Age, Biography and Wiki

Angela Schanelec was born on 14 February, 1962 in Aalen, Baden-Württemberg, West Germany, is a German actress. Discover Angela Schanelec's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 62 years old?

Popular As N/A
Occupation Actress, film director, screenwriter
Age 62 years old
Zodiac Sign Aquarius
Born 14 February 1962
Birthday 14 February
Birthplace Aalen, Baden-Württemberg, West Germany
Nationality Germany

We recommend you to check the complete list of Famous People born on 14 February. She is a member of famous Actress with the age 62 years old group.

Angela Schanelec Height, Weight & Measurements

At 62 years old, Angela Schanelec height not available right now. We will update Angela Schanelec's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Angela Schanelec Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Angela Schanelec worth at the age of 62 years old? Angela Schanelec’s income source is mostly from being a successful Actress. She is from Germany. We have estimated Angela Schanelec's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actress

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Timeline

1962

Angela Schanelec (born 14 February 1962) is a German actress, film director and screenwriter.

1998

Her film Places in Cities was screened in the Un Certain Regard section at the 1998 Cannes Film Festival.

2019

In 2019, Schanelec won the Silver Bear for Best Director, for her film I Was at Home, But, at the 69th Berlin International Film Festival.

During the 73rd Berlin International Film Festival, in 2023, Schanelec won the Silver Bear for Best Screenplay, for Music.

Schanelec was born in Aalen, Baden-Württemberg, in Germany.

Her artistic career began as an actress onstage; however, she is best known today for her career as a filmmaker, which began during her time at the Berlin Film and Television Academy (dffb).

There, she studied under Harun Farocki and Hartmut Bitomsky, and met Christian Petzold and Thomas Arslan, with whom she comprised the so-called first wave of the Berlin School.

During this time, she produced her thesis film, I Stayed in Berlin All Summer, a 47-minute featurette.

Schanelec, Petzold and Arslan found support in the budding artistic scene of post-reunification Berlin, and in the production company Schramm Film, operated by Michael Weber and Florian Koerner von Gustorf.

Since graduating from dffb, She has written and directed 7 features and contributed segments to the anthology films Bridges of Sarajevo and Germany 09.

Schanelec's films have premiered at numerous renowned film festivals, including the Cannes Film Festival, the Berlin International Film Festival, and the Toronto International Film Festival.

Critics have generally embraced her cinematic style, which almost exclusively employs lengthy, static shots with little action and ambiguous emotional content, tenuously connected by a narrative.

Marco Abel, a scholar of the Berlin School, argues that her films function through "affective images" which reach the viewer primarily through their visual content, mostly without requiring narrative context.

She is frequently compared to several European avant-garde filmmakers, such as Chantal Akerman, Michelangelo Antonioni, and Robert Bresson, whom she has cited as an important influence.

However, Derek Elley, writing for Variety, called Places in Cities a "joyless snoozer" and remarked that Schanelec's films "throw out no emotional lifelines for the viewer."