Abigail Susik

In Surrealist Sabotage, Susik analyzes the critique of wage labor in European and American surrealism between the 1920s and the 1970s.

Abigail Susik (born 1977) is an American art historian, art critic, curator, and theorist of avant-garde and contemporary art.

Susik's scholarly research purview includes transnational surrealism, dada, photography, experimental film, animation, protest art, new media art, erotic art, and projection mapping. Susik also writes about countercultural resistance movements and anti-work or abolitionist theories including the history and theory of strike and sabotage.

She is a Joint Editor of the Bloomsbury Publishing Transnational Surrealism Book Series and a Board Member of Charles H. Kerr Publishing.

Susik is best known for her book Surrealist Sabotage and the War on Work, published in 2021 by Manchester University Press.

After graduating with a B.A. in English, Art History, and Creative Writing from Barnard College in 1999, Susik studied in the Department of History of Art and Architecture at Columbia University, receiving her M.A. in 2001, her M.Phil.

in 2004, and her Ph.D. in 2009.

During her graduate degrees, she studied with Rosalind Krauss, Benjamin Buchloh, Anne Higonnet, Jonathan Crary, John Rajchman, and Andreas Huyssen.

Susik is an Associate Professor and Department Chair of Art History at Willamette University, as well as a faculty advisor for the Master of Arts Critical Studies Program at the Pacific Northwest College of Art.

From 2009-2021 Susik was a postdoctoral teaching fellow in Art History at Millsaps College.

In 2022-2023 Susik was a City of Vienna/IFK Senior Fellow at the IFK International Research Center for Cultural Studies in Vienna, and in 2023-2024 she is the Allen W. Clowes Fellow at the National Humanities Center.

She has been named a spring 2025 Senior Fellow at the Institute for Advanced Study at Central European University in Budapest.

She is a founding Board Member of the International Society for the Study of Surrealism and an Associate Editor of its publication, International Journal of Surrealism. Between 2015 and 2019 she was a Member of the New Media Caucus Board of Directors and an Associate Editor of its publication, Media-N, Journal of the New Media Caucus.

Susik curated an exhibition devoted to the modernist nude photography of Imogen Cunningham at the Hallie Ford Museum of Art in 2016.

In Autumn 2024, her co-curated retrospective of the surrealist artist Alan Glass will open at the Museo del Palacio de Bellas Artes in Mexico City, traveling thereafter to Montreal.

Susik's research focuses on modern and contemporary art and theory, the historiography of art history, Marxism, anarchism, Frankfurt School theory, Marxist feminism, social reproduction theory, labor theory of value, and the history of anti-capitalist protest movements.

Her research on post-World War II radicalism in the United States resulted in published interviews and profiles on Paul Buhle, John P. Clark, Silvia Federici, Ben Morea, and Penelope Rosemont.

She teaches a wide array of courses at Willamette University, including 18th through 21st century art history, a monographic course on Marcel Duchamp, methodologies of art history, Museology, History of photography, and a seminar on the critique and refusal of work.

Susik has published interviews, profile essays, and op-eds in the Los Angeles Review of Books, The New York Times, and The Washington Post.

She is a regular contributor to radical publications such as Fifth Estate and Freedom.

She has authored or co-authored studies on artists and writers including Louis Aragon, Walter Benjamin, André Breton, Leonora Carrington, Óscar Domínguez, Marcel Duchamp, Isidore Ducasse, Max Ernst, Alan Glass, Eugène Grasset, Alejandro Jodorowsky, Konrad Klapheck,, Michel Leiris, D. E. May, Man Ray, Hans Richter, Franklin Rosemont, Penelope Rosemont, Françoise Sullivan, Cy Twombly, and Jules Verne.

Susik's book Surrealist Sabotage and the War on Work was published in 2021 by Manchester University Press.