Age, Biography and Wiki

Arlene Croce was born on 5 May, 1934 in United States, is an American journalist. Discover Arlene Croce's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 89 years old?

Popular As N/A
Occupation N/A
Age 89 years old
Zodiac Sign Taurus
Born 5 May 1934
Birthday 5 May
Birthplace N/A
Nationality United States

We recommend you to check the complete list of Famous People born on 5 May. She is a member of famous journalist with the age 89 years old group.

Arlene Croce Height, Weight & Measurements

At 89 years old, Arlene Croce height not available right now. We will update Arlene Croce's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Arlene Croce Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Arlene Croce worth at the age of 89 years old? Arlene Croce’s income source is mostly from being a successful journalist. She is from United States. We have estimated Arlene Croce's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income journalist

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Timeline

1934

Arlene Louise Croce (born May 5, 1934) is an American dance critic.

1965

She founded Ballet Review magazine in 1965.

1973

From 1973 to 1998 she was a dance critic for The New Yorker magazine.

Prior to Croce's long career as a dance writer, she also wrote film criticism for Film Culture and other magazines.

The keynote of her criticism can be grasped from her ability to evoke kinesthetic movement and expressive images in her writing.

Although she considers ballet to epitomize the highest form of dance, she has also written extensively on the topic of popular and filmed dance, and is a recognized authority on the Astaire and Rogers musical films.

1994

In 1994, she courted controversy with her stance on Bill T. Jones's Still/Here, a work about terminal illness.

In an article called "Discussing the Undiscussable," she dubbed the work "victim art" and refused to attend any performances, claiming that it was "unreviewable."

2000

The article was reprinted in her 2000 book, Writing in the Dark.

Her writings on dance are available in several books, and a sampling of her film criticism can be found in the anthology American Movie Critics: An Anthology From the Silents Until Now.

A review of her The Fred Astaire & Ginger Rogers Book can be found in Pauline Kael's collection of movie reviews, Reeling.

Incomplete - to be updated

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