Age, Biography and Wiki

Andrew Kuster was born on 1969 in Madison, Wisconsin, United States, is an American writer, composer, and conductor. Discover Andrew Kuster's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 55 years old?

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Age 55 years old
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Born
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Birthplace Madison, Wisconsin, United States
Nationality United States

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Andrew Kuster Height, Weight & Measurements

At 55 years old, Andrew Kuster height not available right now. We will update Andrew Kuster's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Andrew Kuster Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Andrew Kuster worth at the age of 55 years old? Andrew Kuster’s income source is mostly from being a successful writer. He is from United States. We have estimated Andrew Kuster's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income writer

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Timeline

Andrew Thomas Kuster is an American writer, composer, and conductor.

Kuster was born in Madison, Wisconsin, the son of Thomas and Judy Kuster.

He grew up in New Ulm, Minnesota.

After attending Bethany Lutheran College in Mankato, Minnesota, he earned a Bachelor of Music in Composition from St. Olaf College in Northfield, Minnesota.

At St. Olaf he studied composition with Arthur Campbell and performed with the St. Olaf Choir under Kenneth Jennings and Anton Armstrong.

He earned a Master of Music in Composition from Minnesota State University, Mankato, where he studied with Steve Heitzeg.

1997

From 1997 to 2011 he was married to the composer Kristin Kuster.

Currently, he lives in Ann Arbor, Michigan.

Dr. Kuster works as Executive Editor of scholarly editions at Music of the United States of America.

He has written and composed music for Lessons With Hypatia, a fictionalized historical account of the philosopher Hypatia and the burning of the Library of Alexandria for music theater, and The Soulless, a work for music theater set about love, death, and discovering joy in the unexpected.

He regularly organizes and conducts performances and recordings of music for chamber chorus.

He has worked closely with University of Michigan faculty composers Evan Chambers and Andy Kirshner in performances and recordings of their new works.

He has specialized in music by Stravinsky, Messiaen, Amy Beach, Kurt Weill, and Heinrich Schütz.

His conducting responsibilities have included the University of Colorado Women's Chorus, the Boulder Chorale, and the associate conductor of the University Musical Society Choral Union in Ann Arbor.

He co-edited the critical edition of Zaubernacht by Kurt Weill (ISBN 978-0-913574-65-2) and has published several scholarly performing editions of music by Heinrich Schütz, including Geistliche Chor-Music (ISBN 1-4116-4243-0).

His articles about Webern, Rachmaninoff, and Britten have appeared in the Choral Journal, and A-R Editions has published his critical edition of Amy Beach's The Sea-Fairies (ISBN 0-89579-435-7).

2000

In 2000, he received the Doctor of Musical Arts degree in the Literature and Performance of Choral Music from the University of Colorado at Boulder, where he studied with Joan Catoni Conlon, Lawrence Kaptein, Lynn Whitten, William Kearns, and Alan Luhring.

He worked as a text reviewer for the Text Creation Partnership at the University of Michigan and as staff editor for the Kurt Weill Foundation in New York City.

He is a member of the American Choral Directors Association Research and Publications Committee.

2001

In 2001, the American Choral Directors Association awarded Dr. Kuster the Julius Herford Prize for Distinguished Doctoral Research in Choral Music for his writing about Igor Stravinsky's twelve-tone choral works.