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Boris Tishchenko (Boris Ivanovich Tishchenko) was born on 23 March, 1939 in Saint Petersburg, Russia, is a Russian composer. Discover Boris Tishchenko's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 71 years old?

Popular As Boris Ivanovich Tishchenko
Occupation composer
Age 71 years old
Zodiac Sign Aries
Born 23 March 1939
Birthday 23 March
Birthplace Saint Petersburg, Russia
Date of death 9 December, 2010
Died Place Saint Petersburg, Russia
Nationality Russia

We recommend you to check the complete list of Famous People born on 23 March. He is a member of famous Composer with the age 71 years old group.

Boris Tishchenko Height, Weight & Measurements

At 71 years old, Boris Tishchenko height not available right now. We will update Boris Tishchenko's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Boris Tishchenko Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Boris Tishchenko worth at the age of 71 years old? Boris Tishchenko’s income source is mostly from being a successful Composer. He is from Russia. We have estimated Boris Tishchenko's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Composer

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Timeline

1939

Boris Ivanovich Tishchenko (Russian Бори́с Ива́нович Ти́щенко; 23 March 1939 – 9 December 2010) was a Russian and Soviet composer and pianist.

Tishchenko was born in Leningrad.

1954

He studied at the Leningrad Musical College from 1954 to 1957.

There he learnt composition under Galina Ustvolskaya and piano under Mikhelis.

1957

Then from 1957 to 1963 he studied composition with Vadim Salmanov, Victor Voloshinov and Orest Evlakhov, and piano with L. Logovinski at the Leningrad Conservatory.

1962

He took a postgraduate course with the composer Dmitri Shostakovich from 1962 to 1965.

1965

He subsequently joined the faculty of the Leningrad Conservatory from 1965, and became a professor there in 1986.

Tischenko was married three times.

His first marriage, to the pianist Anastasia Braudo, produced a son, Dmitri.

His second wife was the singer Galina Kulichenko, and the couple had a son, Vsevolod.

Both of these marriages ended in divorce.

His third wife was the harpist Irina Donskaya, and their marriage produced a son, Andrei.

His third wife and all of his sons survived him.

His output includes eight numbered symphonies, nine unnumbered symphonies, two violin concertos, two cello concertos, a piano concerto, a harp concerto, a concerto for flute and piano, a concerto for violin and piano, six string quartets, two cello sonatas, eleven piano sonatas, a requiem, chamber and vocal works, the opera The Stolen Sun, the operetta A Cockroach, three ballets The Twelve, Fly-bee and Yaroslavna (The Eclipse), and incidental music for theatre and film.

Tishchenko's music style and composing manner shows him to be a typical representative of the Leningrad composers' school.

He was very much influenced by music of his teachers Dmitri Shostakovich and Galina Ustvolskaya, turning these influences in his own way.

He tried to use some experimental and modernist ideas like twelve-tone or aleatoric techniques, but was much more attached to the native traditions of his homeland.

1966

Tishchenko's Requiem, to the forbidden poem by Anna Akhmatova, written in the period of political stagnation in 1966, was a courageous cultural gesture.

1969

He demonstrated a kind of originality, scoring his Second Cello Concerto for 48 cellos, 12 double-basses and percussion (1969).

Ten years later, however, he re-orchestrated it for a more practical combination.

He was honored by Shostakovich's orchestration of his First Cello Concerto, and repaid his master by the orchestration, editing and transcription of a few scores by Shostakovich.