Age, Biography and Wiki
Altynai Asylmuratova (Altynai Abduakhimkyzy Asylmuratova) was born on 1 January, 1961 in Almaty, Kazakh SSR, Soviet Union, is a Kazakh-born Ballerina, Teacher, and Artistic Director. Discover Altynai Asylmuratova's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 63 years old?
Popular As |
Altynai Abduakhimkyzy Asylmuratova |
Occupation |
Ballerina (1978–2000), ballet teacher (2000–present) |
Age |
63 years old |
Zodiac Sign |
Capricorn |
Born |
1 January, 1961 |
Birthday |
1 January |
Birthplace |
Almaty, Kazakh SSR, Soviet Union |
Nationality |
Kazakh
|
We recommend you to check the complete list of Famous People born on 1 January.
She is a member of famous teacher with the age 63 years old group.
Altynai Asylmuratova Height, Weight & Measurements
At 63 years old, Altynai Asylmuratova height not available right now. We will update Altynai Asylmuratova's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Altynai Asylmuratova's Husband?
Her husband is Konstantin Zaklinsky
Family |
Parents |
Not Available |
Husband |
Konstantin Zaklinsky |
Sibling |
Not Available |
Children |
Anastasia Zaklinskaya (b. 1993) |
Altynai Asylmuratova Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Altynai Asylmuratova worth at the age of 63 years old? Altynai Asylmuratova’s income source is mostly from being a successful teacher. She is from Kazakh. We have estimated Altynai Asylmuratova's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
teacher |
Altynai Asylmuratova Social Network
Timeline
Her mother, Galina Sidorova, was originally from Leningrad, where her parents danced on the stage in the 1920s and 30s.
After graduating from college, Galina Sidorova married a military man, during World War II on the Eastern Front.
There Galina began to dance in the ballet troupe of the Abay Opera House and, having divorced her first husband, married Abduakhim Asylmuratov.
After the end of the war, Galina Sidorova stayed in Almaty, where Altynai was born.
Altynai spent her childhood behind the scenes of the theater.
She loved to dance, but her mother, knowing the difficulties of the profession, did not want to send her child to a ballet school.
Altynai was sent to Leningrad for the entrance exams to the Leningrad Choreographic School only thanks to the persistence of her grandmother and grandfather.
Altynai Abduakhimkyzy Asylmuratova (Алтынай Абдуахимқызы Асылмұратова, Altynai Abduahimqyzy Asylmūratova; born 1 January 1961) is a Kazakh-born former ballerina who is artistic director of the ballet company at Astana Opera.
She is a former prima ballerina with the Kirov Ballet and a guest artist all over the world.
Altynai Asylmuratova was born in Almaty, Kazakhstan into a theatrical family: the life of her parents and grandparents were associated with ballet.
Altynai Asylmuratova's parents were graduates of the Leningrad Choreographic School.
Her father, Abduakhim Asylmuratov, honored Artist of the Kazakh SSR, was a soloist of the Abay Opera House, after – the artistic director of the Almaty choreographic school.
Her grandfather was the chief choreographer of the Kazakh National Conservatory, and her paternal great-grandfather was a deputy of the State Duma (Russian Empire) of the first convocation.
Asylmuratova graduated in 1978 in the class of Inna Zubkovskaya, after which she was accepted into the corps de ballet of the Kirov State Academic Theatre of Opera and Ballet.
From 1980 to 1999, Asylmuratova was a soloist of this theater, and was also a prima ballerina from 1987 to 1999.
She worked with teacher/tutor Olga Moiseeva.
In addition, Asylmuratova was the subject of a 1982 documentary Backstage at the Kirov which followed her as she prepared to dance the lead in Swan Lake.
Asylmuratova was also a soloist of the Royal Ballet from 1989 to 1993.
Asylmuratova became more popular in Western theaters than in those of her home country due to her frequent guest appearances abroad, including Roland Petit's company.
She was much admired both for her looks and the beauty of her dancing.
Her repertoire included all the classical ballet rôles in Swan Lake, The Sleeping Beauty, Giselle, Don Quixote, and La Bayadère, Mikhail Fokine pieces such as The Firebird and Les Sylphides, as well as modern classics like Romeo and Juliet, works by choreographer George Balanchine and Roland Petit.
Videos of her dancing in Le Corsaire, La Bayadère, Les Sylphides, and The Sleeping Beauty are available.
In 1999, she received the St. Petersburg theater award "Golden Sofit" for her performance of the title role in the ballet Carmen, staged at the Mariinsky Theater.
In the same year, at the peak of her career, Asylmuratova left the stage and took up teaching at her alma mater, the Vaganova Academy of Russian Ballet.
In 2000 she was appointed artistic director of the Vaganova Academy.
In 2002 and again in 2012, she was a juror of Benois de la Danse.
In 2003, she was a juror of the international competition Le Prix de Lausanne (Switzerland), and was repeatedly a juror of the Dance Open (St. Petersburg).
In 2013, Asylmuratova was forced to resign from her position at Vaganova after the new rector, Nikolai Tsiskaridze, was appointed by the Ministry of Culture.
She was immediately invited to work at the Mikhailovsky Theater, where from 13 December 2013 to March 2014, she was an adviser to the General Director for ballet.
In 2015, Asylmuratova became artistic director of ballet at Astana Opera, Kazakhstan.
In 2016 Nursultan Nazarbaev hired her as rector of the Kazakhstan Academy of Choreography.