Age, Biography and Wiki
Armijn Pane was born on 18 August, 1908 in Moeara Sipongi, North Sumatra, Dutch East Indies, is an Indonesian author. Discover Armijn Pane's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 61 years old?
Popular As |
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Occupation |
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Age |
61 years old |
Zodiac Sign |
Leo |
Born |
18 August 1908 |
Birthday |
18 August |
Birthplace |
Moeara Sipongi, North Sumatra, Dutch East Indies |
Date of death |
16 February, 1970 |
Died Place |
Djakarta |
Nationality |
Indonesia
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We recommend you to check the complete list of Famous People born on 18 August.
He is a member of famous author with the age 61 years old group.
Armijn Pane Height, Weight & Measurements
At 61 years old, Armijn Pane height not available right now. We will update Armijn Pane's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
Wife |
Not Available |
Sibling |
Not Available |
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Not Available |
Armijn Pane Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Armijn Pane worth at the age of 61 years old? Armijn Pane’s income source is mostly from being a successful author. He is from Indonesia. We have estimated Armijn Pane's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
author |
Armijn Pane Social Network
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Timeline
Armijn Pane (18 August 1908 – 16 February 1970), also known as Adinata, A. Soul, Empe, A. Mada, A. Banner, and Kartono, was an Indonesian author.
Armijn Pane was born in Moeara Sipongi, Tapanuli, Sumatra, the third of eight children.
He began his education at the Hollandsch-Inlandsche Schools (HIS), in Padang Sidempuan, and Tanjung Balai and later joined the Europeesche Lagere School (ELS) in Sibolga and Bukit Tinggi.
After graduating from ELS, he moved to Java where he began.
Still, he didn't finish, medical training at the School tot voor Indische Opleiding Artsen (STOVIA) in Jakarta and at the Nederlandsch-Indische Artsen School (NIAS) in Surabaya.
He then transferred his efforts to writing and literature at the Algemene Middelbare School (AMS) in Surakarta, before graduating in 1931 with a degree in Western Classical Literature.
While still a student he was active for a short time in the nationalist youth organisation, Indonesia Muda, but soon left this in favour of writing.
He began his working life as a journalist in Jakarta and Surabaya, and also taught language and history at the national school in Kediri and Jakarta.
In 1933 he and Sutan Takdir Alisjahbana started the magazine, Poedjangga Baroe, where he served as the secretary and editor until 1938.
Barang Tidak Berharga (A Worthless Thing), published in 1935, was similar in subject matter and tone, while Tudjuan Hidup (Life's Purpose), also written in 1935, is about a young woman's search for the courage to face a lonely future.
In 1936 he joined the state publishing company, Balai Pustaka, where he worked throughout the Japanese occupation.
It was also during this period that he wrote his first works, among them the play Lenggang Kencana (1937) and a collection of poems entitled Jiwa Berjiwa (Soul to Soul, 1941);
Following the Proclamation of Indonesian Independence, he became editor of Spektrum, and a few years later, editor of the Indonesian Cultural Magazine.
Other well-known works by Armijn Pane include Iwa-inclined (1939), a collection of short stories, and the novel Belenggu (Shackles, 1940).
His later works, written after 1942, are considered by some to be quite different.
A. Teeuw notes that many of the plays written during this period differ from Pane's earlier works in their idealism and the lack of confusion and inner problems demonstrated by the characters.
He also wrote several plays and was one of the main authors who continued to do so during the Japanese occupation.
He has been credited with helping to lay the groundwork for the so-called "Generation of '45", but he was not part of that generation and in the post-revolutionary period made important contributions to Indonesian literature in other ways.
He was also the editor of the magazine Indonesia from 1948 to 1955.
From 1950 to 1955, he was a member of the Badan Musyawarah Kebudayaan Nasional (National Cultural Consultation Body).
During the 1950s he helped establish several cultural institutions and organisations, and also published a history of the Chinese since the nineteenth century, and a book on the development of the Indonesian language.
During these years, he produced the play Jinak-jinak Merpati (Domestic Pigeons, 1953) and the collection of short stories Kisah antara Manusia (Stories about People, 1953).
He was honoured for his work in literature by the Government of the Republic of Indonesia in 1969.
He died in Jakarta only a few months later, in February 1970.
His brother, Sanusi Pane, was also a well-known writer and journalist.
Pane's novel Belenggu has been called his most important contribution to Indonesian literature.
The novel met with mixed reviews after its publication in Poedjangga Baroe, and was widely criticised on two grounds: that the storyline was highly improbable since the characters acted differently from normal people; and that the story was immoral.
The plot, a love triangle between a doctor, his wife, and his mistress, was considered new and very shocking to many Indonesians, particularly so since the novel stops short of assigning blame.
But the novel was also considered revolutionary in the way that Pane explored the feelings of his characters.
Pane applied the technique of interior monologue and used elliptical dots and dashes following incomplete sentences to indicate the doubts and uncertainties assailing a modern educated Indonesian man.
Due to both the style and content, the novel is regarded as a milestone in Indonesian literature.
His early short stories had a similar focus.