Age, Biography and Wiki
Amy Arbus was born on 16 April, 1954 in New York City, U.S., is an American photographer (born 1954). Discover Amy Arbus's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 69 years old?
| Popular As |
N/A |
| Occupation |
Photographer |
| Age |
69 years old |
| Zodiac Sign |
Aries |
| Born |
16 April 1954 |
| Birthday |
16 April |
| Birthplace |
New York City, U.S. |
| Nationality |
United States
|
We recommend you to check the complete list of Famous People born on 16 April.
She is a member of famous Photographer with the age 69 years old group.
Amy Arbus Height, Weight & Measurements
At 69 years old, Amy Arbus height not available right now. We will update Amy Arbus's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Allan Arbus
Diane Arbus |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Amy Arbus Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Amy Arbus worth at the age of 69 years old? Amy Arbus’s income source is mostly from being a successful Photographer. She is from United States. We have estimated Amy Arbus's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Photographer |
Amy Arbus Social Network
Timeline
Amy Arbus (born April 16, 1954) is an American photographer.
She teaches portraiture at the International Center of Photography, Anderson Ranch, NORD photography and the Fine Arts Work Center.
She has published several books of photography, including The Fourth Wall which The New Yorker called her "masterpiece".
Her work has appeared in over 100 periodicals including The New Yorker, Vanity Fair, Rolling Stone, Architectural Digest, and The New York Times Magazine.
From 1980 to 1990, Arbus had a monthly street style column in the Village Voice entitled "On the Street".
On starting with the Village Voice, Arbus said that "I went to the Voice with a portfolio that I had taken of one woman, my friend Jan Collins... All they said to me was 'take a picture of anyone who makes you turn your head.'" These photographs explore performances of self and the ways in which people used fashion as an expression of creativity.
Her column often featured portraits of celebrities and tastemakers early in their careers including Madonna, fashion designer Anna Sui, nightlife impresario Susanne Bartsch, Andre Walker and The Clash.
Arbus shot her subjects from slightly below to "suggest they were monuments".
In 2006, Welcome Books published On the Street : 1980–1990, a collection of more than 70 of the most influential images from Arbus' time at the Village Voice, those that "lend a voice to an era when individuality and self-expression were fighting for breathing room in a culture that valued economics over creativity".
John Spellos then created a documentary called On the Street following Arbus as she tracked down the subjects of these photographs 25 years after they were taken.
In a talk at UCLA's Hammer Museum, Arbus described her reluctance to become a photographer and her years studying at the Berklee College of Music and hanging out with The Cars (then still unknown), before studying at the Museum of Fine Arts, Boston.
In an interview published in The Guardian, she explains her initial reluctance to enter the field of photography, stating, "I was holding myself back, afraid to compete with this legend... But I remember the minute the viewfinder came up to my eye, I thought, I'm home."
Her work is held in the following public collections:
