Age, Biography and Wiki

Angelo Branduardi was born on 12 February, 1950 in Cuggiono, Lombardy, Italy, is an Italian singer and songwriter (1950-). Discover Angelo Branduardi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 74 years old?

Popular As N/A
Occupation N/A
Age 74 years old
Zodiac Sign Aquarius
Born 12 February 1950
Birthday 12 February
Birthplace Cuggiono, Lombardy, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 12 February. He is a member of famous singer with the age 74 years old group.

Angelo Branduardi Height, Weight & Measurements

At 74 years old, Angelo Branduardi height not available right now. We will update Angelo Branduardi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Angelo Branduardi Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Angelo Branduardi worth at the age of 74 years old? Angelo Branduardi’s income source is mostly from being a successful singer. He is from Italy. We have estimated Angelo Branduardi's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income singer

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Timeline

1950

Angelo Branduardi (born 12 February 1950) is an Italian folk/folk rock singer-songwriter and composer who scored relative success in Italy and European countries such as France, Germany, Belgium, Netherlands and Greece.

Branduardi was born in Cuggiono, a small town in the province of Milan, but early moved with the family to Genoa.

He was educated as a classical violinist in the Genoa music conservatory, Niccolò Paganini.

At the age of 18, he composed the music for the Confessioni di un malandrino (Hooligan's Confession) by Sergei Yesenin.

He is married to Luisa Zappa, who wrote the lyrics for many of his songs.

They have two daughters, Sarah and Maddalena, both musicians.

Branduardi's first album was never released, and resulted from a co-operation with Maurizio Fabrizio, composer and gifted performer.

The first released album, Angelo Branduardi '74 was arranged with Paul Buckmaster.

La Luna ("The Moon"), including "Hooligan's Confession" (translation of a poem by Esenin) and the fine, delicate song giving the LP its name, was a prelude to the success of the following works.

1976

Alla fiera dell'Est (English edition: Highdown Fair, 1976) was Branduardi's first vastly popular album, followed by La Pulce d'Acqua (English version, Fables and Fantasies 1978) and Cogli la prima mela (English edition, Life is the Only Teacher, 1979).

Lyrics for the English versions of Branduardi's albums were written by Peter Sinfield, also lyricist for King Crimson and Emerson, Lake & Palmer.

In those albums, Branduardi exploited themes and patterns from early music, mostly Renaissance and early Baroque.

The song "Alla fiera dell'Est" ("At the Eastern Fair") is still popular among Italians of every age, who test themselves committing to memory all the fable-like, repetitive lyrics.

It is based on an old Jewish song in Aramaic ("Chad Gadya" – One Kid Goat) sung at the end of the Passover Seder night service.

1981

Branduardi (1981) had a more intimate tone, Cercando l'oro ("Searching for Gold", 1983) had very sophisticated and delicate arrangements (starts with a String Quartet), Branduardi canta Yeats ("Branduardi sings Yeats", 1985) was a tribute to William Butler Yeats.

1988

Pane e rose ("Bread and Roses", 1988) was a still inspired, but increasingly dark picture of life and death.

1991

Il Ladro ("The Thief", 1991) marked a very delicate point of Branduardi's life, edging on depression, echoed in a dark, almost cemeterial, style of singing.

1993

The album Si può fare ("It Can Be Done", 1993) brought back Branduardi to normality, but the artist is now struggling to evade the minstrel character which was now too tight for him.

1994

In 1994, he published Domenica e lunedì ("Sunday and Monday"), dedicated to the Italian poet Franco Fortini who was one of Branduardi's professors in his school years.

1996

In 1996, during the celebrations for the restoration of the Duomo of Spilimbergo after the catastrophic 1976 earthquake, he recorded the album Futuro antico ("Ancient Future"), in which he, as an early Baroque musician, keeps reusing, mixing, wording pre-existing material along with his own.

This experience, accomplished with the aid of musicians and musicologists, continued with Futuro antico II and Futuro antico III.

The same year he performed "Te vojo 'bbene assaje" ("I love you so much" in Neapolitan) with Italian pop singer Eugenio Finardi.

1998

In 1998, Branduardi teamed up with Italian stand-up comedian and writer Giorgio Faletti for Il dito e la luna ("The Finger and the Moon").

He subsequently reworked earlier musical themes with writings of and about St. Francis to produce L'infinitamente piccolo ("The Infinitely Small"); he wrote a musical on the same topic (Francesco).

2003

In 2003, a new album, Altro ed altrove ("Other and Elsewhere"), in a time period marked by a rise of racism and intolerance, brought together (mainly) love stories from several cultures.

For the last 10 years, his band, on stage, has been composed of Davide Raggazoni (drums), Michele Ascolese (guitars), Leonardo Pieri (keyboards) and Stefano Olivato (bass and harmonica), or with Ellade Bandini (drums) and Maurizio Fabrizio (guitars and keyboards).

2007

In 2007 "Alla fiera dell'Est" was covered by Israeli singer Shlomi Shabat for a Passover time commercial for cellphone company Pelephone.

Lyrics had a broad spectrum of inspiration: a Danse macabre, the theme of Satan's mistress, Chinese, Native American and Druidic tradition, the apocryphal Gospels.

Concertation owes much to the talents of Maurizio Fabrizio, and exploits unusual instruments for pop music: dulcimer, Pan flute, lute, clarinet, among others – mixed with more standard guitar, bass and drums.

Subsequent albums showed an increasing desire towards experimentation and differentiation.