Age, Biography and Wiki
Ann Temkin (Ann T. Temkin) was born on 26 December, 1959 in Torrington, Connecticut U.S., is an American art curator (born 1959). Discover Ann Temkin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 64 years old?
| Popular As |
Ann T. Temkin |
| Occupation |
Museum curator |
| Age |
64 years old |
| Zodiac Sign |
Capricorn |
| Born |
26 December 1959 |
| Birthday |
26 December |
| Birthplace |
Torrington, Connecticut U.S. |
| Nationality |
United States
|
We recommend you to check the complete list of Famous People born on 26 December.
She is a member of famous with the age 64 years old group.
Ann Temkin Height, Weight & Measurements
At 64 years old, Ann Temkin height not available right now. We will update Ann Temkin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Ann Temkin Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Ann Temkin worth at the age of 64 years old? Ann Temkin’s income source is mostly from being a successful . She is from United States. We have estimated Ann Temkin's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
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Ann Temkin Social Network
Timeline
Exhibitions that she has curated include: Color Chart: Reinventing Color, 1950 to Today (2008), Gabriel Orozco (2009), Abstract Expressionist New York (2010), Claes Oldenburg: The Street and The Store and Mouse Museum/Ray Gun Wing (2013), Ellsworth Kelly: Chatham Series (2013), Ileana Sonnabend: Ambassador for the New (2013), Jasper Johns: Regrets (2014), Robert Gober: The Heart Is Not a Metaphor (2014), Picasso Sculpture (2015), Studio Visit: Selected Gifts from Agnes Gund (2018), Judd (2020), and Matisse: The Red Studio (2022). She is currently preparing a multi-authored anthology of essays about the first generation of women at MoMA.
She has a daughter, Rachel, and two stepdaughters, Helen and Inga.
Temkin is the author or co-author of several books, including:
Ann Temkin (born December 26, 1959) is the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at The Museum of Modern Art (MoMA) in New York.
Born in Torrington, Connecticut,Temkin is the daughter of Dr. Abraham Temkin and Joann Temkin (née Bernstein).
She earned her bachelor's degree magna cum laude from Harvard University in 1981 and a Ph.D. in art history from Yale University in 1991.
Temkin began her career as a Curatorial Assistant in MoMA's Department of Painting and Sculpture.
She then joined the Philadelphia Museum of Art, first as Assistant Curator and then the Muriel and Philip Berman Curator of Twentieth Century Art.
Her exhibitions included, among others, "Thinking Is Form: The Drawings of Joseph Beuys" (1994), "Constantin Brancusi" (1995), "Alice Neel" (2001), and "Barnett Newman" (2002).
In 2003, she returned to MoMA and was named The Blanchette Hooker Rockefeller Curator in the Department of Painting and Sculpture.
In 2008, Temkin became the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture.
Upon assuming leadership of the department, Ms. Temkin initiated the reimagining of the Museum’s collection galleries, transforming them from medium-specific spaces into integrated presentations that are fluid rather than fixed, and offer multiple points of view rather than one canonical narrative.
Ms. Temkin has also focused on reshaping the acquisitions program of the Painting and Sculpture Department, dramatically expanding the breadth of the collection.
