Amar Kanwar

Amar Kanwar (b. 1964) is an Indian filmmaker.

His work challenges the limits of the medium in order to create complex narratives traversing several terrains such as labour and indigenous rights, gender, religious fundamentalism and ecology.

Kanwar was born in New Delhi in 1964 where he continues to live and work as a filmmaker.

Kanwar studied at the Department of History, Ramjas College, Delhi University (1982-1985), and at the Mass Communication Research Center, Jamia Millia Islamia, New Delhi (1985–87).

After making a few films, Kanwar joined the People's Science Institute in 1988 as a researcher on occupational health and safety in the coal-mining belt of Madhya Pradesh in central India.

He returned to filmmaking in 1990, and his films were then shown primarily in public campaigns, community spaces and film festivals in India and across the world.

In 2002, Kanwar was invited to exhibit at Documenta 11 in Kassel whereupon his work has also been presented in several art exhibitions and museums.

Kanwar has also participated in Documenta 11, 12 and 13 in Kassel, Germany (2002, 2007, 2012).

Connecting with diverse audiences, in multiple public spaces, Kanwar also participated in the next three editions of the Documenta exhibition in 2007, 2012 and 2017.

He has been an eminent voice in film and art for the past two decades.

Kanwar was one of the three curators for Istanbul Biennial 2021.

His key works have been A Season Outside, a reflective essay on violence; A Night of Prophecy on the poetry of resistance; the multiple projection installations The Lightning Testimonies about sexual violence in public conflicts; and The Torn First Pages on the Burmese democracy movement.

Other solo exhibitions have been at the Stedelijk Museum, Amsterdam, Netherlands (2008); Haus der Kundst, Munich, Germany (2008); the Whitechapel Art Gallery, London, U.K. (2007); the National Museum of Art, Architecture and Design, Oslo, Norway (2006) and the Renaissance Society, Chicago, USA (2004).

Kanwar's recent work, The Sovereign Forest (2012 – ongoing) is a profound interrogation of the politics of violence and justice.

Initiating a creative response to our understanding of crime, human rights, and ecology, it engages viewers in manifold ways of seeing and comprehending as it presents a set of propositions that investigates the notion of "poetry as evidence"; and Such a Morning, a modern parable about two people’s quiet engagement with truth.

Other awards have been Best Public Service Short Film at Vatavaran International Environment Film Festival, New Delhi (2012); Best Film Award at One Billion Eyes Film Festival, Chennai (2011); Jury Special Mention at One Billion Eyes Film Festival, Chennai (2009); Honorary Doctorate in Fine Arts, Maine College of Art, USA (2006); Certificate of Merit at San Francisco International Film Festival, California, USA (2002); Golden Tree Award at Vatavaran, National Environment & Wildlife Film Festival, New Delhi (2002); The Grand Prix, EnviroFilm, Slovak Republic (2002); National Jury Award at Mumbai International Film Festival, India (2002); The First Prize at Torino International Environment Film Festival, Italy (2002); Jury's Award at Film South Asia, Kathmandu, Nepal (2001); MacArthur Fellowship, India (2000); Golden Orange Award at 36th Antalya International Film Festival, Turkey (1999) and the Golden Conch Award at Mumbai International Film Festival, India (1998).

Recent solo exhibitions of Kanwar's work have been held at the Metropolitan Museum of Art, New York (2022); Ishara Art Foundation, Dubai (2020); NYUAD Art Gallery, Abu Dhabi (2020); Museo Nacional Thyssen-Bornemisza, Madrid (2019); Tate Modern, London (2018); Bildmuseet, Umea University, Sweden (2017 - 2018); Goethe Institut/Max Mueller Bhavan, Mumbai (2016) and at the Assam State Museum in collaboration with Kiran Nadar Museum of Art and North East Network, India (2015).

Retrospectives of his films have been held at film festivals including the 5th International Documentary and Short Film Festival of Kerala, Kerala State (2012); the 13th Madurai International Documentary and Short Film Festival (2011); the Documentary Dream Show, Tokyo (2010); the Parallel Perspectives Film Festival, Hyderabad (2008); and the 9th International Short Film Festival, Bangladesh (2005).

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In 2013 and 2014 at the Art Institute of Chicago, USA; the Yorkshire Sculpture Park, U.K.; Thyssen-Bornemisza Art Contemporary (TBA 21), Vienna, Austria and at the Fotomuseum Winterthur, Switzerland (2012).

Recent group exhibitions have been presented at Castello Di Rivoli, Turin (2022); Documenta 14, Athens and Kassel (2017); The Garden Sees, Megaron, Athens (2017); #Resist, Goethe-Gallery & Black Box Studio, Hong Kong (2017); the Frac des Pays de la Loire, Carquefou (2016); the Devi Art Foundation with Salima Hashmi, New Delhi (2016); MDE'15, Colombia (2015); Kemper Art Museum, St. Louis, USA (2014); Kiran Nadar Museum of Art, New Delhi, India (2014); 56th Carnegie International, USA (2013); Guggenheim Museum, New York, USA (2013 and 2012); 13th Istanbul Biennial, Turkey (2013); 5th Moscow Biennale of Contemporary Art, Russia (2013); 11th and 15th Sharjah Biennale, UAE (2013, 2023); 1st Kochi Biennale, India (2013); Tarra Warra Museum of Art, Victoria, Australia (2013) and the Bristol Museum, U.K. (2013).

In 2018, Kanwar was part of the selection committee that nominated Ruangrupa as artistic director of Documenta fifteen.

Kanwar has received several awards for his work as a filmmaker and artist, including the IHME Helsinki Commission (2022); Prince Claus Award (2017); Golden Gate at the San Francisco Film Festival (1999); the Edvard Munch Award for Contemporary Art, Norway (2005); and Leonore Annenberg Prize for Art and Social Change (2014).