Bernard Hepton

Tall, dignified-looking Bernard Hepton enjoyed a six decade-long career on both stage and screen during which he particularly excelled at subtle, self-effacing or introspective roles. An electrician's son, Hepton grew up in the West Yorkshire city of Bradford. Due to poor eyesight, he missed out on wartime service and instead trained as an aircraft engineer and draughtsman. A teenage 'fire watcher' during the war, he found his boredom relieved by a chance introduction to one act amateur plays. Immediately fascinated by theatre, he joined the Bradford Civic Playhouse where he became a protégé of the director Esme Church. He then acted on stage in York for two years (in his own words tackling "anything from Agatha Christie to Shakespeare"), subsequently graduating to artistic director at the prestigious Birmingham Repertory Theatre and the Liverpool Playhouse. In 1964, Hepton joined the fledgling BBC2 hoping to produce and direct. Before long, however, he ended up in front of the cameras.

He was originally offered the role of Dyson, played by Dudley Jones, in Doctor Who: The Tenth Planet: Episode 2 (1966), and considered for the Castellan in Doctor Who: Arc of Infinity: Part One (1983).

Specialising in the classics (especially period drama) his many diverse faces over the years have included those of kindly clerk Wemmick in Great Expectations (1967), Archbishop Thomas Cranmer in The Six Wives of Henry VIII (1970), Pallas in I, Claudius (1976) , Hungarian émigré Toby Esterhase, head of the 'Circus' surveillance section, in Tinker Tailor Soldier Spy (1979) and Smiley's People (1982), Inspector Goole in An Inspector Calls (1982) (whose author, J. B.

Priestley, incidentally grew up in the same street as Hepton), Sir Thomas Bertram in Mansfield Park (1983), rag and bone man Krook (who spontaneously combusts) in Masterpiece Theatre: Bleak House (1985) and Mr.

He was considered for the roles of Dr. Hans Fallada, Dr. Bukovsky, Sir Percy Heseltine and Dr. Armstrong in Lifeforce (1985).

Woodhouse in Jane Austen's Emma (1996).