Age, Biography and Wiki

Angelo Ippolito was born on 7 November, 1922 in Sant'Arsenio, Italy, is an American painter. Discover Angelo Ippolito's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 78 years old?

Popular As N/A
Occupation N/A
Age 78 years old
Zodiac Sign Scorpio
Born 7 November 1922
Birthday 7 November
Birthplace Sant'Arsenio, Italy
Date of death 29 October, 2001
Died Place Johnson City, New York, U.S.
Nationality Italy

We recommend you to check the complete list of Famous People born on 7 November. He is a member of famous painter with the age 78 years old group.

Angelo Ippolito Height, Weight & Measurements

At 78 years old, Angelo Ippolito height not available right now. We will update Angelo Ippolito's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Angelo Ippolito Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Angelo Ippolito worth at the age of 78 years old? Angelo Ippolito’s income source is mostly from being a successful painter. He is from Italy. We have estimated Angelo Ippolito's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
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Source of Income painter

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Timeline

1922

Angelo Ippolito (7 November 1922 – 29 October 2001) was an American painter best known for color field oils on canvas that have been exhibited and collected internationally, as well as for his central role in inaugurating the downtown art scene of postwar New York.

Ippolito's family immigrated to the United States when he was 9 years old.

After serving in the Philippines during World War II, he studied with Amédée Ozenfant and John Ferren in New York and Afro in Rome.

1950

The Tanager Gallery inaugurated the Tenth Street-avant-garde scene of the 1950s, and its members soon grew to include artists such as Sally Hazelet, Alex Katz and Philip Pearlstein.

Its primary audience was other artists who were "simultaneously participants and spectators."

The Tanager's founders actively sought out underrecognized artists, giving a first show to artists who would later become famous, including Elise Asher, Alfred Jensen, and Jasper Johns.

1952

In 1952 he and painter Fred Mitchell invited artists Lois Dodd, William King, and Charles Cajori to join in founding the first artist-run downtown gallery in New York.

1960

Ippolito's canvases from the later 1960s explored the abstract possibilities of the midwestern U.S. landscape.

His former teacher John Ferren remarked that he "could spend a summer in the landscape of Ippolito."

1961

Ippolito later accepted positions as artist-in-residence at the University of California at Berkeley (1961–62) and as a professor of art at Michigan State University (1963–71) and Binghamton University (1971-2001).

1970

In the 1970s his paintings became more expansive and bright-hued, prompting critic Hilton Kramer to write, "the pleasure of color remains his primary concern, and he is a virtuoso in the handling of it. Some of his finest effects, in these new paintings, are achieved when he is juggling bold areas of hot color with an almost reckless abandon."

In the following two decades, Ippolito's paintings diverged further from their roots in the landscape to explore atmospheric visions.

1974

As he told art historian Kenneth Lindsay in 1974, "When I find the color of the painting I find the form."

Ippolito's work has been exhibited in international venues such as the Carnegie International and São Paulo Biennale and collected by museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Yale University Art Gallery, The Phillips Collection, and the Hirshhorn Museum and Sculpture Garden.

2001

After his death on October 29, 2001 he was interred at Green-Wood Cemetery in Brooklyn, New York.

Critic Robert Rosenblum called Ippolito's inaugural exhibition at the Bertha Schaefer Gallery "a notable event," writing that "his canvases present abstract analogies to a landscape vision, suggesting earth, horizon line and sky; yet the separate realms of land and air are most often fused together in a single coloristic unity."

Reviewing his later work, artist-critic Fairfield Porter described him as one of the few abstract artists "who uses brilliant color as his material instead of something to dress the painting up with."