Age, Biography and Wiki

Anne Teresa De Keersmaeker was born on 11 June, 1960 in Mechelen, Belgium, is an A belgian female dancer. Discover Anne Teresa De Keersmaeker's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 63 years old?

Popular As N/A
Occupation N/A
Age 63 years old
Zodiac Sign Gemini
Born 11 June 1960
Birthday 11 June
Birthplace Mechelen, Belgium
Nationality Belgium

We recommend you to check the complete list of Famous People born on 11 June. She is a member of famous dancer with the age 63 years old group.

Anne Teresa De Keersmaeker Height, Weight & Measurements

At 63 years old, Anne Teresa De Keersmaeker height not available right now. We will update Anne Teresa De Keersmaeker's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Anna Franziska Jaeger

Anne Teresa De Keersmaeker Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Anne Teresa De Keersmaeker worth at the age of 63 years old? Anne Teresa De Keersmaeker’s income source is mostly from being a successful dancer. She is from Belgium. We have estimated Anne Teresa De Keersmaeker's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income dancer

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Timeline

1960

Anne Teresa, Baroness De Keersmaeker (, born 1960 in Mechelen, Belgium, grew up in Wemmel) is a contemporary dance choreographer.

1978

She studied from 1978 to 1980 at Mudra in Brussels, a school with links to La Monnaie and to Maurice Béjart's Ballet of the 20th Century.

She has said that the percussionist and her music teacher at MUDRA, Fernand Schirren, was a major influence on her.

1980

While at the Tisch she presented her first production, Asch (1980), in Brussels.

1981

In 1981, she attended the Tisch School of the Arts at New York University.

1982

In 1982 upon her return from the U.S.A. she created Fase, four movements to the music of Steve Reich.

It was this production that brought her "a breakthrough on the international dance scene, performing, among other places, at the Avignon Festival".

1983

The success of Fase contributed largely to the foundation of the Rosas in 1983.

Rosas danst Rosas - Anne Teresa De Keersmaeker's first choreography for the young company to new compositions of Thierry De Mey and Peter Vermeersch - brought Rosas the international breakthrough as a company.

During the eighties, Rosas was supported by Kaaitheater of Brussels (director Hugo De Greef).

Within the framework of Kaaitheater, her oeuvre took shape.

1984

Performances such as Elena's Aria (1984), Bartók/Aantekeningen (1986), a staging of Heiner Müller's triptych Verkommenes Ufer/Medeamaterial Landschaft mit Argonauten (1987), Mikrokosmos-Monument Selbstporträt mit Reich und Riley (und Chopin ist auch dabei)/In zart fliessender Bewegung - Quatuor Nr.4, (1987), Ottone, Ottone (1988), Stella (1990) and Achterland (1990) were produced in collaboration with Kaaitheater.

1988

At the start of the residency, Anne Teresa De Keersmaeker set herself three objectives: to intensify the relation between dance and music, to build a repertory, and to launch a dance school (after the disappearance of MUDRA from Brussels in 1988).

That year, Rosas created ERTS and released Rosa - a film of a choreography by Anne Teresa De Keersmaeker to Bartók music directed by Peter Greenaway.

Later that year, Rosas created Mozart Concert Arias, un moto di gioia for the Avignon Festival.

A production made in collaboration with the Orchestre des Champs Elysées, directed by Philippe Herreweghe.

1992

The dance company constructed around her, Rosas (dance ensemble), was in residence at La Monnaie in Brussels from 1992 to 2007.

De Keersmaeker did not study dance until her last year of high school, instead studying music, specifically the flute.

In 1992, La Monnaie's general director Bernard Foccroulle invited Rosas to become the resident company of Brussels' Royal Opera De Munt/La Monnaie.

1993

In 1993, Rosas created Toccata, to the music of J.S. Bach, for the Holland Festival.

1994

In May 1994, the KunstenFESTIVALdes Arts in Brussels premièred Kinok, produced in collaboration with Thierry De Mey and the Ictus Ensemble.

At the end of 1994, this collaboration resulted in a new creation: Amor Constante más allá de la muerte.

1995

In November 1995, La Monnaie premièred Verklärte Nacht, a choreography that was part of a production of Schönberg music Erwartung/Verklärte Nacht.

In 1995, Rosas and La Monnaie launched in Brussels a new international school for contemporary dance, the Performing Arts Research and Training Studios (PARTS), where sixty students coming from some 25 countries are trained, over a three-year period, by more than 50 teachers.

1996

In December 1996, Woud, three movements to the music of Berg, Schönberg & Wagner was premièred in Seville.

1997

At the beginning of 1997, Anne Teresa De Keersmaeker created, together with Steve Paxton and The Wooster Group, 3 solos for Vincent Dunoyer.

In November 1997, Just Before, to a live performance by the Ictus Ensemble of music composed by Magnus Lindberg, John Cage, Iannis Xenakis, Steve Reich, Pierre Bartholomée and Thierry De Mey, was presented in La Monnaie.

1998

In February 1998, Anne Teresa De Keersmaeker made her debut as an opera director at La Monnaie with Bartók's Duke Bluebeard's Castle.

In August 1998, the Impuls Festival in Vienna premièred Drumming, a production to Steve Reich's composition of the same name.

In November 1998 she created The Lisbon Piece, for the Portuguese Companhia Nacional de Bailado: her first experience as a guest choreographer.

1999

In March 1999, Anne Teresa De Keersmaeker created, together with Rosas dancer Cynthia Loemij and Jolente De Keersmaeker and Frank Vercruyssen from the theatre company STAN, Quartett; a dance-theatre performance based on the text by Heiner Müller.

One month later, she choreographed and danced a duet with Elizabeth Corbett for the production with/for/by.

In May 1999, Rosas premiered I said I, a collaboration with Jolente De Keersmaeker for the direction, with the Ictus Ensemble, Aka Moon and DJ Grazzhoppa for the music composition and execution.

Jan Joris Lamers designed the set and lighting and Dries van Noten the costumes.

2000

For In Real Time in 2000, Rosas again collaborated with Stan, as well as with the jazz-ensemble Aka Moon for the composition and live interpretation of the music.

2001

In January 2001, Anne Teresa De Keersmaeker created Rain, another performance to a score by Steve Reich, his Music for 18 Musicians.

2002

2002 saw the celebration of twenty years of Rosas and ten years of residence at La Monnaie, with the re-run of the text-pieces, the creation of (but if a look should) April me and Rain live, the two latter accompanied by Brussels contemporary music ensemble Ictus.

A 336 pages book Rosas, if and only if wonder was published and a multimedia exhibition was organised in newly opened halls at the Centre for Fine Arts, Brussels, and was attended by over 15,000 people.

Once, a solo to the music of Joan Baez, concluded the celebration year's performances.

2003

2003 showed yet a new evolution: whereas in the past her choreographies had been very precise and closely linked to the music, in Bitches Brew / Tacoma Narrows, De Keersmaeker for the first time allowed improvisation by her dancers during the performance.