Alim Qasimov

Alim Hamza oghlu Qasimov (Alim Həmzə oğlu Qasımov; born August 14, 1957) is an Azerbaijani musician and one of the foremost mugham singers in Azerbaijan.

Born in 1957, Qasimov grew up in Nabur of Shamakhi, Azerbaijan, a village 100 km north of the capital Baku.

His family worked on a Soviet commune and Qasimov worked alongside his parents from a young age.

He later reflected that growing up in poverty helped him to live modestly later in life and he never attempted to extricate himself from his peasant background.

Qasimov's father was an occasional singer with a good voice but he was a humble man; he never pursued a professional career in singing.

Qasimov on the other hand was a keen singer from a young age and his parents noticed his musical desire.

Lacking the money to buy him an instrument, his father used a frame and a goat's stomach lining to make a crude drum for his son.

He began singing at religious events and his parents suggested that he study music at school.

The form proved difficult for him at times: once, while performing in a local music contest at the age of fourteen, the audience—thinking he did not grasp the correct traditional style—laughed him off the stage.

Despite various setbacks, his parents urged him to persist and he did, enrolling in the state music school in Baku at the age of 21 years.

The course consisted of four years of study, specialising in vocal technique and mugham—the repertoire of classical Azerbaijani song.

It was here that Qasimov honed his voice and his teachers were so impressed that they encouraged him to take the final exams two years early.

He refused, stating that he still needed time to perfect his abilities.

He had realised that music was no longer a pastime for him, but rather a necessity, saying his sole talent and desire was for music.

Over the final years of his study he refined his vocal technique, easily passing the final exam, but he later reflected that he had placed too much emphasis on vocal perfection; he believed it was not until later that he fully understood the deeper content and emotion of mugham.

Qasimov began singing professionally while Azerbaijan was still under Soviet rule and the mugham form had not received support from the state.

Performances were restricted and, whilst a few singers aimed to preserve the history of the traditional style, the ruling communist party largely regarded it as a local curiosity.

As his career was blossoming, so was his personal life—Qasimov and his wife, Tamilla Aslanova, had their first child in 1980, Ferghana Qasimova, and later had two more children: a son, Gadir, and second daughter, Dilruba.

Despite such changes, Qasimov's background continued to shape his personality and music, dismissing the foreign influences found in cities and television.

Over time, Qasimov's style had developed to include not only traditional Azerbaijani music and mugham, but also ashiq, a rural bardic tradition with roots in Turkey, Azerbaijan and the Azeri region of Iran.

In addition, he was influenced by artists from other disciplines, placing particular importance on Qawwali singer Nusrat Fateh Ali Khan: "When I heard him in concert many doors were opened for me and many questions answered".

His success was all the more impressive for he had broken from the traditional style of mugham and brought his own interpretation to the genre.

He saw this as a way of showing mugham to a wider audience and making it relevant to contemporary society, saying: "The world in which we live changes daily. Music has to lend emotional expression to this vitality. I accommodate that by seeking out new paths and interpretations".

Similarly he revolutionised the strict mugham instrumentation, introducing his own improvisation and including new sounds such as the double-reeded balaban (also known as a duduk), the clarinet and the nagara, a metal-bodied drum.

Additionally, he remained conscious of the need to modernise when choosing his ensemble; mixing older, experienced players with younger, more dynamic musicians.

However, Qasimov's growing popularity was accompanied by declining Soviet influence and in 1983 he won the national Jabbar Garyaghdioghlu Singing Competition.

As his career progressed he was recognised internationally, winning awards at the 1983 and 1987 UNESCO Symposia on Traditional and Modern Art of Central Asian and Asian Countries.

His tours were very well received in his both home country and abroad; as travel outside the Soviet Union was rare for citizens at the time, his tours and concerts garnered much press and many television announcements.

The 1990s saw Qasimov tour widely with concerts in Iran, Brazil, the United States and throughout Europe.

His music gained more exposure in Europe and North America when a chance meeting with American musician Jeff Buckley at a classical music festival in France resulted in a collaboration.

Buckley was a fan of Qasimov's music and they performed a duet of "What Will You Say" which featured on Buckley's Live à l'Olympia release.

Buckley, an avid listener of Qawwali, was highly impressed with Qasimov's performance, noting: "he just came with his drum, and he sang, and it was so pure and effortless... That's what the voice is for".

Qasimov was equally pleased with the collaboration, stating that his American counterpart "was very gifted and had a real feeling for Eastern people."

The performance resulted in the introduction of Qasimov's music to a broader Western audience.

He was awarded the International Music Council-UNESCO Music Prize in 1999, one of the highest international accolades for music.

His music is characterized by his vocal improvisation and represents a move away from the traditional style of mugham.

Qasimov has recorded nine albums, three of which are mugham albums with his daughter, Farghana Qasimova.

According to The New York Times, "Qasimov is simply one of the greatest singers alive, with a searing spontaneity that conjures passion and devotion, contemplation and incantation."

He joined fellow Azerbaijani Sabina Babayeva on stage at the Grand Finale of the Eurovision Song Contest 2012 in Baku to sing back vocals for her entry, "When the Music Dies."

Additionally, Qasimov was featured as part of the opening act of the Grand Final.