Arthur Ranson

Arthur James Ranson (born 1939) is an English comic book illustrator, known for his work on Look-in, Anderson: Psi Division, Button Man and Mazeworld.

His work on Cassandra Anderson has been called "photo-realistic".

Born in 1939, Ranson's childhood and formative years included access to the influences of art and artists in a mixture of British and American comics, including "[The] Beano, Knockout, [The] Dandy, Film Fun, Wizard, Hotspur..., The Eagle with Frank Hampson setting new standards. Wayne Boring's Superman, C.C. Beck's Captain Marvel," and others (including, "[l]ater, John Buscema's Silver Surfer and his Conan, Jack Kirby's Thor").

He says that Hampson in particular was an early influence, but that

Ranson attended the South West Essex Technical College and School of Art in Walthamstow, Essex, where he studied painting and printmaking.

Trained initially as an "apprentice stamp and banknote designer" in the 1960s, learning "to translate photographs into watercolour... [i]n stamp size."

A "rare ability at the time," he would later use this skill as a "selling point" when pursuing a career "as an illustrator in advertising and publishing."

After a period of time as a "[l]ettering artist for a cardboard box manufacturer", followed by teaching work, he says he "[r]an away to London."

After some time in menial jobs, Ranson gained experience as a "[g]eneral patcher-up and filler-in at [a] commercial art studio," where he was encouraged to become a freelance artist by, he recalls

Ranson has a son, Jonas, who is also an artist, and daughter, Cassandra.

Ranson first brought the precise techniques he had evolved through his apprenticeship to the UK TV comic Look-in, working first on portrait covers, and later alongside other major comics artists such as John M. Burns, Martin Asbury, Harry North, Colin Wyatt, John Bolton, Jim Baikie, Phil Gascoine, Barry Mitchell, and Bill Titcombe.

After some time drawing "funnies", Ranson drew on his skill in translating pictures across mediums (generally using a Grant Projector, which "projects an image up onto a glass plate, on which one places tracing paper"), and brought his talents to bear for Look-in by creating strips based on such popular TV series as Sapphire and Steel and Danger Mouse, all written by Angus Allan.

Since these works were based on specific TV shows, he says that "it seemed important that the characters looked as much like the actors as possible", and thus "used the methods I knew" to achieve the accurate likenesses that typify his work.

Most biographical articles on Ranson date his Beatles work to "the 1960s," but Ranson himself dispels this myth by stating that the "first auto-biographical [sic] strip I did was ABBA."

Ranson also produced a series of comic-strip biographies of well-known music stars and bands, including ABBA (1977), Elvis Presley (1981), The Beatles (1981-2), Haircut One Hundred (1983) and The Sex Pistols (1983).

Between 1977 and 1990, Ranson also produced strips based on such TV properties as Worzel Gummidge, Michael Bentine's Potty Time, Duckula (another Cosgrove Hall character whose comics adventures began in Look-in, but also spun off into its own title), The Bionic Woman and The A-Team, and others.

He also produced comic strips based on the TV adaptations of Richmal Crompton's "Just William" novels, Buck Rogers and the film Logan's Run.

The first of these was a strip based on P. J. Hammond's Sapphire & Steel, which Ranson was "the first and only one to draw" between 1979 and 1981.

Scripted by Angus Allan (almost Look-ins sole writer, according to Ranson), Ranson barely recalls drawing the strip, but does remember that

Ranson was denied the chance to meet Sapphire & Steel star Joanna Lumley by being absent when she visited the offices.

He recalls that, unfortunately, while "[s]he was kind enough to offer to meet me and pose for more photo-reference," "[s]omeone told her that no, that would not be necessary. Stupid sods."

Ranson also worked briefly for Marvel UK in the late 1980s, and even illustrated a couple of issues of the comics adventures of Dr. Who for Doctor Who Magazine in 1990.

In fact that work was done in 1981.

Ranson recalls that Look-in editor Colin Shelbourne was convinced to allow Allan and Ranson to "retain... the copyright" to their Elvis and Beatles strips, which had the unfortunate side-effect of delaying complete publication, since such deals were largely unheard of.

Ranson says:

Ranson describes Shelbourne as "an adventurous editor," who went the extra mile and even allowed the writer and artist to "go to Liverpool for research" for the Beatles strip.

Ranson's best-known work for Look-in consisted largely of adaptations of two strips based upon totally different British television programmes.

In 1989, Ranson followed in Bolland—and others'—footsteps, and moved to major British sci-fi comic 2000 AD, where he has remained ever since, with rare forays into the world of American comics, including Batman and the X-Men.

He counts himself lucky that this career path has, in his decades-long comics career seen him work primarily with just three writers.

It was followed by the ten-part Anderson: Psi Division - "Triad" storyline, which started in Prog #635 (15 July, 1989).

Aside from his Look-in and (later) 2000AD comics work, Ranson also produced illustrations for Fiesta and some "[a]dvertising work through an agent, [including] some All-Bran adverts."

He produced some assorted work for various other IPC magazines in addition to 2000AD, and was glad of the "more challenging" work to be found in comics, branding himself "too sensitive a plant to get on in advertising despite the high fees."

Ranson stresses the influence of his peers - particularly Brian Bolland - on his own evolution as an artist, moving from being burdened by the "British way of drawing adventure comics... dependable, professional, craftsmanlike and worthy," to seeing and being influenced by work that "looked as though [the artist, particularly Bolland] really cared about it."

Ranson stresses the importance of artist Brian Bolland, saying that

Ranson's first work for 2000 AD was a one-off Judge Dredd story "Dungeon Master" by John Wagner.

David Bishop, in the 2000 AD history volume Thrill Power Overload says that Ranson's

In 2007, Prion Books reprinted a selection of material from Look-in, and included a three-part Sapphire & Steel story on pages 132-133, 136-137 and 140-141.

Ranson's other famous strip for Look-in was Danger Mouse, an unlikely children's cartoon hero based - loosely - on the Patrick McGoohan TV series Danger Man, created in cartoon mouse form by Cosgrove Hall and voiced on TV by David Jason.

Ranson says that he "did enjoy it at the time," and was awarded not only the "Good Grief Oh Crikey" Award from Cosgrove Hall ("The award is a painted model of Dangermouse in heroic pose with a nervous Penfold peering from behind him" ), but also received an award from the Society of Strip Illustration for his work on the strip.

Ranson wryly notes that "[t]he reflected glory from the highly popular TV show made me a big hit with my daughter's primary school friends too."