Acker Bilk

Bernard Stanley "Acker" Bilk, (28 January 1929 – 2 November 2014) was an English clarinetist and vocalist known for his breathy, vibrato-rich, lower-register style, and distinctive appearance – of goatee, bowler hat and striped waistcoat.

Bilk was born in Pensford, Somerset, in 1929.

He earned the nickname "Acker" from the Somerset slang for "friend" or "mate".

His parents tried to teach him the piano but, as a boy, Bilk found it restricted his love of outdoor activities, including football.

He lost two front teeth in a school fight and half a finger in a sledging accident, both of which he said affected his eventual clarinet style.

On leaving school Bilk joined the workforce of W.D. & H.O. Wills's cigarette factory in Bristol; he stayed there for three years, putting tobacco in the cooling room and then pushing tobacco through a blower.

He then undertook three years of National Service with the Royal Engineers in the Suez Canal Zone.

He learned the clarinet there after his sapper friend, John A. Britten, gave him one bought at a bazaar and for which Britten had no use.

The clarinet had no reed, so Britten fashioned a makeshift one for the instrument from scrap wood.

Bilk later borrowed a better instrument from the army and kept it after demobilisation.

After National Service, Bilk joined his uncle's blacksmith business and qualified in the trade.

It was from here that Bilk became part of the boom in trad jazz in the United Kingdom in the late 1950s.

Bilk played with friends on the Bristol jazz circuit and in 1951 moved to London to play with Ken Colyer's band.

Bilk disliked London, so returned west and formed his own band in Pensford called the Chew Valley Jazzmen, which was renamed the Bristol Paramount Jazz Band when they moved to London in 1951.

Their agent then booked them for a six-week gig in Düsseldorf, Germany, playing in a beer bar seven hours a night, seven nights a week.

During this time, Bilk and the band developed their distinctive style and appearance, complete with striped waistcoats and bowler hats.

After returning from Germany, Bilk became based in Plaistow, London, and his band played in London jazz clubs.

(Vera Lynn was the first, with "Auf Wiederseh'n Sweetheart" in 1952.) "Stranger on the Shore" sold over one million copies, and was awarded a gold disc.

At the height of his career, Bilk's public relations workers were known as the "Bilk Marketing Board", a pun on the Milk Marketing Board.

In 1960, their single "Summer Set" (a pun on their home county), co-written by Bilk and pianist Dave Collett, reached number five on the UK Singles Chart, and began a run of 11 chart hit singles.

("Summer Set" was also used prominently in Daniel Farson's controversial 1960 television documentary Living for Kicks, a portrait of British teenage life at the time).

However, he did record a series of well-regarded albums in the mid-1960s.

In 1961 "Acker Bilk and His Paramount Jazz Band" appeared at the Royal Variety Performance.

Bilk's 1962 instrumental tune "Stranger on the Shore" became the UK's biggest selling single of 1962.

It spent more than 50 weeks on the UK charts, peaking at number two, and was the second No. 1 single in the United States by a British artist.

Bilk was not an internationally known musician until 1962, when the experimental use of a string ensemble on one of his albums and the inclusion of a composition of his own as its keynote piece won him an audience outside the UK.

He had composed a melody, entitled "Jenny" after his daughter, but was asked to change the title to "Stranger on the Shore" for use in a British television series of the same name.

He went on to record it as the title track of a new album in which his deep and quavering clarinet was backed by the Leon Young String Chorale.

The single was not only a big hit in the United Kingdom, where it stayed on the charts for 55 weeks, helped by Bilk being the subject of the TV show This Is Your Life, but also topped the American charts.

As a result, Bilk was the second British artist to have a single in the number-one position on the Billboard Hot 100 singles chart.

At the height of his international fame in 1962, he appeared in two theatrical motion pictures.

It's Trad, Dad! (released in the United States by Columbia Pictures as Ring-a-Ding Rhythm) was a Richard Lester musical combining dixieland and rock-and-roll specialties; "Mr. Acker Bilk" and his band were the best represented, with three songs and a speaking role for Bilk.

The second picture, Band of Thieves, was a comedy starring "Mr. Acker Bilk" and his group as musicians in prison.

His music was also heard on the soundtracks to films such as Bitter Harvest (1963), West 11 (1963), and the musical comedy It's All Over Town (1964).

He also played a cameo role in the latter film.

Bilk's success tapered off when British rock and roll made its big international impact beginning in 1964 and he shifted direction to the cabaret circuit.

Three of them, including the 1965 collaboration Together, with the Danish jazz pianist and composer Bent Fabric ("Alley Cat"), were also released successfully in the United States on the Atlantic Records subsidiary Atco.

In 1968 the album Blue Acker, produced by Denis Preston and with arrangements by Stan Tracey, illustrated that Bilk remained highly regarded as a musician, even by those (like Tracey) on the "modern jazz" side of things.

Duncan Heining rates it as "one of the highlights of British jazz of the period".

Bilk finally had another chart success in 1976 with "Aria", which went to number five in the United Kingdom.