Age, Biography and Wiki
Berthold Goldschmidt was born on 18 January, 1903 in Germany, is a German Jewish composer. Discover Berthold Goldschmidt's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 93 years old?
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Age |
93 years old |
Zodiac Sign |
Capricorn |
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18 January 1903 |
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18 January |
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Date of death |
17 October, 1996 |
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Germany
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We recommend you to check the complete list of Famous People born on 18 January.
He is a member of famous composer with the age 93 years old group.
Berthold Goldschmidt Height, Weight & Measurements
At 93 years old, Berthold Goldschmidt height not available right now. We will update Berthold Goldschmidt's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Berthold Goldschmidt Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Berthold Goldschmidt worth at the age of 93 years old? Berthold Goldschmidt’s income source is mostly from being a successful composer. He is from Germany. We have estimated Berthold Goldschmidt's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Source of Income |
composer |
Berthold Goldschmidt Social Network
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Timeline
Even though Beatrice Cenci, an opera based on the 1819 play The Cenci by Percy Bysshe Shelley, won first prize in the 1951 Festival of Britain opera competition, Covent Garden refused to mount a production.
Berthold Goldschmidt (18 January 1903 – 17 October 1996) was a German Jewish composer who spent most of his life in England.
The suppression of his work by Nazi Germany, as well as the disdain with which many Modernist critics elsewhere dismissed his "anachronistic" lyricism, stranded the composer in the wilderness for many years before he was given a revival in his final decade.
Goldschmidt was born in Hamburg, Germany in 1903.
His musical career began in earnest during the heyday of the Weimar Republic.
While studying philosophy at the University of Hamburg, he was encouraged by the Italian composer Ferruccio Busoni to write music.
In 1922, Goldschmidt entered the Berlin Hochschule für Musik and joined Franz Schreker's composition class, where his fellow pupils included Ernst Krenek, Alois Hába, Felix Petryek, and Jascha Horenstein.
He also studied conducting, played freelance for the Berlin Philharmonic Orchestra, and in 1923, coached the choir for the Berlin premiere of Arnold Schoenberg's Gurre-Lieder.
In 1925, Goldschmidt achieved his first major success with his Passacaglia, Op. 4, which earned him the prestigious Mendelssohn Prize.
Hailed as one of the brightest hopes of a generation of young composers, Goldschmidt reached the premature climax of his career with the premiere of his opera Der gewaltige Hahnrei in Mannheim in 1932.
This triumph happened on the eve of the Nazi takeover of Germany, which quickly destroyed Goldschmidt's livelihood.
Like many Jewish composers (and other composers considered subversive of the Germanic purity of the Third Reich), Goldschmidt had his work condemned as "degenerate music" by the regime.
There was no place in German musical life for Goldschmidt since performances of his work were banned and he was barred from conducting orchestras.
Goldschmidt resorted to earning a living by giving piano lessons, before finally leaving the country on the advice of an SS officer and emigrating to England in 1935.
During World War II, Goldschmidt worked for the BBC and served as the Music Director of its German Service in 1944-47.
While taking jobs in conducting, Goldschmidt also composed works such as the Ciaccona Sinfonica, concertos for violin, cello, and clarinet, and the opera Beatrice Cenci.
The English attitude towards Goldschmidt's music was generally indifferent.
His opera Beatrice Cenci, rejected in 1951, was given a concert performance in 1988 and a fully staged performance in 1994.
Neglected by the musical establishment, Goldschmidt decided to abandon original composition in 1958.
For the next six years, he collaborated with Deryck Cooke on producing a performing edition of Gustav Mahler's Tenth Symphony.
On 13 August 1964, at the Proms, Goldschmidt conducted the London Symphony Orchestra in the world premiere of the Cooke realization.
The last years of Goldschmidt's life witnessed a renewed interest in the composers of so-called "degenerate music."
Goldschmidt had resumed composing in 1982 with the Clarinet Quartet and penned his final work, the Deux nocturnes, just before his death at the age of 93.
Champions of his work include the conductors Simon Rattle, Charles Dutoit and Bernard Keeffe; the violinist Chantal Juillet; the Mandelring string quartet; and the record companies Largo and Decca.
In 1983, to mark Goldschmidt's 80th birthday, friend and conductor Bernard Keeffe mounted a run-through (the only performance in the UK to date) of scenes from Der gewaltige Hahnrei at Trinity College of Music in London.
This performance was attended by David Drew, which led to a publishing collaboration with Boosey & Hawkes.
This revival led to performances of his work in the United States and Germany, new recordings, and the recovery of a number of lost manuscripts.
He died in London in 1996, aged 93.
Principal publisher: Boosey & Hawkes