Age, Biography and Wiki
Anatoly Efros (Anatoly Vasilievich Efros) was born on 16 July, 1925 in Kharkiv, USSR, is a Soviet theatre and film director. Discover Anatoly Efros's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 62 years old?
Popular As |
Anatoly Vasilievich Efros |
Occupation |
theatre director, film director |
Age |
62 years old |
Zodiac Sign |
Cancer |
Born |
16 July 1925 |
Birthday |
16 July |
Birthplace |
Kharkiv, USSR |
Date of death |
1987 |
Died Place |
Moscow, USSR |
Nationality |
Russia
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We recommend you to check the complete list of Famous People born on 16 July.
He is a member of famous director with the age 62 years old group.
Anatoly Efros Height, Weight & Measurements
At 62 years old, Anatoly Efros height not available right now. We will update Anatoly Efros's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Anatoly Efros's Wife?
His wife is Natalia Krymova
Family |
Parents |
Not Available |
Wife |
Natalia Krymova |
Sibling |
Not Available |
Children |
1 Dmitry Krymov |
Anatoly Efros Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Anatoly Efros worth at the age of 62 years old? Anatoly Efros’s income source is mostly from being a successful director. He is from Russia. We have estimated Anatoly Efros's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
director |
Anatoly Efros Social Network
Instagram |
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Wikipedia |
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Imdb |
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Timeline
Anatoly Vasilievich Efros (Анатолий Васильевич Эфрос; July 3, 1925, Kharkiv — January 13, 1987, Moscow) was a Soviet theatre and film director.
He was a leading interpreter of Russian classics during the Era of Stagnation and "received numerous awards for creative excellence".
His writings on theatre were published in English under the titles The Joy of Rehearsal: Reflections on Interpretation and Practice (ISBN 9780820463384) and The Craft of Rehearsal: Further Reflections on Interpretation and Practice (ISBN 9780820488608).
Efros was born in Kharkiv.
In 1954, he was appointed to run the Central Theatre for Children in Moscow and managed to transform it from a conservative backwater into one of the most fashionable Soviet theatres.
At that early period, he staged many plays by Victor Rozov, including Searching for Happiness (1957), Unequal Battle (1960), Before Supper (1962).
In 1963, Efros moved to the Lenkom Theatre and worked there for three years.
It was there that he staged another of Rozov's plays, On the Wedding Day (1964).
The most fruitful period of Efros's career is associated with his work in the Malaya Bronnaya Theatre (1967–84).
While working in that theatre, he attracted the crowds of Moscow intelligentsia to his impeccably acted productions of Chekhov's Three Sisters (1967), Moliere's Don Juan (1974), and Gogol's The Marriage (1974).
The Communist authorities did not fail to detect a note of discontent in his interpretations of classics and moved to shut them down.
In the 1970s, Efros collaborated with the stage director Yury Lyubimov on several projects.
In 1973, for instance, he directed a TV adaptation of Mikhail Bulgakov's play The Cabal of Hypocrites, with Lyubimov in the title role of Molière.
Two years later, Lyubimov invited Efros into his own Taganka Theatre to stage The Cherry Orchard.
In 1978, he filmed his fifth and final movie, On Thursday, and Never Again.
This psychologically poignant drama, set in the taut atmosphere of Chekhov's plays, featured an impressive cast of actors, led by Innokenty Smoktunovsky.
In 1984, after Lyubimov left the Taganka Theatre for the West, Efros accepted an offer to run that theatre.
Most of the actors, however, treated him as an enemy and sometimes flatly refused to cooperate with him.
It is thought that the conflict with the Taganka actors contributed to Efros's premature death.