solitude in contemporary society).
In 2006, the Christian Colas Gallery in Paris hosted the installation insitu : See Nothing, Hear Nothing, No Nothing.
(This work was concerned with people's Apathy toward economic and social turmoil when not directly implicated).
The installation insitu : EarSpiltting Timbre (a work that commented on the destruction and urban violence of car bombs and urban terrorism in today's world) at UNESCO, Paris.
Currently working on Yesterday/Today/Tomorrow for the Venice Biennale 2017.
This is a work visualises the European refugee crisis and gives voice to a people who don't have one.
A singular voice for hundreds of thousands of people, from over 30 nationalities (speaking as many languages) in majority children, often illiterate.
Each refugee creates 3 drawings, one of their life before (Yesterday), one of their current life (Today) and one of their imagined future (Tomorrow).
Using these drawings as the conceptual base, this project is both an installation/performance and a social media voice.
The South to the North, this work maps-out as a visual memory an exodus.
From refugee boats at Hotspot camps on Greek islands to refugee centres in the UK.
Hundreds and hundreds of refugees, in centres, camps, squats and shelters across Europe have participated in these drawings, creating their own contemporary culture and voice whilst simultaneously losing all traceability of their inherited culture.
Traceability is credibility, without it, the existence of a people disappears.
Each refugee drawing counts.
Each refugee drawing is a voice.