Ben van Berkel

Ben van Berkel (born 1957) is a Dutch architect; founder and principal architect of the architectural practice UNStudio.

With his studio he designed, among others, the Erasmus Bridge in Rotterdam, the Moebius House in the Netherlands, the Mercedes-Benz Museum in Stuttgart, Germany, Arnhem Central Station, the Singapore University of Architecture and Design, Raffles City in Hangzhou and numerous other buildings.

Ben van Berkel has received many personal awards and affiliations, such as the Eileen Gray Award (1983); the British Council Fellowship (1986); the Charlotte Köhler Award (1991); Member of Honor of the Bund Deutscher Architekten (1997); the 1822-Kunstpreis 2003 (Mercedes-Benz Museum, Stuttgart) (2003); the Charles Jencks Award (2007); the Honorary Fellowship AIA (2013); and the Kubus Award (2016).

Ben van Berkel studied architecture at the Rietveld Academy in Amsterdam, and at the Architectural Association in London, receiving the AA Diploma with Honours in 1987.

In 1988 he and Caroline Bos set up an architectural practice in Amsterdam named Van Berkel & Bos Architectuurbureau, which realized, amongst other projects, the Karbouw office building and the Erasmus Bridge in Rotterdam.

In 1988 he and Caroline Bos set up an architectural practice in Amsterdam named Van Berkel & Bos Architectuurbureau, which realized, amongst other projects, the Karbouw office building, the Erasmus Bridge in Rotterdam, Museum Het Valkhof in Nijmegen, the Moebius house, and the NMR facilities for the University of Utrecht

He has led Diploma Units at the Berlage Institute in Rotterdam (1992-1993) and the Architectural Association in London (1999).

In 1998 van Berkel and Bos relaunched their practice as UNStudio, where UN stands for "United Network".

Ben van Berkel has lectured and taught at many architectural schools around the world.

In 1998, van Berkel and Bos relaunched their practice as UNStudio, the UN standing for "United Network".

UNStudio presents itself as a network of specialists in architecture, urban development and infrastructure.

With UNStudio, van Berkel has built several projects, including the Mercedes-Benz Museum in Stuttgart, an LED media façade (designed with Rogier van der Heide) and interior renovation for the Galleria Department store in Seoul, Korea, and a private villa in up-state New York, the Arnhem Central Station, Canaletto Tower in London and Raffles City in Hangzhou, China.

Current projects are Doha Metro Network in Qatar, the Scotts Tower in Singapore, the Hanwha Headquarters in Seoul and ‘Four’, a new mixed-use development in the heart of Frankfurt.

In Delinquent Visionaries Ben van Berkel and Caroline Bos investigate the changing perspective of architecture.

This collection of fifteen essays on subjects ranging from the language and notation of architecture to contemporary architects such as Santiago Calatrava, Daniel Libeskind, Nigel Coates and Bernard Tschumi, is a tribute to the architectural imagination.

'This book should be viewed not so much as a 'visionary' collection of writings, but as a well presented accumulation of thoughts, ideas and observations.

As a publication its formatting and design earnestly corroborates its contents.', according to Deborah Hauptmann in De Architect.

For this book the authors have chosen to employ the very format of the book to elucidate their architectural approach, differentiating four themes that together constitute a modest repertoire of new architectural definitions: Mobile Forces, Crossing Points, Storing the Detail and Corporate Compactness.

All projects are headed under one of these categories.

In our electronic age the old architectural definitions have lost much relevance; even the building processes themselves are changing, making it necessary to look afresh at the potential meanings of architecture.

Presenting such views in conjunction with the projects in this pioneering way, accompanied by two external essays and four essays by the authors, makes this book less a conventional architectural monograph, than a profoundly theoretical statement.

The contemporary museum is a mixture of supermarket, temple and tourist attraction.

This heterogeneous collection of functions imposes a great diversity of technical and structural requirements.

The wide variety of the objects and works of art belonging to the different museological collections reflect the potential heterogeneity of the building.

The central question with respect to the architectural design therefore concerns the insertion of a layer of coherence and continuity by way of protective netting and background to the diversity and differentiation.

How to fit the extensive programme with the collections, circulation and climatic and lighting installations?

And how to tie together these aspects so as to achieve an integrated whole?

Architects are going to be the fashion designers of the future, dressing events to come and holding up a mirror to the world.

The re-thinking of public imagination, public space and public forces transforms architects into public scientists.

Their imagination is informed as much by the semi-conscious preoccupations of collective vision, such as glamour, mediation, advertising and celebrity, as by the specifics of the discipline.

Architecture must engage with the banal dreams of the contemporary world, and stop presenting its products as uncontaminated objects that say only: 'architecture... Time is on the architect's side [...]’.

MOVE examines the architect's new role in an environment of technological, public and economic change.

The redefinition of organizational structures was the common thread running through the original three books.

This book documents a number of UNStudio projects and takes critical stock of a welter of previously unpublished designs: the restructuring of the station area in Arnhem, the generating station in Innsbrück, the Nuclear Magnetic Resonance (NMR) laboratory in Utrecht and the competition-winning design for the Ponte Parodi in Genoa.

In this new book UN Studio have draped a personal layer over the analytical project documentation.

With texts by Caroline Bos, experiments in associations and out-of-the-rut architectural photography, UNStudio UNFold immerses the reader in the firm's design process.

Before his role as dean at the Städelschule in Frankfurt (2001-2016), he was Visiting Professor at Columbia University, Princeton University and Harvard University.

In 2011, Ben van Berkel was appointed the Kenzo Tange Chair at the Harvard Graduate School of Design.

Central to his teaching is the inclusive approach of architectural works integrating virtual and material organisation and engineering constructions.

Dutch Designer of the Year (2019).